Mad Men @ The Movies Knocks Out the Cobwebs

Only the most surface reading of Mad Men would suggest that it's The Don Draper Show. His (forged) identity is, like most identities at some point or another, a prison. But it's also a prism and if there's a single best thing about the show it's the way in which he is reflected in his protege Peggy Olson (Elisabeth Moss) and, to varying lesser extent, in the vibrant supporting cast. So it felt like a total gift when Mad Men's writing team chose to set their final scene (season?) together in a movie theater. Just for us, surely!

Don has had a rough week and heads there for solace only to find Peggy, who has recently flown his Sterling Cooper Draper Pryce coop already there. Don suggests it's far too early in her new job to be ducking out from work. To which she responds.

Just knocking out the cobwebs. Someone told me this works."

Movies to recharge, comfort, and shake out the writer's block? No wonder we can't get enough of this show.

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Open (Sick Bed) Thread

I had so much blogging planned today but some sort of achey feverish flu struck me and I am out of commission. Has some devil hexed me? Someone who doesn't like twins, Witches of Eastwick, Mad Men wrap ups, Prometheus discussions, Reader Q & As and other sundry forms of blogtainment.

Discuss amongst yourselves. Please tell me you're feeling much better than this! Back to bed with juice and extra blankets for me.

Twins: Michelle's Blonde Brood

We're celebrating twins daily at 2:22 pm while we're in Gemini

Gratuitous Anecdote! I've always loved to draw and in my high school years it's what people knew me for. I won the High School's Departmental Award in Art (Do they still have departmental awards? Hell, do they still have art classes?) in that heady stretch of graduation celebrations where they keep honoring star pupils. One day early in my senior year or maybe it was at the end of my junior year, the art teacher asked one of the students to pose for the class. A guy I didn't know volunteered and I felt totally inspired. Instant crushing helps. He loved my drawing and we became fast friends after the class. The first day I went to his house after school I was stunned to see a whole house full of doppelgangers. He had one of those families where virtually every kid looked like a clone of the previous one and since he was the oldest they were all mini hims. And, yes, there was an actual set of twins to drive the point home. Have you ever met an identical family like that? It's kind of freaky.

Michelle Pfeiffer's first scene in THE WITCHES OF EASTWICK. She's buried in offspring

I flashed back to that memory while screening The Witches of Eastwick for its 25th anniversary week and smiling at Michelle Pfeiffer's introduction where a whole stream of authentically blonde children follow after like a trail of baby ducklings. There are two sets of siblings amongst these child actors who never worked again (perhaps they were locales?). The three towhead girls were played by sisters, surname "Ditmar" -- I couldn't find any information about them as they never acted again but if they're not triplets, there's a twin set in there!

Michelle Pfeiffer is so fertile ...onscreen. In real life the movie legend has only two children but onscreen her progeny number two dozen plus. For such a legendary beauty, Pfeiffer was never scared of screen parenting despite the widespread belief that you risk aging yourself out of leading lady roles when you start playing moms onscreen. La Pfeiffer didn't just dip her toe in to test the water but dove in headfirst becoming a mom onscreen for the first time in The Witches of Eastwick (she was only 28 years old while filming) not once not twice not thrice but six times over. And at the end of the movie Sukie Ridgemont had even had a seventh child, her first boy.

Daryl: Sukie, at last we meet.
Sukie: Hi. Hello. How are you?
Daryl: Let me look at those eyes of yours. My! You are a fertile little creature, aren't you?
Sukie: [uncomfortable laughter] Thank you... I think."
              -The Devil meets Sukie in The Witches of Eastwick. 

Pfeiffer's 27 Screen Children in the order I tend to remember them
Fertile indeed. 

• Alison Lohman - White Oleander (2002)
• Jonathan Jackson & Cory Buck - The Deep End of the Ocean (1999)
• Saoirse Ronan - I Could Never Be Your Woman (2007)
• Six Blonde Girls (Michele Sincavage, Nicol Sincavage, Heather Coleman, Carolyn Ditmars, Cynthia Ditmars and Christine Ditmars)- The Witches of Eastwick (1987)
• Claire Danes - To Gillian on Her 37th Birthday (1996)
• Brittany Snow - Hairspray (2007)
• Anthony J Nici - Married to the Mob (1988)
• Katharine Towne - What Lies Beneath (2000)
• Ryan Merriman & Michael McElroy - The Deep End of the Ocean (1999)
• Chlöe Grace Moretz - Dark Shadows (2012)
• Alex D Linz - One Fine Day (1996)
• Casey Boersma & Dylan Boersma (twins!), Daniel Henson & Jake Sandqiv (1999)
• Colleen Rennison & Tara Blanchard - The Story of Us (1999)
• Chase McKenzie Bebak - I Am Sam (2001)
• infant - The Witches of Eastwick (1987)
• Elisabeth Moss and Michelle Williams - A Thousand Acres (1997)
• infant - Amazon Women on the Moon (1987, her scene is a hospital delivery sequence if I recall correctly?) 

the only one I haven't seen

• Spencer Hudson - Personal Effects (2009) 

 upcoming

• Chris Pine - People Like Us (2012). Yes, she's technically old enough to have a 32 year old son. But her real children are not yet 20.
• Who will play her children in in the upcoming comedy Malavita (2013) ?  

True Blood 5.1 "Turn! Turn! Turn!"

I had such a good time covering True Blood last year that I decided early on that I'd chime in again this year. Unfortunately those slutty Bon Temps whackjobs and their blaspheming god (Alan Ball) did not reward me with a fine debut. Cliffhangers are rarely the best way to end a TV season -- especially one with a really devout fanbase that's coming back anyway. They invariably make the return feel like less of a drunken celebration and more like the clean up after A Lost Weekend. No one remembers how things got so messy but excuse us while we mop up.

Turn Turn Turn... TARA? The angriest bartender in Bon Temps won't be happy about this.

There's so much clean up. Sookie's house had not one but two dead girls to dispose of (Tara and Debby) and icky leftovers (the tooth!) but to avoid Tara's death being a true one, Sookie bargains with Vampire Pam to turn her. This is a terrible terrible decision but Sookie makes notoriously terrible decisions and almost always for selfish reasons so this is par for the course. More after the jump including the usual NSFW shenanigans of those Bon Temps hookers...

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Burning Questions: Broadway's Cinematic Potential?

Michael C. here in the aftermath of the Tony's to return the focus to where it belongs: Movies.

The film version of Porgy & Bess (1959) is rarely seen. Audra McDonald & Norm Lewis in the Broadway show, with movie star looks and thrilling voices, suggest its cinematic potential

As I've written before in this column, as a rule I don't go in for the sort of rose-colored nostalgia that assumes pop culture is on some kind of inexorable decline into the sewer and if only we could return the Golden Age of the 30's or the 70's or whenever then we would experience some kind of artistic renaissance. It is now as it ever was - a little quality, lots of junk.

But one trend I do resist, one that I mark as the undeniable decay of the natural order of things, is the movement toward reverse-engineering successful movies into Broadway shows and away from the reverse. I will fight this trend to my dying breath, or at least I will stand outside the stage production of Ghost and shake my old man cane at it like Carl from Up. 

Yet there is hope. With Les Miserables finally landing in theaters this December, and August: Osage County getting the Streep treatment as we speak, maybe there is still a chance to return to the glory days of stage to screen transfers the way that Thespis intended. But with only so many big Broadway titles left unfilmed that brings me to this week's Burning Question: Are there any current Broadway shows that deserve the big screen treatment? 

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