Interview: Brie Larson Does Not Want Her Own Reality Show

Short Term 12 opens in 9 more cities this Friday and 30+ more the following week. Time to talk to its star Brie Larson.

This is not going to be one of those interviews where I describe what the actress is wearing. This is not going to be one of those interviews where I talk about what the actress was eating. This is not the kind of interview that The Film Experience does which is just fine with Brie Larson. As it turns out we're completely sympatico on the subject of actresses and fame. She loves the work and prefers retaining her mystery to indulging in her celebrity. Or as she puts it.

I enjoy being confusing."

But here's the catch. When you do consistently great work as an actor as Brie Larson has done in roles large (United States of Tara) medium (21 Jump Street, The Spectacular Now) and small (Scott Pilgrim, Rampart), and then you hit a new peak with a revelatory personal best (Short Term 12) celebrity will often follow.

Brie frames this rising stardom predicament more memorably than I could while munching on a very green salad in a very blue dress (oops) in a day full of interviews. Morning Joe and Sirius XM were also on the docket that day:

I think with my age and gender --  it gets very easy for the conversation to go in the direction of 'What is your summer salad?’ It doesn’t matter. It’s not important. If we’re going to talk about stuff, let’s talk about stuff."

Which is exactly what we did from her Short Term 12 triumph to the chameleon wonders of United States of Tara to her feelings about Best Actress Oscar buzz. We'll skip ahead past my incoherent gushing about how Short Term 12 is the besty-best to the rest of the interview after the jump.

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Burning Questions: On Perfect Games and "Noah" Jitters

Hey everybody. Michael C. here. Quick question: By your estimation, which directors are currently pitching a perfect game? By which I mean, which filmmakers have yet to make a bad or even a so-so film so far in their career. I can think of three off hand: Spike Jonze, Brad Bird and Darren Aronofsky.

Darren Aronofsky and Logan Lerman on the set of NoahOf course, your mileage may vary on these choices. Right away, I’m sure a lot of you jump ship with The Fountain (Aronofsky), and one could debate whether Mission Impossible: Ghost Protocol (Bird) is a great movie or merely great for a Mission Impossible movie. Feel free to substitute one of your own choices for any of the above. My point isn’t to reopen the debate on these movies. My point is, rarely, if ever, do filmmakers make it through a full career without stumbling at least once, more likely a few times. Even the Coens, who made it nearly two decades without a misstep (Shut up. I like The Hudsucker Proxy), eventually crashed against the rocks with Intolerable Cruelty and The Ladykillers. So when directors are in a golden period where they have yet to step wrong, it’s bittersweet because chances are excellent it is not going to last.

Not that a failure-free career should be an artist’s goal, anyway. If I can paraphrase Laurence Fishburne's sage advice from Searching for Bobby Fischer, you can’t play not to lose. The edge of defeat, that’s where you want to be. I prefer my filmmakers who approach things like Robert Altman. Taking huge, all-or-nothing swings at every pitch, knocking it into the parking lot when he connects, lying flat on his ass when he wipes out.

Take Aronofsky. I can't shake the feeling that his upcoming Noah is a giant miscalculation. 

I’m not looking to tread on anybody’s religion here, but it’s hard to deny the essential silliness of the Noah story, and the recently released first official images did nothing to quiet my concerns. I have tremendous faith in Aronofsky’s ability to raise some impressive Biblical thunder, but at some point Russell Crowe will start marching animals on to a big boat and when that happens it’s going to be difficult to keep a straight face, yes?

 

Chances are excellent Mr. Aronofsky will transform the familiar tale in ways I never anticipated, and when that happens I will shake my head at ever having doubted him. But even if my worst fears are fulfilled, it will still be gratifying to know we still have a cinema where filmmakers are free to indulge in a grand folly now and then.

Can you think of a director to who managed to make it a full career without tripping up? (One could make a strong case for Kubrick. I would disagree) Can someone out there give me reason to look forward to Noah? Let me know in the comments.

Previous Burning Questions
You can follow Michael C. on Twitter at @SeriousFilm. Or read his blog Serious Film
 

Just Jack

JA from MNPP here with some sad news - it's being reported that Jack Nicholson has officially, if quietly, retired from acting. Given that's it's been two years since the 76 year-old made a movie it's not the most surprising news in the world, but he's taken that long between roles before and I kept hoping he'd come back with one killer role and not go out on a sour note like How Do You Know (a title whose lack of punctuation still grates two years later). Radar is quoting ye old anonymous "Hollywood insider" as saying that it's due to memory loss - that he just can't remember his lines anymore, and that's why he passed on reuniting with his About Schmidt director Alexander Payne on the upcoming Nebraska, a role that eventually went to Bruce Dern. So... there's Johnny. What's your favorite Nicholson?

Foreign Oscar Updates: 15 Official Submissions & Much More

Another week, another 10+ submissions for Best Foreign Language Film Oscar race. We're up to 15 official titles now (which means there are about 50 to go). We previously covered Germany's finalist list but they didn't go with the youthful hit comedy Oh Boy after all but with the drama Two Lives, which we highlighted as a strong possibility given its war themes and the presence of Liv Ullman in the cast list.

But the German news is just scratching the surface of what's going on in the Best Foreign Language Film Oscar race.

FINALISTS AND SPECULATION

"Thy Womb"'s Nora Aunor won several Best Actress prizes at festivals

THE PHILIPPINES
They've recently announced a list of 8 finalists although, to make things confusing, they are still willing to look at more films that aren't on the list in case of late arrivals to the cinema. But chances are the film will come from this list: Supremo, Boses, El Presidente, Thy Womb (from the acclaimed Brillante Mendoza), Dance of the Steel Bars (inspired by a true story of prison inmate dancing videos going viral), Pinoy superstar Eugene Domingo (Ploning, The Woman in the Septic Tank) might be representing her country again in Tuhog, and finally director Erik Matti has two opportunities for submission since he has two films on the list On the Job and Tiktik: The Aswang Chronicles. You may recall I was bummed that The Phillipines missed last year since I loved their entry Bwakaw. They've yet to be nominated for an Oscar. 

"I Am Yours" might be the submission from Norway

NORWAY 
I was just visiting earlier this summer! Norway has announced their three finalists for Oscar submission. The Norwegian Oscar committee will be choosing between Arild Østin Ommundsen’s It’s Only Make Believe (Eventyrland) about a woman convicted for shooting two people who is released from prison, Erik Skjoldbjærg’s Pioneer about a deep sea diver, and Iram Haq’s I Am Yours (Jeg er din) about a Norwegian Pakistani woman falling in love. The latter starsOla Rapace (the ex Mr. Noomi who was recently in Skyfall) and Amrita Acharia and I'm hoping to see it at TIFF. None of these directors have been submitted in previous years. Norway won't be announcing their official candidate until September 20th. The land of the midnight sun has been nominated for the Oscar fem ganger (most recently last season with Kon-Tiki) but has yet to win the gold.

Fernanda Montenegro in "Time and the Wind"BRAZIL 
Brazil has not released a finalist list or an official submission but longtime fans of this category (and of The Film Experience which has always had a loyal following in Brazil!) should note that it's very possible that Fernanda Montenegro, Best Actress nominated for Central Station (1998), could be back on Academy screens. The 83 year old acting icon co-stars in the lush period drama Time and the Wind. It’s from director Jayme Monjardim, whose film Olga was submitted in its year, and it’s based on a beloved series of historical novels set in the colonial era. 

MEXICO & PORTUGAL
They've both released very long finalists lists of 15 and 16 films respectively. Here is Mexico's list and Portugal's (which is harder to read). Any guesses?

15 ½ OFFICIAL SUBMISSIONS THUS FAR

AUSTRIA The Wall
BULGARIA Colour of the Chameleon
DOMINICAN REPUBLIC Who's the Boss?
FINLAND The Disciple
GERMANY Two Lives
GREECE Boy Eating the Bird's Food
HUNGARY The Notebook
LUXEMBOURG Blind Spot
MONTENEGRO Debut Submission! Bad Destiny
NEPAL Soongava: Dance of the Orchids
THE NETHERLANDS Borgman  --Though it's been referred to in some articles here and there as the Dutch Oscar entry, this is not official (yet). Just widely assumed
ROMANIA Child's Pose
SINGAPORE Ilo Ilo
SOUTH KOREA Juvenile Offender
TURKEY The Butterfly's Dream
VENEZUELA Breach in the Silence

Nepal is sending the lesbian romantic drama "SOONGAVA: DANCE OF THE ORCHIDS

MORE (INFO, TRAILERS, POSTERS) @ OUR OSCAR CHARTS
Foreign Film Submissions Pt 1. Albania through Italy
Foreign Film Submissions Pt 2. Kenya through Vietnam

May the best films be nominated, no matter what country they're from! Pass it on to your friends who love subtitles!

Miyazaki To Retire (Again)

Anne Marie here, with some news I have been trying desperately to ignore all weekend: Hayao Miyazaki is officially retiring. It's worth noting that this isn't the first time the master animator has announced his retirement. But each time he threatens to leave, a little color goes out of the world.

My feelings at this exact moment.

Miyazaki is one of those unique artists who sees the extraordinary in the ordinary, and draws from a seemingly inexhaustable wellspring of imagination. My favorite film is Princess Mononoke only because it was the first Miyazaki film I saw, and I was thus completely overwhelmed by the movie.

What's your favorite Miyazaki film? Do you fear this retirement is the permanent one?