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Thursday
Jul242014

Sandra and The Kiss

We're celebrating Sandra Bullock as she hits 50. Here's Matthew Eng on her most infamous awards show moment - Editor 

I'm not sure why exactly the Critics' Choice Movie Awards need to exist, except as another obvious precursor ceremony for glorified Oscar season star-baiting with ridiculous genre-segregated acting categories (so glad we all got to rightfully recognize Evangeline Lilly in The Hobbit as a nominee for Best Actress in an Action Movie!) and a prime airtime on the CW, and whose only (only!) difference from the Teen Choice Awards is that the former hands out actual trophies, whereas the latter gives out surfboards.

That being said, I remain eternally grateful to this over-bloated awards pageant for providing us with perhaps the single greatest, or at least most-rewatchable moment of the 2009 Oscar season five years back: the Meryl-Sandra kiss...

Click to read more ...

Thursday
Jul242014

I was dreamin' when I wrote this, forgive me if it goes astray ♫

A topic worth thinking carefully over though this stream of consciousness must do for now.

Esquire claims that 1999 was the last Great Year of Movies. Several good points are made but OF COURSE the writer had to throw out that exhausting false equivalent "tv is better than film" argument again that actually has very little to do with the topic at hand. Stop people of the internet. Think before you type. The two art forms are not interchangeable - they have different strengths and weaknesses and the transcendent TV series are but a tiny sliver of the product on TV just as the most magical movies are a tiny sliver of films made. The best TV is not equivalent to cinematic blockbusters, what's equivalent to that if you must have your damn equivalencies are massively watched shows like The Big Bang Theory, The Voice, Duck Dynasty and Modern Family and the like and anyone who thinks those shows are better than what's been at movie theaters in 2014 deserves to be slapped. Or at least be strapped to a chair and forced to sit through these pictures plus Boyhood and Love is Strange (which will be here soon).

The problem of abundance and people ignoring and not supporting that abundance is complicated. The truth is people are lazy and windows to home viewing are short which as only rewarded the laziness and people would rather just let stuff come to them. That doesn't in any way mean that "stuff" playing in movie theaters is lesser than it used to be.

Anyway the article is a good read and there are strong points made about just how creatively fertile that period at the movies and how influential versus the depressing sequel fanaticism of the now. And, what's more, we don't know what's going to be influential from the now. Maybe Under the Skin will have descendants. The lack of originality is not fully to be blamed on Hollywood's creativity or filmmakers but on us. We're the ones that pick the hits and the world wants Transf4rmers for some ungodly death-wish reason, you know? "Age of Extinction" is right!

 

But anyway, yes, 1999 was a great year for movies. Still, most of the best ones cited in the article were not enormous hits: Run Lola Run made $7 million; Go made $17 million; Being John Malkovich made $22 million, Fight Club made only $37 and was considered a financial disappointment, etcetera. Time has made these movies enormously celebrated but that time was not 1999.

My very longwinded point is this and it's always this and those citations help underline my point: there are always great movies. You just have to actually look for them because almost never do they fall in your lap on 4000 screens and make $200 million plus in the US. And, finally, to wrap all this up there has been at least one year since 1999 that was phenomenal all over your face - bam! -  and that was 2004 as recently discussed on the podcast. 

Thursday
Jul242014

Get On Link

Towleroad The Imitation Game (we just discussed the trailer) isn't the only Alan Turing focused artwork in the ether. The Pet Shop Boys just debuted their opera Breaking the Code (yes, opera) about the man.
Theater Mania there's a stage adaptation of Shakespeare in Love in the West End. Here's a review
Vulture interviews True Blood's Nelsan Ellis on the lame actor who wouldn't make out with him on True Blood and his role in Get On Up


Kenneth in the (212) Ryan Gosling joins the waxworks at Madame Tussauds
MNPP freaks out for a John Waters retrospective this September. As well we all should.
Variety big weekend expected for Lucy. I guess this means Scarlett Johansson's Black Widow solo film will get a greenlight
Boy Culture Wonder Woman in Madonna drag. LOL
Awards Daily Heart of the Sea, the Ron Howard/ Chris Hemsworth post-Rush collaboration is test screening
/Film new poster for Mad Max: Fury Road 
Superhero Hype Batman's new costume displayed at Comic Con... but I'm sorry it looks so creepy without someone in it
AV Club Project Runway begins its 13th season tonight

And please to enjoy the Venice Film Festival Lineup. They're sharing some titles with TIFF like Good Kill, The Humbling, 99 Homes, and Red Amnesia. But ther opening night film Birdman is all theirs. Feel the envy. I'd do a whole post as with TIFF but I'm not going to Venice *sniffle* whereas I might be a TIFF and also as you read this I am fulfilling my obligations as a citizen via Jury Dutyzzz. No, for real. Feel for me as I sit in the rooms waiting for my name to be called or not.

Thursday
Jul242014

Live(ish) from San Diego Comic Con!

Anne Marie here, writing from the Big Daddy of all conventions, San Diego Comic Con! For the next four days, over 100,000 geeks and geekettes of all ages will take over downtown San Diego. Haters state that SDCC "sold out" and stopped being about comics long ago; I say that's a good thing. Studios, TV networks, video game companies, and publishers all vie for a place here.  Think of SDCC like an all-inclusionary media festival, if most of the media was made up of trailers, demos, behind-the-scenes panels, and free tchotchkes in the shape of Simpsons characters.

SDCC has been playing an increasingly large role in the pop culture landscape. As many as half of 2014's Top 10 Blockbusters had a presence at Comic Con last year. But it's not just about the lowbrow. The Academy Award-winning Gravity premiered its trailer at a panel last year where director Alfonso Cuaron discussed its now-famous technological challenges. The year before, Quentin Tarantino assembled the cast of Django Unchained to talk about his eventual-Oscar-winning film. But awards aside, SDCC is all about the fans.  

a detail from the first Ant-Man poster 
Each year, the studios vie for fans' attention (and social media connections), and two studios always loom large: Warner Bros and Marvel. This year, there are rumbles that WB will not only show off the new Batman/Superman film, but may give us a glimpse at the Justice League. Marvel, the crowned king of Comic Con, will not be overshadowed. They've been planting bread crumbs in the form of press releases leading up to SDCC, but will Saturday be when we finally learn what films are attached to that maddening set of release dates Marvel teased earlier this week? Will they redeem Ant Man after Edgar Wright's very public departure? A little panel can go a long way towards smoothing things over. 20th Century Fox and Legendary will also be making noise with everything from Batman '66 to a rumored Godzilla 2. And that's just what's happening in the movies!

 

For the next four days, I'll have my thumb on the pulse of pop culture, and I'll be sharing what I find with you. Follow me on Twitter for live updates, and stay tuned here for interviews, panel reviews, and more. Have something you want me to see? At Comic Con yourself? Tweet me or post in to comments below!

Wednesday
Jul232014

Tragically...

... this is the closest you will ever get to Jake Gyllenhaal's lips.