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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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William Holden in Picnic

"I find Holden has a more earthy sex appeal in his early roles, you could kick your shoes off and put them on his lap and he wouldn't flinch." - Mark

"My mother's favorite actor. His dance with Kim Novak is an unforgettable movie moment." -Jaragon

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Friday
Jan132017

"Having your heart broken is a tremendous way to learn about the world."

This is the mantra I will hold close if Bening misses the Best Actress list and Mike Mills misses the Original Screenplay list for the grand wise funny altogether fantastic 20th Century Women. Consider that the final FYC as Oscar ballots close. 

(Also it's how I'm going to survive 2017; I'm going to know so much about the world soon!)

Friday
Jan132017

Lunchtime Poll: Viola & Meryl BFFs

Let's make the lunchtime poll a regular tradition! I'll ask you and sometimes Team Experience, too, a question that's currently hogging too much of my brain. You answer and we'll all feel less utterly alone in this vast cruel universe. Ready?

Today two questions about La Streep, just because. Here we go...

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Friday
Jan132017

Octavia Spencer is a Class Act

Octavia in Hidden Figures painting by Stella Blu

Octavia Spencer posted this painting above with the following message for screenings TONIGHT at the Rave in Baldwin Hills, Los Angeles

I've bought the 8 PM showing of Hidden Figures... if you know a family in need that would like to see our movie but can't afford it have them come. It's first come first served. My mom would not have been able to afford to take me and my siblings. So, I'm honoring her and all single parents this MLK weekend. Pass the word.

Very cool gesture from a very cool actress.

Thursday
Jan122017

Interview: Denis Villeneuve on "Arrival" and his Future with Sci-Fi

by Nathaniel R

Though awards season is a roller coaster of emotion each year, one of its purely happiest annual trends is the sudden recognition of talent that have been doing consistently fine work all along. This year's "it's about time!" contender is surely 49 year old French-Canadian director Denis Villeneuve. A famous director at home with six wins at Canada's own Oscars, "the Genies," people are still learning his name in Hollywood and beyond. His international breakthrough was Incendies (2010) about twin siblings journeying to the war torn Middle East. It was nominated for the BAFTA and the Oscar for Best Foreign Language film. Since that breakthrough his profile in Hollywood has steadily risen and he's shown a gift for directing movie stars, versatility with genre, and a particularly refined skill at building and maintaining tension at feature length which has provided thrilling moments in all of his recent films from Prisoners (2013), Enemy (2013), Sicario (2015), and on to his current biggest hit yet  Arrival (2016).

Today he received a DGA nomination for Best Director, the surest awards season sign that a movie will be a Best Picture contender at the Oscars. Our conversation follows...

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Thursday
Jan122017

FYC: Best Original Screenplay, Toni Erdmann

by Daniel Crooke

While you will find ancient cities, hairy beasts, and moments of jaw-dropping audacity steering the rudder of its staggering runtime, you won’t hear a film score in Maren Ade’s Toni Erdmann – an epic of the heart and soul that depends on its screenplay to direct emotional payoffs the way many films depend on their orchestra. Set against the backdrop of a rapidly globalizing yet regionally fractured Europe, the central couple in Toni Erdmann is not a pair of battle-scarred lovers or unlikely allies in combat but an estranged father and daughter, torn apart by generational attitudes in the culture war.

This central reconciliation resonates thematically now more than ever, at a time when capitalist societies across the Western world forgo compassion and human consequence in pursuit of a more profitable bottom line. In her hysterical, observant comedy, Ade crafts a squirrely, screwy rebuke to anesthetized corporate cold-heartedness but – more importantly – champions a disappearing social fabric by weaving together the frayed ends of a family unit...

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