Review: Double Linklater with 'Boyhood' and 'Double Play'

Glenn here. Richard Linklater’s Boyhood has been receiving a lot of attention lately. For good reason too, I should say, even if I don’t quite agree that it is the transcendental experience that many others think. (Nor do I think those opinions are invalid, though the rabid if-you-don’t-love-it-you’re-just-wrong brigade started before the film had even premiered outside of festivals). Personally, I had issues with the film's first hour and have wrestled with the quandary of thinking that by making the lead character such an audience cypher it dangles perilously close at times to lacking something (outside of its form, obviously) that is truly unique. Why this boy; why this boyhood? He's almost too saintly, especially when it comes to women and sex, the latter of which the film is shy about. But then I also suspect that not having grown up in America, some of the reverence paid to certain apparent rites of passage didn't quite hit me with the wave of nostalgic emotion that it has others.

In a neat turn of events for fans of Linklater, Boyhood isn't the only chance to spend time with the director in theaters right now

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DIY YNMS, OK?

Acronym Attack! Yes No Maybe So is not a comprehensive series and we cherry pick the trailers we want to discuss and watch. But sometimes we aren't trying to throw shade by ignoring them. They just get released on the wrong days. For instance, what was with two major trailers debuting the morning of the Emmy nominations? I immediately forgot they existed after reading a headline that they did because you have to pick your showbiz battles. 

A bunch of trailers we haven't discussed like Wild, Life After Beth, Big Hero 6 and one that I refuse to watch because I want every frame to be a blessed surprise (Xavier Dolan's Mommy) and more after the jump...

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Pitch Perfect 2 is Almost Done Shooting!

Anna Kendrick posted this last night, with this note:

All these bitches wrap tomorrow and leave me behind...... I totally H💖TE them.

Pitch Perfect wasn't a perfect movie but it turns out to be highly HIGHLY rewatchable. A cable perfect pleasure. I could watch it back-to-back and nearly have. I love "Fat Amy" and every single whispered line delivery from Hana Mae Lee as Lilly. Plus every moment when Anna Kendrick sings.

So pleased that Anna is doing three musicals in one year (see earlier post). That's some commitment to the genre that we haven't seen from literally any other contemporary star.

"Under the Skin" is Coming

Are you picking a "Best Shot" for next Tuesday? The more eyeballs the better.

Tim's Toons: Why the animated Batman is the best Batman

Tim here. During this week’s edition of Hit Me with Your Best Shot, it came as, I assume, no real surprise that my pick came from the animated Batman feature, Mask of the Phantasm. But it’s not just a fixed obsession with animation that led to that choice: it’s my earnest belief that there has never been a better adaptation of Batman in any audio-visual medium than the dark, broody cartoon series that filled in the gap between the theatrical releases of 1992’s Batman Returns and 1995’s Batman Forever. So before we fully leave off our tribute to Batman’s 75th anniversary, I’d like to invite you to join me in a brief appreciation of Batman: The Animated Series.

That animation would be a good fit for a superhero comic adaptation shouldn’t be surprising on any level, of course: drawings to drawings, rather than drawings to real-world actors, limited by the rules of physics (just think about how much easier it is to make masks look expressive when you’re not bound by things that masks can actually do). And a weekly TV series is more akin to the structure of a monthly comic book, with shorter stories based around more clear-cut scenarios than superhero tend to boast. But there obviously has to be more to it than just that, or I could just as easily make this same argument in favor of The All-New Super Friends Hour, and apologies to the Wonder Twins fans, but no. Just no.

NO

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