Hit Me With Your Best Shot: Visual Index ~ The Letter (1940)

William Wyler's The Letter (1940) was nominated for seven Oscars in 1940 and remains a compelling example of two essential noir staples: dramatic lighting and the art of the femme fatale. I was watching it for Seasons of Bette, but the dramatic cinematography and Bette's heyday called out for a closer investigation from multiple sets of eyes...

The Letter's 11 Best Shots
in rough chronological order (click on the image for the 12 corresponding articles)

Her body language that it bleeds such layers into her character...
-A Fistful of Films

When William Wyler controls the moonlight, it shines with the all power of a Hollywood spotlight...
-We Recycle Movies

'Oh, it was all instinctive. I didn't even know I'd fired.'
- Sorta That Guy 

The right blend of scared innocent and hardened survivalist, enough to be believable to her in-movie audience while sending out signals to the theater audience... 
- Alison Tooey

We are witnessing a flashback occur in the present without leaving the scene...
 - The Film's The Thing 

The shadows of blinds in the protagonist’s face might be something that we now immediately associate with film noir...
-Coco Hits NY

Wyler is founding noir right here...
- Cal Roth 

This fetishistic attention to Mrs Hammond's "exoticism" actually serves to level the playing field...
 - The Film Experience 

But what I really love about this particular shot is the costuming...
-Entertainment Junkie

 It's almost like a standoff in a Western, except the women aren't on equal footing... 
- Film Actually

One of the most visual performers of the sound era offers up an entire film's worth of great expressions...
-Antagony & Ecstasy

I try to think this is the moment where the film ends...
-Manuel Betancourt 

Next Tuesday night (April 22nd)
Disney's POCAHONTAS (1995). Can you sing with all the colors of the wind? If so, please join us by selecting your best shot. The more pairs of eyes, the better the cinematic visions. [More Upcoming "Best Shot" Episodes]

Channing "Gambit" Tatum and Your Favorite Superheroes

I've been quite blocked today (apologies) so I'd like to turn the time over to you for an open discussion. With news coming that Channing Tatum would love to play Gambit in a movie (poor Taylor Kitsch. It's not his fault everyone has tried to scrub X-Men Origins: Wolverine from their memory) Fox will surely be jumping all over that to make it happen.

Though the superhero movie boom will surely die out as all movie trends do eventually, we have no idea how long it will last so we'll just try to enjoy it while it does rather than bristle against it.

The other day on Facebook Stan Lee posted a 'name your five favorite superheroes' thread and I answered more quickly than I knew I could. Without thinking about it five names popped right into mind: Nightcrawler, The Human Torch, Storm, Spider-Man, and The Scarlet Witch. Other than Sam Raimi's perfect Spider-Man 2 I haven't had much luck getting my favorite characters translated to my taste on the screen though, so I've tended to enjoy characters I didn't much at all care for in the comics the most onscreen. Like Captain America. Speaking of... my eyes bugged out seeing a brief glimpse of The Scarlet Witch in that film and I'll be curious to see how Joss Whedon and Elizabeth Olsen dramatize her in The Avengers: Age of Ulton. But still, I hate those post-movie tags which are the heighth of pandering narrative inelegance. They're very much like "next week on..." TV tags

But I'm curious. Name your five favorite superheroes in the comments.  I perused through some answers on Facebook and was surprised to see that very few people chose heroes beyond the truly iconic household name ones - batman, superman, spider-man, and wolverine were constantly name-checked.

April Showers: Like Crazy

waterworks continue most nights at 11. Here's abstew on Like Crazy

When Like Crazy played at Sundance in 2011, it became an instant hit. It even managed to win both the Grand Jury Prize for Drama and a Special Jury Prize in acting for star Felicity Jones. So it seemed natural that the film would follow in the Oscar-nominated footsteps of fellow Sundance award winners Precious and An Education and translate that success into some Oscar love of its own. If anything, certainly the film would've been the kind of star-is-born breakout for Felicity Jones in the same way Carey Mulligan had experienced 2 years previously. (And discussed recently in another edition of April Showers.) But when it was released in theatres later that year, the love it found in Sundance just never caught on in the same way for audiences or critics. And it seems the only breakout star to come from the film is Jennifer Lawrence in the small part of the other girl. She may not have gotten the man, but I'd said she's doing perfectly fine. [more...]

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Beauty Vs Beast - Choose Life Choices

JA from MNPP here with a new round of "Beauty Vs. Beast" for us to play... this week's inspiration? It's the 54th birthday of one of my favorite actors, Scotsman slash raving lunatic Robert Carlyle. Alright yes he's (probably) just acting the "raving lunatic" part... over and over again... so well... by all accounts he's a very nice gentleman. Think how sweet he seemed romancing Linus Roache in Priest! That was the first place I ever saw him - it was two years later where he'd cement the scary status he'd carry on to roles in Ravenous and 28 Weeks Later (which I actually prefer to the original) with the one and only terror that was Begbie in Danny Boyle's 1996 phenom Trainspotting.

Did I say "one and only"? Make that twice and doubly - now that Ewan and Danny have finally made up following DiCaprio-Gate (Boyle cast Leo over Ewan in The Beach, which Ewan did not take well at the time) they seem to be very serious about making Porno, the Trainspotting sequel, their next project. I haven't read Welsh's book so I don't know where the movie will find Renton and Begbie and all the boys twenty years later (yes the 20 year anniversary is coming up in 2016) but til then, we can at least pick our sides!

poll by twiigs.com

You have one week to shake off the drug haze and pick your poison - and make sure to give yourself over to pro and con proclamations of varying lucidity in the comments.

PREVIOUSLY ON Last week we celebrated Francis Ford Coopola's 75th birthday with a face-off between the two devil courtesans in his 1992 version of Dracula... Winona Ryder's initially demure Mina versus Sadie Frost's wanton wedding belle... sure enough it was flame-haired Lucy we, like the Count, couldn't keep out shadowy fingertips off of. In the comments John T made a solid point (and connects us back to the previous week's contest winner)...

"Sadie got distracted by Jude Law in the 90's-who can blame her for not pursuing career over that?"

Pulitzer Prize Winners

Congratulations to this year's Pulitzer Prize winners. 

FICTION - "The Goldfinch" by Donna Tartt
DRAMA - "The Flick" by Annie Baker
HISTORY - "The Internal Enemy: Slavery and War in Virginia, 1772-1832" by Alan Taylor 
BIOGRAPHY - "Margaret Fuller: A New American Life" by Megan Marshall
POETRY - "3 Sections" by Vijay Seshadri
GENERAL NONFICTION - "Toms River: A Story of Science and Salvation" by Dan Fagin
MUSIC - "Become Ocean" by John Luther Adams

Have any of you read or listened to any of these? I'm intrigued by the description of the Drama winner "The Flick" since it's film related:

The Flick, a still from the Playwright Horizons production last year

a thoughtful drama with well-crafted characters that focuses on three employees of a Massachusetts art-house movie theater, rendering lives rarely seen on the stage.

Many Pulitzer Prize winning plays end up as movies eventually. You can see past winners after the jump including three recent Oscar nominated films...

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