Team Top Ten: Steven Spielberg for his 75th Birthday

by... our team here at TFE!

West Side Story, now in theaters. is Steven Spielberg's 32nd motion picture. Though he directed one self-financed "feature" at 17 (shown at one movie theater), Duel (1971) a made for television movie was his first Hollywood gig. His movie career proper began with the spring release of The Sugarland Express in 1974. By the end of the following summer, due to Jaws, he was globally famous and a bankable A list director, lists he'd never fall off of. To celebrate Spielberg's 75th birthday (today, December 18th) we recently polled the team about the work of America's most beloved auteur: his best, worst, and most underappreciated.

It was fascinating to be reminded how widely viewed Spielberg's filmography is. Of his 31 pictures prior to West Side Story, not a single one of them went unmentioned in the answers to our three-part poll which 23 members of our team participated in. That said the least often cited for any reason (so probably the least seen?) were Sugarland Express and 1941. Of Spielberg's blockbusters Indiana Jones and the Temple of Doom  and War of the Worlds were the two that had the weakest turn out under any section of the polling.

In the end we opted not to focus on the Worst as that isn't celebratory and, what's more, there was not a clear consensus but if you're curious Ready Player One, Kingdom of the Crystal Skull, The Terminal, The BFG, and Lost World Jurassic Park all sprung up regularly. Hey you can't win them all but Spielberg has won more than most. Ready for the Best of List? Enjoy...

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The Best Costumes of 1987

by Cláudio Alves

Before we say goodbye to 1987, our final "year of the month" to coincide with the Smackdown events, we must look at one final Oscar category: the Best Costume Design race. It was a stellar line-up, dominated by films set during the first half of the 20th century, whose designs spanned from epic opulence to modest realism. The nominees were…

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1987: Best Cinematography Oscar Race

by Cláudio Alves

The year of the next Supporting Actress Smackdown is quite an impressive Oscar vintage. Despite the sweep of Bernardo Bertolucci's The Last Emperor, which won all nine of its nominations, the 60th Academy Awards showcased a remarkable variety of films and artistic approaches. The Best Actress lineup, for instance, is one for the ages, and, across the board, there was a rare openness to honoring the excellence of comedies, mainstream entertainment, and even European arthouse.

In the so-called "below the line" categories, Best Cinematography deserves particular praise. The legendary Vittorio Storaro conquered his third and final trophy for the opulent lensing of The Last Emperor. However, his competition was none too shabby, representing some of the greatest cinematographers ever who, along with the Italian victor, helped shape and perfect the art of cinema, taking it to new peaks of visual marvel. Come meet these masters and their masterworks…

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The Oscar-worthy kids of 1987

by Cláudio Alves

The kids of Best Picture nominee Hope and Glory

It's not often that we see child actors recognized in the film awards race. In many regards, that's understandable. Kids aren't known for being the most disciplined of performers and it seems unfair to expect them to deliver complex characterizations, or to embody concepts and ideas that they're still learning. Furthermore, while every acting job is a fruit born out of several people's labor – the actors themselves, directors, writers, editors, sound mixers, etc. – when the performer is as lacking in agency as a child, it's easier to attribute excellence to those other folks' craft.  Nonetheless, good work is good work, and we should celebrate the greatness we see on-screen, regardless of how it came to be.

That brings us to 1987, the year of the next Smackdown, and a rare vintage that's stock full of brilliant performances by young artists. Curiously enough, the three Leading Actor performances paid special homage in this write-up all come from films about boys facing the harsh realities of World War II. First up, we have: 

Christian Bale, EMPIRE OF THE SUN

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31 Days Until Oscar

Today's magic number is 31. Can you believe it took Christian Bale 31 movies to win Oscar's love?

He debuted in the Steven Spielberg film Empire of the Sun (1987) which was nominated for six Oscars so they knew of him straight from the get-go. But nothing seemed to do it -- not literary adaptations (Little Women, The Portrait of a Lady), neither relationship dramas (Metroland, Laurel Canyon), nor glam rock epics (Velvet Goldmine). Of course it didn't happen for superheroes or serial killers (Batman, American Psycho) but even war dramas (Empire of the Sun, Rescue Dawn) didn't do it. And then suddenly The Fighter (2010) did. He crushed his competition on the way to a win.

Sometimes not being nominated but being routinely excellent is a good way to build crazy momentum for a win. Which working actor do you think is heading straight to an Oscar win as soon as they're finally nominated?