Frank Rich on True Grit & The Social Network

Illustration by Barry BlittThe invaluable Frank Rich has a great op-ed on the success of True Grit in the age of The Social Network. It's beautifully written and interesting in the context of both awards season heat and our current political and economic climate. If I have one gripe with it it seems to downplay the fact that TSN is quite successful financially. Just not as successful.

I won't spoil the expert finale of the piece which shifts to The Social Network but here's a part I liked about True Grit which he correctly identifies as both elegaic and escapist for left and right wing Americans.

More than the first “True Grit,” the new one emphasizes Mattie’s precocious, almost obsessive preoccupation with the law. She is forever citing law-book principles, invoking lawyers and affidavits, and threatening to go to court. “You must pay for everything in this world one way or another,” says Mattie. “There is nothing free except the grace of God.”

That kind of legal and moral cost-accounting seems as distant as a tintype now. The new “True Grit” lands in an America that’s still not recovered from a crash where many of the reckless perpetrators of economic mayhem deflected any accountability and merely moved on to the next bubble, gamble or ethically dubious backroom deal. When Americans think of the law these days, they often think of a system that can easily be gamed by the rich and the powerful, starting with those who pillaged Lehman Brothers, A.I.G. and Citigroup and left taxpayers, shareholders and pensioners in the dust. A virtuous soul like Mattie would be crushed in a contemporary gold rush even if (or especially if) she fought back with the kind of civil action so prized by the 19th-century Mattie.

The whole piece is well worth a read.

20:10 Truer words were never spoken (by Toys)

Screen capture: 20th minute and 10th second of Toy Story 3 (with the dialogue immediately preceding this image).

It's nice. See! The door has a rainbow on it.

Tee hee. Love the basic causal evidence cited (rainbows -- duh!)  and the line delivery is also rich. Don't you love Wallace Shawn as "Rex"? Def' one of the best Toy Story characters. And isn't it fun that the screaming monkey is first introduced so innocuously while Bonnie pours love at him?

Speaking of Bonnie, our first glimpse of Sunnyside is also her introduction.

Is this BONNIE!?

She is beyond adorable. Plus she plays well with toys. They do a lot of improv. (Tangent: Why is shyness so endearing in kids and pets and so annoying in adults?) How can anything/anyone be so cute rendered in pixels?

poll by twiigs.com

(Are you enjoying this return freeze frame series?)

Producer's Guild Loves Bertie, Disses Zuck

True Blood's Joe Mangianello presents an awardThe PGA (the producers not the golfers) have chosen The King's Speech as the best produced film of 2010. [Dumb joke] No word yet on which film the golfers prefer... maybe True Grit with all those wide open spaces or The Kids Are All Right with its landscaping subplot? [/Dumb joke] Stammering Bertie's win may come as a surprise to the producers of The Social Network who are very used to winning things for their exciting film about the billion dollar rise of Mark Zuckerberg and Facebook. Why it's almost as if the Producers Guild have been reading all these speculative premature blog pieces "can TKS take it from TSN?" and decided that since they were producers of entertainment... they ought entertain by raising the stakes.

I'm not sure that this makes it a dead heat but it definitely raises one eyebrow. Que?

This Year's Prizes:
Theatrical Motion Picture: THE KING'S SPEECH
Animated Feature: TOY STORY 3
Documentary Feature: WAITING FOR 'SUPERMAN'
Episodic Television Comedy: MODERN FAMILY
Episodic Television Drama: MAD MEN (third consecutive win)
Longform Television: THE PACIFIC
Non-Fiction Television: DEADLIEST CATCH
Live Entertainment and Competition: Television THE COLBERT REPORT

and the honorary non-competition prizes
Milestone Award: JAMES CAMERON
Norman Lear Achievement (Television): TOM HANKS and GARY GOETZMAN
David O. Selznick Award (Film): SCOTT RUDIN
Visionary Awards LAURA ZISKIN
Stanley Kramer Award (which usually goes to a film, not a person): SEAN PENN

Amy Adams and Helen Mirren presenting...

For what it's worth...

here are the last 20 PGA winners and how they fared with Oscar
2009 The Hurt Locker (won)
2008 Slumdog Millionaire (won)
2007 No Country For Old Men (won)
2006 Little Miss Sunshine (lost)
2005 Brokeback Mountain (*sniffle*)
2004 The Aviator (lost)
2003 The Lord of the Rings The Return of the King (won)
2002 Chicago (won)
2001 Moulin Rouge! (lost which we knew it would but god bless them for going there.)
2000 Gladiator (won)
1999 American Beauty (won)
1998 Saving Private Ryan (lost)
1997 Titanic (won)
1996 The English Patient (won)
1995 Apollo 13 (lost)
1994 Forrest Gump (won)
1993 Schindler's List (won)
1992 The Crying Game (lost)
1991 The Silence of the Lambs (won)
1990 Dances With Wolves (won)
1989 Driving Miss Daisy (won -- this was the first year of the PGA prize)

Or, in the past 21 years, Oscar lines up 66% of the time. If you can find a pattern with the losers, you're my god. I can't see any patterns. All kinds of films win or lose, from big to small to American to British.

In other news: Amy Poehler and Justin Timberlake were there. Funny thing is, this is EXACTLY what happens when I talk* to Amy Poehler.

* ...and by "talk to" I mean watch her on Parks and Recreation. Aren't you glad that show is finally back?

What do you make of The King's Speech win here? A fluke or a real and present danger for Zuck and company come Oscar night?

Links Episode #2,011

Tang Wei acting againPop Matters Jane Fonda is here to talk fitness -- not the movies! Though the first question does both. Interesting interview from Matt Mazur.
Carpetbagger Sundance has a new 'it' girl Felicity Jones
Asia Scene visits Tang Wei on the set of her new film
Nicks Flick Picks kicks off his Best of 2010. Yay!
The Hollywood Reporter Anthony Hopkins for the Hitchcock bio? Ewww.
Pop Matters "10 things i'm already sick of in 2011" heh. some people can't ever be pleased.
Kenneth in the 212 Jake Gyllenhaal on the Q train. I love seeing celebrities in the subway. It's so rare. One spots them far more frequently above ground here in NYC.
Your Movie Buddy what... you don't wanna stay in the Star Gazer Suite from Blue Valentine? Why the hell not?

Finally, have you been reading all the pieces about whether or not The King's Speech can defeat The Social Network? Some subjects just take on a life of their own whether or not they're yet relevant. Some say it can, some say it can't but you know what I think it all comes down to? What their nomination tallies are like come Tuesday morning and how large The King's Speech's box office (and roughly parallel, the audience fervor) grows. These are the principle reasons why I haven't jumped into the debate. The competition for Oscar is an entirely different race, after the nominations. Don't you think?

Eye Candy: Visual Effects, Makeup and Animation

It's 2 days and 15 hours or so until Oscar nominations! Late tomorrow we'll do final predictions but until then, the FiLM BiTCH Awards continue wherein I share my own ballot of "best of the year".

Rapunzel lays down the law

If you read the top ten list, you already know my Animated Feature finalists (though I cheated a bit on the grounds of: if Oscar can keep changing the number of nominees, I can adjust as I see fit, too!). Each one of my nominees Toy Story 3, How To Train Your Dragon, The Illusionist and Tangled has at least one other nomination to show for it in another category, too (you can see a tally of nominations thus far at the bottom of the sound categories).

Visual Effects
You know what's funny? My single favorite visual effect of the year is the Winklevii in The Social Network but just as you can't really nominate a film for costume design just because it has one good dress, I didn't end up nominating it in that category

I generally applaud the use of visual effects as a supporting mechanism rather than as the goddamn raison d'etre of a film's existence. And it also just missed because as I was drawing up my charts I suddenly started giggling about how indulgent it all seemed. Why cast twins when you can spend millions playing with your technological toys?! Maybe this is why True Grit just barely misses my makeup nomination, too. Did they really need to go to that much work to make Barry Pepper hideous when he's a strong enough actor to sell dastardly and dangerous without any false grody teeth? I'm just thinking aloud here. Join in the debate at any time.

Dakota self applies in The RunawaysHere are my Visual Effects and Makeup nominees.
[You'll have to scroll down a bit to get past the wall of Black Swan posters in the unfinished categories.]

If you're wondering why Tim Burton's Eyesore in Wonderland is nowhere to be found it's because I think it's overworked in virtually every department. I don't mean to impugn the significant talents of all involved -- and you should skip this paragraph if you're tired of me bagging on it (I'm tired of me, too) but the film will not go away -- but it just doesn't work. It's probably a simple matter of direction but when makeup artists know that Johnny Depp will oversell the "mad" part of "mad hatter", for example, do they than have to work so hard that even an actor playing it straight would look crazy in their designs? Wouldn't something lower key have provided helpful balance, even whilst remaining within the basic register of INSANITY. 

And when you choose to make Anne Hathaway of all people unattractive, and it's not part of the character concept that she be so, I just can't go with you to the places they're going. White wig, white gown and...black lipstick? I'm dying here.

Anyway... I prefer makeup just like I prefer my visual f/x, supporting the narrative brilliantly whilst only drawing attention to themselves if they're the main show and should.

once again the nominees

And finally we end with a Black Swan makeup tutorial because it's amusing and we loved the Avatar tutorial this girl did last year.

She just wants to be perfect!