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Wednesday
Aug142013

Foreign Oscar Buzz: Israel, Hungary and Romania

Soon we'll be inundated with Foreign Film Oscar Submission news but for now news from three countries to get us started. The Oscar Charts will be up this weekend for this always diverse and exciting (if you're paying attention) category. [Thanks to Daniel, Yonatan and A.D. for the tips]

S#x Acts

ISRAEL
Israel has been on a hot streak with Oscar with four nominations in the past six years so news of the Ophir Awards is always important. This narrows the field for which film will be their official submission since they go with the Ophir winner. Seven films are in the running for their Best Picture (The Ophir).

The frontrunner is Bethlehem (12 nominations) a drama about the Arab- Israel conflict which focuses on three characters: An Israeli secret services agent, his teenage Palestinian informant and the informant's older brother, a commander of the Al Aqsa Martyr's brigade. Other nominees include S#x Acts, a drama about a transfer student who improves her social status via the boys at her new school. Sukaryot is about an Israeli-Arab entrepreneur wants to open a chain of candy store competing directly with an Israeli corporation. Magic Men is a dramedy about a Hasidic Jew who joins his magician father on a trip to Greece to find the man who saved his father during the Holocaust. And the soul comedy is Hunting Elephants about a child's adult relatives who set out to rob a bank. (Patrick Stewart is one of the leads so perhaps this will have too much English dialogue to qualify?) Far less likely are two films which only scored Best Picture nominations at the Ophirs: White Panther about a young Russian who seeks refuge from street gangs in a local boxing gym and I Am Bialik, a mockumentary about a man who claims he's descended from Israel's national poet.

ROMANIA
Tough Romanian cinema has been hot with critics for nearly a decade but has yet to catch on with the Academy, who (generally speaking) prefer warmer films. Can Child's Pose, their 2013 submission, break through? The Golden Bear winning film stars the acclaimed Luminita Gheorghiu who previously appeared in two of the country's most important exports (4 Months, 3 Weeks and 2 Days and The Death of Mr Lazarescu).

Luminita in "Child's Pose"

The Guardian synopsizes the contemporary political drama like so:

the film tells the story of a mother's desperate and often illegal attempts to save her son from prosecution after he knocks down and kills an impoverished teenager...

HUNGARY
The official submission is The Notebook/A nagy füzet which was the Karlovy Vary winner. Hungary had a solid Oscar run in the 1980s but has had difficult finding traction since and especially in the past couple of decades when they've made very daring oddball choices for their representative films. This new one appears to be more in Oscar's wheelhouse since it's about two young boys ripped from their parents during World War II.

For whatever reason, Oscar has historically been very kind to narratives about children in wartime in this category, not just because at least a handful of films that fit that genre seem to be submitted each year but because the tear-jerking obviously transcends culture and language barriers. This one looks discomfitingly unsentimental though with children hardening themselves to atrocities. 

If you've seen any of these at festivals, have your say in the comments. Which country are you most excited to see land a nod this year?

Wednesday
Aug142013

Linksium

Photogenesis has brief promotional clip of Guardians of the Galaxy
IndieWire a catalogue of old movie magazines now available online
Empire the Fading Gigolo trailer - Woody Allen & John Turturro do their own version of Hung
Glenn Dunks on The Conjuring as all haunting movies. All of 'em!
i09 What is wrong and right about Elysium's mixed bag

CHUD First look at Channing Tatum (with poiny ears!) in Jupiter Rising
Cinema Blend Wagner Moura (Elysium) and John Leguizamo competing for a Pablo Escobar biopic
Gawker Christina Bianco does it again - 19 divas singing "Total Eclipse of the Heart" 
Advocate with two new Hercules films coming, The Advocate outs the demi-gods gay side 
Variety annoyingness: Her gets moved into the December glut... as if November isn't good enough to make an Oscar run. Wrong! 

the 80s are inescapable
Variety 'we'll never escape the 80s' alert: Pope of Greenwich Village co-stars Eric Roberts, Mickey Rourke and Daryl Hannah are all reuniting for a hitman movie called Skin Traffix. (*sniffle* no Geraldine Page this time.)
Towleroad Lady Gaga's new song "Applause"... which sounds suspiciously like Missing Persons to me. Or maybe that's just Gaga's voice.
Best Shot The Color Purple is coming (tonight! watch it in the next 24 hours and post somethin!). Next Wednesday The Bad and the Beautiful!

tv lolz
i09 wonders what the hell is going on with True Blood -- who knows anymore. Who cares? Such a hot mess.
Gayest of All Time This "dramatic retelling" of a recent Project Runway in pictures made me LMAO 
Vulture quotable Christina Hendricks wants to be on Game of Thrones post Mad Men 

Wednesday
Aug142013

Morning Truth Tell: All That Jazz is a Freaking Masterpiece

If you haven't yet seen All That Jazz (1979) or haven't yet loved it -- you better stop and change your ways, daddy! Joe Gideon deserves the kind of hallowed cinema rep that Michael Corleone and Charles Foster Kane enjoy.

Live this truth. Carry it with you today.

Tuesday
Aug132013

Checking Into The "Bates Motel" on Hitchcock's Birthday

Glenn here. Can I talk a little bit more about Alfred Hitchcock? After all, he was born on this day 114 years ago and it's pretty astounding that his works are still being mimicked, adapted and homaged to this day. So few classic directors can be spoken about in this day and age and still have new and interesting things to be said. My personal favourite is Psycho (1960), but then I've always had a softer spot for his more pulpy work. Think of others like The Birds (1963) and The 39 Steps (1935) for instance. He's known for refined, classy, adult thrillers, the likes of which are barely made today, but it was his embrace of genre that continues to impress me the most. He supposedly hated horror movies and wanted to go about reinventing them. It's hard to deny he succeeded.

Several sequels followed, including Psycho II, which is actually quite impressive if still nowhere near the genius of Hitchcock's original. That one was directed by Richard Franklin who, much like Brian DePalma, frequently lifts Hitchcock wholesale for his own movies to sometimes incredible effect (see Road Games with Stacy Keach and Jamie Lee Curtis for a rather fantastic open road retelling of Rear Window). I'm also a huge, huge fan of Gus Van Sant's much-maligned 1998 remake starring Vince Vaughn, Anne Heche, Julianne Moore and Viggo Mortensen. It's the last mainstream experimental film and the very reason people hate it is why I think it works so well.

And now in 2013 Psycho has been reinvented once more in the form of A&E's Bates Motel

 

A preposterously absurd, but wickedly entertaining series that reposits Norma and Norman Bates to the modern day and surrounds them in all sorts of wacky, grisly, mysterious events. It's a prequel and it's fun watching the writers insert little bits and pieces from the movie into the plot: Norman learns taxidermy! Norma fights city planners to keep a bypass from being constructed! Norman has "blackouts"! It's not subtle, but I was entertained so much by the first season that I can't wait to see how the show weaves its way towards the ultimate conclusion. Mother won't be happy. As Gawker succinctly put it:

[Like] Jessica Lange on the first season of American Horror Story... there's something about macabre television that brings the best-worst out of its women."

What's curious about Bates Motel, however, is that despite its origins as a riff on Psycho, it is David Lynch's Twin Peaks that the show most resembles. And deliberately so. Bates Motel is like the unofficial sequel to that groundbreaking prime time murder mystery soap opera of the early 1990s that we never knew was coming. The action of Bates Motel has been moved from California to the same region as Twin Peaks, it's set in a small town where murders and drug dealing and all sorts of illegal activity take place below the surface just like Twin Peaks, and there's a secret diary of sorts that the high school kids try to solve just like Twin Peaks. The series even utilised Twin Peaks iconography in its marketing, not to mention favoured Lynchian directorial trademarks like buzzing neon and car accidents.

Audrey, Shelly, and Donna piece clues together in "Twin Peaks"

I recently returned from Twin Peaks Fest, a fan convention held in the town where Peaks and its cinematic prequel were films. It was basically one of the greatest weekends of my life, but while I was there I asked if any of the other Twin Peaks obsessives had watched the show. They hadn't, but I hope they do. I can't imagine Alfred Hitchcock would have liked it all that much, but it stands as one of the zanier and more entertaining ways that the Master of Suspence's legacy lives on.

Recent Hitchcockian Goodies
The Hitchcock Ten
Shadow of a Doubt Best Shot
Rope
Top Ten Memorable Performances
Great Moments in Gayness: Suspicion 
Oscar Horrors: Terrifying Mrs Danvers in Rebecca 

Tuesday
Aug132013

Battery (Super) Powered

This superheroic novelty, via Balazs Sarmai, is decidedly NSFW so click to enlarge at your own peril should your boss be hovering or your eyes and loins delicate.

But while we're being inappropriate let's smoke a pole poll!