Toshiro Mifune @ 100: Red Beard

Our Toshiro Mifune centennial tribute has come to its final day. Here's Cláudio Alves...

Throughout his career Toshiro Mifune worked with some of the best Japanese directors ever, becoming the face of that country's cinema in the aftermath of World War II. He gave great support to Mizoguchi's leading ladies, provided emotional intensity to Naruse's deepfelt dramas, was perfect in Kobayashi's Samurai Rebellion and utterly iconic in many a Hiroshi Inagaki production. Still, his collaborations with Akira Kurosawa remain the most important. From 1948 to 1965, they made 16 films together, ranging from crime thrillers to action spectacles, from melodrama to historical epics, and the great majority of them are either considered classics or should be.

While I find High and Low to be their best film and Throne of Blood to feature Mifune's greatest performance, when it came time to choose, I knew there was no other option than to write about Red Beard. Released in 1965, it was the last film the Emperor and the Wolf ever did together. It's also an absolute masterpiece that deserves much more love than it usually gets... 

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Doc Corner: 'Tiger King' is a Disturbing Mess

By Glenn Dunks

Tiger King: Murder, Mayhem and Madness is the undisputed king of the internet right now. A zeitgeist that has steamrolled over a society that has been stuck inside, isolated with little else to do but binge and over-indulge on anything that distracts the mind and the body. Scratch beneath the veneer of its sneering Christopher-Guest-goes-to-the-trailer-park milieu and Tiger King proves to be lazy at best, morally corrupt at worst. Expanded out to an over-confident seven episodes, directors Eric Goode and Rebecca Chaiklin dig their series deeper into grimy, ethically dubious territory with little of that digging towards something substantial.

The story of Tiger King, though, is certainly interesting. How could it not be considering the ever-escalating crime saga of Joe Exotic, a private big cat zoo owner and operator whose life gravitates towards weird and weirder. He’s a true drama queen...

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Have you caught up with "Cats" on streaming yet?

by Eric Blume

While many Americans are talking about their life in terms of Before and After the Pandemic, I'm now talking about my life in terms of Before and After watching Cats the movie.  The much-maligned Tom Hooper musical opus is currently available on iTunes and Amazon, so I felt I should give it a shot after all the chatter, here, and elsewhere.  But beware, kind viewer:  once you've seen this movie, there is no coming back.

Preface that I am not a "Cats" hater (or even a cats hater...they're not dogs, but that's not their fault).  I saw the almost-original Broadway production back when it was all the rage, so I have a tender spot for it in my heart...

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Acting "Fight Club"

by Cláudio Alves

Fight Club is an exhausting film. Years of heated discourse and malicious fandom have made it so, its miscalculations laid bare by the legacy it has earned. Inheriting the pulp narrative of Chuck Palahniuk's source novel, the movie is a failed satire, critique made incoherent by cinematic idioms where the visceral appeal of style is at odds with necessary intellectual remove. The love many feel for it is still easy to understand, whether it's masked by irony or proudly defended. David Fincher's bravura filmmaking makes toxicity seem cool, kinetic and self-aware. Though, Fight Club seduces too well and, in the end, is unable to bat away its lovers with some feeble pretension of dissected masculinity.

If 4chan had a cinematic embodiment, here it is, as gloriously enraged as it is putrid and entitled, shallowness dressed in a costume of depth. Quite frankly, it's even exhausting to write about the thing. Maybe because so much has been written already. After so much discussion of its theme, intent and Mephistophelean stylings, I propose we discuss an element of the picture that's rarely examined – the art of acting Fight Club…

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Beauty Break: Toshiro Mifune Centennial

by Nathaniel R

100 years ago on this very day Japan's most famous movie star Toshiro Mifune was born (in Qingdao, China, then Japanese occupied). He was "discovered" by accident, when friends entered him into a 'New Faces' competition. Word travelled all the way to Akira Kurosawa, that there was a young actor he had to see. Kurosawa was, in his own words, "transfixed" and the rest -- 16 films of a classic collaboration -- is history. For our Mifune Centennial celebration thus far we've covered Stray Dog, The Hidden Fortress, and Yojimbo but herewith a beauty break to bask in the photographic glory of this iconic masculine star...

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