Here's Your Sundance 2022

by Jason Adams

The main line-up for the 2022 edition of the Sundance Film Festival was announced this afternoon -- can I get a huzzah? Running from January 20th through the 30th they'll be screening 82 feature films and assorted other cinematic ephemera over the course of those ten days -- they're keeping themselves to the middle space in between in-person and virtual for their 2022 edition, with everything premiering in person in Utah and then subsequently screening via their (truly outstanding) online platform for those of us who can't make it to the mountains, for whatever reason. Like, for instance, the still-happening pandemic, which is certainly my own personal reason for only attending virtually again this time, and which it would be irresponsible for me to not recommend you all take into account. (That said their safety protocols seem very much on point, so your own mileage may vary.) 

I've got the entire press release with the word on everything announced today way down below -- and you can check out each title even more thoroughly on the fest's website, of course -- but I figured before that megaton of information I'd go ahead and poison your opinions with my opinions, highlighting ten movies that are immediately leaping forward onto my face for one particular reason or another.  

Sharp Stick -- Lena Dunham's new movie, her first in over a decade, will surely, as with everything Dunham-related, invite enthusiastic conversation from all angles. That's one way to say it! People sure do have opinions on her and her work, and the story here... 

Click to read more ...

Interview: Tatiana Huezo on Mexico's Oscar contender "Prayers for the Stolen" (now streaming)

by Nathaniel R

After several shorts and a few documentaries including the highly acclaimed Tempestad, which won her the Best Director Ariel back home in Mexico, filmmaker Tatiana Huezo didn't rest on her laurels. She wanted to take a risk. She set herself an "ambitious challenge" for her first narrative feature, adapting the award winning novel "Prayers for the Stolen" by Jennifer Clement about young girls living in the mountains who are in continual danger of abduction and worse from the cartels.

The risk paid off when her film debuted to immediate praise at Cannes where it won a Special Mention in Un Certain Regard. Prayers for the Stolen, now streaming on Netflix, was then selected as Mexico's Oscar submission for Best International Feature Film. We were privileged to sit down with the director recently to discuss her film and the Oscar race. This interview was conducted with a translator though Tatiana Huezo slipped into English once, with joyful laughter to say "Nooo, it's too much!" when the topic of Oscar submissions came up... 

Click to read more ...

SPOILERS: The Endings of "Passing" and "Power of the Dog"

by Deborah Lipp

So, the title says “spoilers.” And it says “endings” which makes “spoilers” somewhat redundant. Stop reading now unless you’ve seen both of these movies.

Okay. Coast is clear...

Click to read more ...

FYC: "Flee" for Best Picture

by Matt St Clair

Flee, now playing in limited release, is transcendent. The animated memoir could break records by competing in three Feature categories: Animated Feature, Documentary Feature, and, because it’s the Danish submission, Best International Feature. Both Collective and Honeyland recently made history recently by competing in the latter two categories simultaneously, but no film has found itself in contention for all three. Flee might accomplish this historic feat, but it should go even further by also being nominated for Best Picture.

A nomination would allow the glass ceiling for documentaries to finally break. In the ceremony’s soon-to-be 94-year history, no documentary has ever competed in the top category...

Click to read more ...

FYC: "So May We Start" for Best Original Song

by Cláudio Alves

On December 21st, the Academy will announce their shortlists in several categories, including Best Original Song. As usual, some mainstream triumphs feel like locks already, maybe not for the final lineup but certainly the roster of 15 finalists. Even before the movie was released, Billie Eilish had already won a Grammy for her Bond theme, "No Time to Die." Beyoncé seems like an inevitable nominee thanks to King Richard's "Be Alive." As for Lin-Manuel Miranda's work for Encanto, it's never a good idea to bet against Disney. In the midst of it all, the weird glory of Leos Carax's Annette may be forgotten, despite its vast score of original songs by the Sparks (Ron Mael and Russell Mael). Please, dear reader, allow me to make the case for that musical's first and best tune…

Click to read more ...