Oscar Volley: Best Costume Design, Makeup & Hairstyling

Team Experience is discussing the various Oscar categories. Here's Cláudio Alves, Gabriel Mayora, and Nathaniel Rogers to discuss the Best Costume Design and Best Makeup & Hairstyling races.

NATHANIEL ROGERS: Hello Cláudio and Gabriel. Ready to get dressed up? Picture me speaking to you in Stanton Carlisle tux and blindfold from Nightmare Alley and tell me what you're wearing. So many outfits from the five Oscar-nominated films are fully visible to me even with my eyes closed they were so memorable. In short, I think this is a strong Oscar list, even if my own ballot only overlaps by two pictures.  The Costume Design Guild Awards were held last week and Cruella, Dune, and Coming 2 America emerged as the winners for Period, Sci-Fi/Fantasy, and Contemporary respectively. Since Oscar rarely honors contemporary work only the prior two are nominated at the big show on March 27th. They're up against Cyrano, Nightmare Alley, and West Side Story. Though I am constitutionally opposed to the all too common internet and pundit trend of handing out Oscars before all the films have been screened in any given year, I will admit that this was a rare case when I did. At least inside my own head. As soon as Cruella reached its garbage-dress reveal, my jaw-dropped and I thought 'game over. Engrave the Oscar' while sitting in the theater. Way back in May...

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Interview: Sir Kenneth Branagh on "Belfast"

by Nathaniel R

Kenneth Branagh on the festival circuit early in the season (Middleburg Film Festival to be exact). Photo by Shannon Finney

I had the opportunity to sit down with Sir Kenneth Branagh at the Middleburg Film Festival way back in October and saved that conversation, not quite intentionally, until now. Consider it a last minute gift to you all as near the end of Oscar season. Belfast is up for seven Oscars, three of which are for Branagh himself (Original Screenplay, Director, Picture) but when we spoke he was at the beginning of this awards journey. The famous actor/director was a delight in person, unconcerned with the clock, and very conversational, interested in talking about the movies in general and not just his own!  Outside of this official interview we discussed the movies we'd seen at the festival and he even asked for my take on a film that was getting harsh press at the time. He is an avid moviegoer in real life, which is a good personality trait you must agree.  Naturally we had to talk about the big moviegoing scene in Belfast.

[This interview has been edited for length and clarity]

NATHANIEL: One of the intriguing things you've said is that you wouldn't have done Belfast without the blessing of your siblings. But what if they'd said no? Would you have really tossed your script? 

KENNETH BRANAGH: It would have gone in the bottom drawer, yes. Over the years there's a few in there like that...

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Review: Sandra & Channing sparkle in 'The Lost City'

By: Christopher James

Sandra Bullock and Channing Tatum search for their own "Romancing the Stone" vehicle in "The Lost City."There are some movies that are “perfect films,” masterpieces that elevate the bar on what cinema can do, where not a single frame should be changed. Other movies are “perfect versions of themselves.” The Lost City is not a perfect film by any means. However, it is the perfect version of itself. It’s a light on its feet, star driven adventure-romance-comedy. Watching it transports one back to the 90s, when movies could be sold solely on a movie star and a logline. If the trailer makes you chuckle, you’ll be giggling for the entirety of the 112 minute running time.

There’s the old saying, those who can’t do… teach. In The Lost City, one could say: those who can’t be archeologists, write horny romance novels. That is the fate of Loretta Sage (Sandra Bullock), who has not left her house since the passing of her beloved explorer husband. Her latest entry in the bestselling romance novel series "Lovemore and Dash"  is about to drop and Loretta’s publisher, Beth (Da’Vine Joy Randolph), insists on putting her on a book tour...

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Film Bitch Award Medalists (aka If I magically chose all the Oscars)

by Nathaniel R

The Gold Medalists for acting this year: Colman, Cumberbatch, Negga, Domingo

The Film Bitch Awards are now in their 22nd year (gulp). While I don't normally track the stats of my own awards the way we all delight in tracking Oscar stats, I did notice that for the first time in all of those years the Picture/Director fields were an exact match. The nomination portion is more fun than the virtual medal ceremony since I've always believed that nominations are wins and spreading the wealth is more artistically accurate! The Power of the Dog emerged as the big winner (no surprise) with 5 Gold Medals. Dune and Zola were the only other films that picked up multiple gold medals in the Oscar parallel categories. (NOTE: The "extra" categories are not yet complete but we'll try to wrap them up before Oscar night).

See the Oscar parallel winners
Page 1  Picture, Director, Screenplay, Animated Feature
Page 2  Lead and Support Acting.
(Half of the 12 medalists -- gold, silver, and medal -- were not Oscar-nominated which is fairly typical. If I could choose only one "Performance of the Year" across all categories, it would be Ruth Negga for Passing. )
Page 3  Visual Categories
Page 4  Sound Categories

Oscar Volley: Best Picture in the final days...

Team Experience is discussing the various Oscar categories. Here's Baby Clyde, Elisa Giudici, Abe Friedtanzer and  Eric Blume to discuss Best Picture. We're not saving it for last. This conversation began BEFORE the PGA went to CODA but ends afterwards...

the five films with the most nominations this year.

ABE FRIEDTANZER: I'm thrilled to be talking the top Oscar prize with my esteemed colleagues Eric, Elisa, and Baby Clyde. I do think there's plenty to discuss here, but I believe that one film is very far out in front. That's The Power of the Dog, of course, which some may doubt after it missed out on an ensemble nomination from SAG. There is absolutely momentum for CODA after its win there and its triumph the night after that with the Hollywood Critics Association. But Dog also underperformed with nominations from the latter group, so the comparison isn't all that helpful. There just isn't enough going against Jane Campion's western for it to lose, in my opinion. But there are nine other nominees, and at least a few of those will siphon votes. Aside from CODA, King Richard gets a boost from its ACE Eddie win, and Drive My Car is worth considering since it hasn't been in competition with many other groups. What films do you think are still in the mix?

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