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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Saturday
Mar062021

Lunchtime Poll: English Patient, Last Emperor, or Gigi?

9 DAYS TIL OSCAR NOMINATIONS! Three films in Oscar history have won exactly 9 Oscars. They are the musical Gigi (1958), the epic biopic The Last Emperor (1987), and the sweeping romantic drama The English Patient (1996).

GIGI LAST EMPEROR ENGLISH PATIENT
Picture Picture Picture
Director Director Director
    Supp. Actress
Screenplay Screenplay  
Production Design Production Design Production Design
Costume Design Costume Design Costume Design
Cinematography Cinematography Cinematography
Editing Editing Editing
Score Score Score
  Sound Sound
Original Song    
     
lost: nothing (clean sweep) lost: nothing (clean sweep) lost: Actor, Actress, Screenplay

 

Lunchtime Poll: They can only keep 9 Oscars between them. Which wins will you allow each film to keep?

 Sound off in the comments!

Saturday
Mar062021

Showbiz History: La Traviata, plus Sandra Bullock "Best" and "Worst" simultaneously

On this day, March 6th, in showbiz history...

1853 La Traviata, Verdi's popular opera premieres in Venice. Have you ever seen the 1982 film version by Franco Zeffirelli? My parents took us, if I recall correctly. I wasn't sure what was going on but I remember it being quite beautiful. Oscar voters thought so too nominating in 'the Moulin Rouge! categories' (Costume Design + Art Direction) 

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Friday
Mar052021

What did you think of WandaVision?

by Nathaniel R

DO NOT READ OR COMMENT IF YOU HAVEN'T WATCHED WANDAVISION - SPOILERS

Today we were treated to the final episode of Disney+'s hit WandaVision, returning us to the Marvel Cinematic Universe by way of streaming sidebar. Watching WandaVision was a like a meta experience on steroids. The show itself was intentionally constructed that way using Wanda Maximoff's (Elisabeth Olsen) love of TV sitcoms to comment, however broadly on them, but more pointedly on nostalgia and the human need for escapism...

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Friday
Mar052021

1983 Flashback: The Best International feature race

by Cláudio Alves

Have you ever seen a film so good it makes you happy to be alive? For me, Ingmar Bergman's Fanny & Alexander is one of those films. 

After I guested on the 2001 episode of The One-Inch Barrier, a podcast about the Best International Film category, the amazing Juan Carlos Ojano asked me to choose another year to do and I immediately knew I wanted to talk to him about 1983. Since last summer, I'm happy to say Juan Carlos and I have become friends, and there are few things I like to do more than sharing the movies I love with the people I love and there are few things I love more than Fanny & Alexander. I'd be even more joyful if you, lovely readers, could share in this lovefest for cinema. Join us as we travel back to the early 80s and talk about Bergman's legacy, World War II movies, the magic of dance on the big screen, and much more. Take a listen:

What do you think of this Oscar lineup? Are you as in love with Fanny & Alexander as I am or do you have another favorite from '83?

Friday
Mar052021

Interview: on "Welcome to Chechnya" and putting visual effects to humanitarian use.

by Nathaniel R

Director David France and Visual Effects Supervisor Ryan Laney on "Welcome to Chechnya"

If you haven't yet screened the documentary Welcome to Chechnya, a finalist for Best Documentary Feature, don't delay. The film details the journey of a group of incredibly brave LGBTQ activists in Russia, working to help people escape Russia and Chechnya where the government condones the abduction, torture, and murders of queer people, by denying that it's happening at all. The primary storyline involves "Grisha" (not his real name) a gay event planner who was abducted and tortured in Chechnya while working on a job there.

Due to the unique risks to the people involved and the need to protect their identities, Welcome to Chechnya opted to deploy innovative visual effects rather than the traditional "shot in shadow" or blurred faces you would usually see with anonymous voices in documentary. Now the film finds itself charting unfamiliar awards territory as a finalist for the Best Visual Effects Oscar, a category that's usually focused on sci-fi films, superheroes, and action blockbusters...

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