Podcast: Should Win / Will Win

It's the final podcast before the Oscars! Join Nathaniel R, Katey Rich, Nick Davis, and Joe Reid as we reveal both our predictions and our preferences, one category at a time. 

00:00 Directors, BAFTA, Bette & P¡nk
09:00 Should Win / Will Win Intro, Sound Categories, Doc, Animated, Foreign categories
23:00 Visual Categories
39:00 Screenplays & Acting
51:30 Director & Picture
55:30 Exit Question

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... which of our ballots most closely resembles yours?Hunger, Shame, I Heart Huckabees, Taxi Driver, King of Comedy, Goodfellas, Cape Fear, Children of Men, Y Tu Mama Tambíen, 

Should Win / Will Win

Box Office: Can a Plane Stop The LEGO Movie?

Amir with the weekend’s box office report. The LEGO Movie managed to fend off meek competition and remain in the number one spot. Three weeks at the top and the amount of money it has cashed in so far have warranted Warner Brothers to announce a sequel, already planned for 2017! But don’t expect it to stay number one next week, when the Liam Neeson no-snakes airplane thriller, Non-Stop (featuring Lupita Nyong'o in an abrupt change of pace) hits the screens. That film has taken its title as a cue for its advertising and I suspect enough people are intrigued to see it despite what sounds like a ludicrous plot.

BOX OFFICE
01. THE LEGO MOVIE $31.4M (cum. $183.1m)
02. 3 DAYS TO KILL $12.3m new
03. POMPEII $10m new
04. ROBOCOP $9.4m (cum. $43.6m)
05. THE MONUMENTS MEN $8.1m (cum. $58m)

This weekend saw two new wide openings: Paul W.S. Anderson’s Pompeii, which managed to earn back 1/10th of its production budget and died faster than an entire city under a volcano.  When I was a child, I was absolutely obsessed with the real life story of this natural disaster - I had a large collection of books, pictures and other pre-internet Pompeii-related memorabilia. That the marketing campaign of this film managed to keep me away from the theatre tells you just how much the studio did everything wrong. 3 Days to Kill was the other offering. I can’t think of anything interesting to say about this one, which is possibly the same position McG and Kevin Costner have found themselves in since signing on.

In limited release The Wind Rises, Hayao Miyazaki’s maybe-last-film-maybe-not, maybe-a-masterpiece-maybe-just-propaganda opened on 21 screens did modest business. (Elaine Stritch: Shoot Me, reviewed here, was the only film with a better per screen average this weekend.) I’m afraid I found Miyazaki's Oscar nominee a bit underwhelming at TIFF – and I still hold a grudge because the screening kept me from guesting on Nathaniel’s festival podcast – but it’s definitely worth your time. What is not worth your time is In Secret, formerly known as Therese, that I caught up with at the same festival. In my review I called it the second worst film I have ever seen in seven years of attending the festival. I stand by that statement and advise you against spending any money on this atrocity, unless you are looking for a lot of unintentional laughs.

As you read this I'm watching Agnès Varda’s Cléo de 5 à 7 (1962) for the first time. For the FIRST time! What have you watched this weekend?

Review: "Elaine Stritch: Shoot Me"

This review originally appeared in my column at Towleroad

I saw Elaine Stritch’s famous one woman Broadway show “At Liberty” in the last days of 2001 a couple of years after moving to New York. I’m not exaggerating when I say that it was nothing short of spiritual ecstasy but then showbiz is my religion and actresses are my only gods. You might then justifiably say that I am predisposed to love the hell out of the new documentary Elaine Stritch: Shoot Me and you’d be right. But I can still tell a peak performance from a Wednesday matinee and the last doc I saw on Stritch, which shared its title with “At Liberty” was significantly less stellar. Shoot Me is a must-see, even if you only know this Broadway legend from her hilarious guest appearances as Jack Donaghy’s impossible mother on 30 Rock. 

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7 Days Til Oscar. Dallas Buyers Club & AIDS Pictures

Unless I've missed a random nomination somewhere -- and you may correct me gently in the comments if I have --  it occurs to me that Dallas Buyers Club is the seventh non-documentary motion picture with a prominent HIV/AIDS story to receive Oscar nominations. (There have been more films with supporting characters who were living with HIV, but these are the major films that are more focused on it*).

Oscar's history with this feature topic stretches back 23 years through one Best Picture nominee, a pre-McConaughey Best Actor, two foreign films, and 1990's Longtime Companion after the jump

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So long, linkwell, au wiedersehen, adieu

Policy Mic Olivia Wilde humorously condemns Hollywood's sexism with a gender reversal anecdote
Chicago Tribune really strong piece on the camerawork and cutting (or lack of it) in the three films dominating the Oscar race: 12 Years a Slave, Gravity, and American Hustle 
Gawker a sad day for Sound of Music fans. The last remaining member of the original Von Trapp family singers has died.

NY Times great interview with RuPaul on his unlikely career now in its second huge act
Salon looks at Oscar Original Songs that time forgot. But this is really just scratching the surface. There's a couple of them each year!
Backlots a letter about Joan Fontaine from her friend and secretary
In Contention 12 Years a Slave wins 4 prizes and The Butler wins Best Actor at the NAACP Image Awards