Wyler, Kazan, Ashby, Scorsese – Who's Next?

by Cláudio Alves

Barbra Streisand in FUNNY GIRL was the last performance William Wyler directed to an Oscar win.

As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…

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Yes No Maybe So: "Mary & George"

by Nick Taylor

Hello you disgusting Royalists. As the final season of The Crown makes its way onto Netflix at a dignified pace, I can guess what some of you will be thinking as you watch it. “God, I hate having to look between the TV for  highly pedigreed British drama and my phone for high-quality artworks of men having sex. Who will finally, FINALLY give me both options at the same time!?!?” 

Worry not, dear reader, for a happy medium has slotted itself between these two pillars of your psychologically wrought Eiffel Tower. Mary & George, a miniseries based on the true story of Countess Mary Villiers molding her son George to suck and fuck his way to the graces of King James I of England, comes to Starz sometime in 2024. Created by playwright D.C. Moore and directed by Oliver Hermanus, the first trailer dropped earlier today, and we here at The Film Experience decided to give it the proper once-over it clearly deserves...

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Peter Dinklage Is Made for Romance

by Cláudio Alves

Rebecca Miller's new film, She Came to Me, is a bit of a mess, stitching themes and storylines, wild tonal swerves, and overwrought ideas that don't fit together all that well. This fate's especially disappointing because the project seemed ripe with promise and potential. Most of all, it looked like an excellent opportunity for Hollywood to embrace actor Peter Dinklage as a romantic figure. Though he reached peak fame by playing Tyrion Lannister in Game of Thrones, a performance of wit and projected stratagem, it can be argued that his best calling card is an ability to illustrate the heart's amorous yearnings…

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The Apology Nomination

by Cláudio Alves

Sometimes, even the Academy thinks they messed up. That's how you get what I like to call "apology nominations," crucially different from "career nominations" because they come in response to one or more specific slights in the recent past. They are the honors that resound with an echoing sorry if you ring them just right, and there's no better example than Paul Giamatti's 2005 Best Supporting Actor nomination for Cinderella Man. After his shocking Sideways snub, one feels he would have been included for anything remotely Oscar-friendly.

It doesn't mean this reliable character actor didn't deserve it, of course, but there's a narrative quirk to how he got there, a faint sense that AMPAS was making up for a mistake. Now that Giamatti's back in the race with The Holdovers, it got me thinking about other cases of the phenomenon in the years since Cinderella Man…

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Gotham Awards 2023: "Huesera: The Bone Woman" Stands Tall in a Stacked Category

by Nick Taylor

If awards-giving bodies serve one purpose, it’s to point curious, nubile cinephiles towards films they might not have otherwise come across. Unexpected, eccentric nominations are almost inherently fun to observe, especially from organizations meant to honor smaller films. Sure, the Gotham Awards removing their budgetary caps is a disappointing move, but aside from Barbie, several of their choices reflect what a great year this is for smaller, genuinely independent titles. And if we’re talking about titles, how could I not jump at the opportunity to check out a film called Huesera: The Bone Woman? Michelle Garza Cervera was recognized in the Breakthrough Director category, and for me, this is the ideal way of rewarding the strengths of this potent film.

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