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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Tuesday
Oct052021

It's 2002 all over again with Spain's Oscar submission choice

by Nathaniel R

We hinted that this could happen again and it has. In 2002 the Spanish Academy of Arts and Cinematographic Sciences passed over Pedro Almodóvar's internationally fêted Talk to Her for the country's Oscar submission in favor of Mondays in the Sun, a Fernando León de Aranoa film starring Javier Bardem. Now 19 years later history repeats itself as Spain has passed over Pedro Almodóvar's internationally fêted Parallel Mothers for their Oscar submission in favor of The Good Boss, a Fernando León de Aranoa film starring Javier Bardem. 

Now we wait and see if history will be yet more repetitive. In 2002 Oscar voters ignored Mondays in the Sun but honored Talk to Her with nominations for Director and Screenplay. We doubt that history will repeat itself that fully since Parallel Mothers is considerably less flashy a film but you never know. Either way it went today the Javier Bardem/Penélope Cruz household would have a reason to celebrate so congrats to Spain's most famous movie star couple and to Aranoa, too.

Submission charts for more info and current predictions. You can also follow along on Letterboxd.

Monday
Oct042021

Armenia, Canada, Colombia, and Peru announce their Oscar submissions

by Nathaniel R

DRUNKEN BIRDS

We have four more submission for Oscar's Best International Feature Film race to share.

CANADA
Remember that nude asshole boyfriend "Fermin" from Alfonso Cuarón's Roma who knocked our heroine up and then abandoned her? The actor who played him, Jorge Antonio Guerrero, could be back in the International Feature Oscar race. Guerrero headlines this year's Canadian Oscar submission Drunken Birds, which is about a man on the run from a cartel leader who relocates to Quebec and hopes to find a woman there who fled from the same cartel. The film, in French and Spanish, comes from Canadian director Ivan Grbovic and just played TIFF...

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Monday
Oct042021

Udo Kier's Best Actor-worthy performance in "Swan Song"

by Eurocheese

It’s almost fitting that Todd Stephens’ Swan Song will have to fight for its title with a higher prestige film of the same name (Benjamin Cleary’s film starring Mahershala Ali, Naomie Harris and Glenn Close) this season. The film’s main character, Mr. Pat (Udo Kier), has been pushed out of his former life as his town's most respected hairdresser, and now earns respect in his nursing home only by demanding it. The film starts in a fairly grim reality, but he finds solace in his hidden More 120 Slim cigars and teasing the hair of his fellow patients from time to time. He is somewhat resigned to this existence. 

All of this changes when he is offered a large sum of money to fix the hair of a former client for her funeral (Dynasty's Linda Evans making her first film appearance in 24 years). Initially he defiantly rejects the offer, siting the fact that she fired him years ago...

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Monday
Oct042021

HollyShorts Pt. 3 Final Films and the Oscar-Qualifying Winners

By Ben Miller

The virtual HollyShorts Film Festival is at an end.  Showcasing the newest and best films under 40 minutes, I was able to watch dozens of great short films across a myriad of categories.  Here are my thoughs on ten more films as well the festival winners...

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Sunday
Oct032021

Smackdown '37: Bossy Women and Fragile Wrecks

Welcome back to the Supporting Actress Smackdown. Each month we pick an Oscar vintage to explore through the lens of actressing at the edges. This episode takes us back to 1937, which was only the second year of the category. 

THE NOMINEES  It was only the second year of the Supporting Actress category yet the tropes and shortlist makeup were already falling into place. Oscar voters went with a mix of industry veterans (Alice Brady the first consecutive nominee in this category), stage stars transferring to film (Dame May Whitty), fresh faces (Anne Shirley), and rising talent (Andrea Leeds, Claire Trevor) to play an array of familiar types: the martyr mom, the tetchy elder, the sad / confused daughter, the insecure actress, and the complicated hooker...

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