Thoughts I Had...While Admiring the Beauty of Brangelina in "By the Sea"

abstew here with some random thoughts on the just released new stills from the newest directorial effort of Oscar winner Angelina Jolie, By the Sea. EW received the exclusive pics (hence the magazine's watermark on the photos) and a mini-interview with the writer/director/producer and star that pairs her up on screen with new husband Brad Pitt (their first on-screen partnering since the film that brought them together and launched a million tabloid magazine covers, Mr. and Mrs. Smith). Set in the 1970's, Jolie stars as a former ballet dancer travelling France with her American husband (that would be Pitt, naturally). Their marriage is beginning to show signs of strain and they find themselves drawn to the inhabitants of a small costal town on their journeys...and comedy ensues! (But probably not):

• Damn. I feel like they just announced this film was in the works and we already have photos after one week of shooting...and just three weeks after a super secret marriage? Beautiful, talented, and hyper-organized. That Jolie-Pitt household must run like a well-oiled machine. Which I guess it would have to considering how many children there are to juggle as well.
• I love that instead of going on a traditional honeymoon, Brad and Angelina chose to spend 8 weeks filming a domestic drama together. Apparently Angie's calling it a "Workingmoon". Ugh.
• God, they're both so pretty. Just look at that face. If Madonna were singing about movie stars of today it would be, "Angelina: Gave Good Face."
• I'm getting serious Sophia Loren vibes from Angie in this pic. 
• Everyone is always complaining that Angie is a movie star without the movies to back it up. After the commercial success of Maleficent, could this be the critical hit that boosts her film legacy?
• Film about a failing marriage, starring Hollywood's biggest real-life couple - is it too much pressure to already compare this to Elizabeth Taylor and Richard Burton in Who's Afraid of Virginia Woolf? 
• Although the last time we had Angie in a lush European setting we got everyone's favorite Musical or Comedy The Tourist, so...yeah, maybe too much pressure. I should settle for something in between the two.
• But how great would it be if Brad and Angie were both nominated for acting Oscars in the same year for the same film? Maybe throw Jon Voight in there too just to make it a complete family affair.

• Honestly, can we get Brad Pitt an acting Oscar already?! They can keep it on a separate shelf away from the producing Oscars and give Angie's Best Supporting Actress acting statue some company. And Zahara, Shiloh, and lil Vivienne can dress them up in doll clothes.
• Sideburns, creepy sunglasses, and pornstache? Yep, this is definitely set in the 70's.
• Although staring into that mirror, I half expect him to reenact the final scene in Boogie Nights. "I am a star..."
• Isn't Mélanie Laurent in this as well? I want a picture of her, too! God, she's so good in Beginners and Inglorious Basterds (with Pitt!).
• I actually didn't like Brangelina's last on-screen pairing, but there was no denying their combustible chemistry. I'm curious if after almost 10 years together they'll still be able to make that spark between them light up the screen. And I know we generally wait for an actual trailer before utilizing Yes, No, Maybe So, but I'm already a Yes...

Universal is releasing By the Sea sometime next year (most likely in the Fall). But in the meantime, we'll have countless red carpet and awards show appearances this season for both stars as Pitt has Oscar hopeful Fury opening October 17 and the Angelina Jolie-helmed Unbroken opens Christmas Day.

Beauty vs Beast: American Beauty vs American Beast

JA from MNPP here - it's that "Beauty vs Beast" time again! Over the past few months a lot's been written about the wonderful movie year that was 1999 now that we're a solid fifteen years away from it (Nathaniel touched upon this back in July) but seeing as how today, September 15th, marks the exact anniversary of the release of the film that would roll on to win that's years Best Picture, I figure it's time to pit some angry suburbanites against each other.

Yup, American Beauty turns 15 today. The dust on everybody's Oscars - Kevin's, Sam's, Annet... oh wait, nevermind (sorry Hilary Swank made me do it) - is fifteen years thick. (Of course if Annette had won that Oscar she'd have never let the dust get that thick - she'd strip down to her slip and scrub scrub scrub that sucker.) And all that built-up time, well it hasn't been too kind to the movie, if you ask me. But why ask me? Go read this piece at Decider on the film from just a week ago, it kind of says it for me. But now that I'm a little older the film (and Lester's) relentless villainization of Carolyn's character does indeed stick in my craw. But what about you?

poll by twiigs.com

Per usual you've got one week, seven days, to let the world know where you stand. Try not to get lost staring at plastic bags while stoned out of your mind, if at all possible.

PREVIOUSLY Speaking of being high, I'm still coming down from my John Waters high thanks to last week's retrospective at The Film Society of Lincoln Center here in New York (I saw him introduce Final Destination over the weekend! Shoot me now, it's all down-hill from that), but we can close the door on our Female Trouble themed poll at least... and nobody beats Divine. As Henry put it:

"Divine........there is only one Divine.......Christmas Trees beware the spurned Santa wish for Cha Cha Heels."

Open Thread. What did I miss?

THE LEFTOVERS just gets better and better. how phenomenal is Ann Dowd any way?It occurred to me yesterday while making an exceedingly poor attempt to fully recuperate from TIFF madness (I should have been resting my strained eyeballs but instead I was emptying the DVR) that I had missed two whole weeks of regular news. I joked about this on twitter but I'm 150% sure that I missed something I'd actually like to have known about!

It's easy to miss things, even if you're fully immersed in the industry. (An example: I was talking to Felicity Jones at that Theory of Everything party about her scenes with Charlie Cox, who is so sweetly crush-worthy in the movie, and she somehow hadn't heard that he was the new Daredevil for Netflix!)

What movie things, besides TIFF and the standard Oscar buzz, have been on your mind these past couple of weeks?

Catch me back up. Fill me in.

Back to School with, um, Back to School

Andrew here with the late and last back to school entry, which makes sense because the 1986 mega-hit Back to School is all about heading back to school late.

Those first few back at school are always a hassle for students, sure. But, they’re probably not that simple for the educators, either. Think about it. It’s your first day teaching a new class of students. How do you make a great first impression so that they’re interested in your class, not just for the first day, but for the rest of the semester?               

With that in mind, watching both the students and lecturers at college navigate those first classes in Back to School become even more interesting. Sixty year old Thornton Melon heads back to university as a show of solidarity to prevent his disillusioned son from dropping out. He’s a virtual fish out of water adapting to lowly freshman life after being a business mogul for so many years. He has a number of unusual first week experiences with lecturers with varying degrees of success. But one emerges as particularly impressive; Thornton’s first literature class.

What's a good way to ensure a first day in literature class isn't boring or stolid? Enter Sally Kellerman as Diane Turner in her red sweater, dishevelled hair and floral skirts. How to make the a great first impression to the students on this first day? No preamble, for her, she instead immediately launches into the reading of a passage from James Joyce’s Ulysses...

Click to read more ...

Box Office Report - No Good Dolphin Tale

Margaret here, back to report on another quiet weekend at the box office. Powered by the considerable force of charisma that Idris Elba and Taraji P. Henson supply, home-invasion thriller No Good Deed topped the box office with close to 25 million. In second place is the family film Dolphin Tale 2, which took in decent dollars despite an aggressively bland marketing campaign and the fact that the first one was barely a hit. Guardians of the Galaxy dropped only 22% to third place, and is now the first movie since Frozen to pass $300 million domestically. The Year of Chris Pratt continues.

WEEKEND BOX OFFICE

01 NO GOOD DEED $24.5 *new*
02 DOLPHIN TALE 2 $16.6 *new*
03 GUARDIANS OF THE GALAXY $8.0 (cum. $305.9)  Review
04 ...NINJA TURTLES $4.8 (cum. $181.0) remember the animated one?
05 LET'S BE COPS $4.3 (cum. $72.9)
06 THE DROP $4.2 *new*

The stealth success story here is Let's Be Cops, which, despite abysmal reviews and release in one of the worst cultural climates for an irresponsible-cop-comedy, is limping towards $75 million and a significant profit margin thanks to weak competition and a shoestring budget.

On the limited side, Dennis Lehane-penned crime drama The Drop outstripped its projected haul with $4.2 million from less than 1,000 screens. Such is the magnetic pull of a scruffy Tom Hardy snuggling a pit bull puppy, to say nothing of the chance to see James Gandolfini's final performance. 

Other notable limited releases include the Bill Hader/Kristen Wiig tragicomedy The Skeleton Twins, which brought in an impressive per-screen average and is well on its way to crossing the important indie-film benchmark of $1 million, and The Disappearance of Eleanor Rigby: Them, which is getting an unenthusiastic critical response and middling ticket sales. Perhaps audiences are holding out for the Him and Her twofer instead.

Now that we've hit mid-September there are finally some festival hits and critical darlings trickling out into theaters (which admittedly mostly serves those of us in the country's three or four largest cities). I saw The Drop, in which Tom Hardy was absolutely wonderful and Dennis Lehane was entirely Dennis Lehane. What did you see in theaters this weekend?  Are any of you at festivals getting sneak peeks at TFE's most anticipated? Who wants to talk about Tom Hardy's mesmerizing Brooklyn accent or that baby pit bull?