Best Performances by Actors in Limited Roles

Andrew Scott gives incredible cynical cameo in "1917"

And now a semi-tangential train of thought. Over the 20 years of doing the Film Bitch Awards we've noticed that our cameo categories have gone from being a fun place to shine the spotlight on unknown actors who we're curious about to an annual war between not-quite household names or "it" girls and guys who are appearing in everything. The problem for lesser known actors trying to catch a break these days is that we're long past the years when mid-level stars, or even major stars, had egos about the size of their roles. More and more stars will happily become day-players as if everyone wants to be working 24/7 and has never heard of the concept of over-exposure...

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The Emmas of Yore: "Clueless"

To celebrate the release of Emma, let's revisit the novel's previous iterations in film history. First up, the case of Amy Heckerling's Clueless (1995)

by Cláudio Alves

From 1940 to 1995, no motion picture was made with a screenplay based on any Jane Austen novel. There were some negligible low-budget miniseries along the way, but nothing major. Then came the 90s and everything changed. In 1995 alone, the world got to enjoy the pleasures of Roger Michell's Persuasion and the lavish TV adaptation of Pride & Prejudice with Jennifer Ehle and Colin Firth. Most importantly, Clueless happened, effectively showing that Jane Austen was cool and igniting the Hollywood trend of filming great tomes of classic literature reimagined as modern teen movies…

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Great Scenes Galore

The Film Bitch Awards are nearly wrapped with the "Best Scenes" page finished (only cameo/limited performances remain). Check the new page out for the choices for Best Kiss, Best Sex Scene, Best Credit Sequence, Best Openings, Best Endings and more. Do you share the love of these particular moments from Gloria Bell, Little Women, MidSommar, Knives Out, Pain and Glory, Parasite, Us and more? The medals will be announced soon. 

Interview: Zora Howard on 'Premature' and having a Cultural Moment

by Murtada Elfadl

Zora Howard is having a moment. Premature, a film she co-wrote and stars in, is out today.  At the same time Stew, a play she wrote but doesn’t star in, is playing Off Broadway. The two works are different but announce the emergence of a perceptive writer and a sensitive actor. Premature is a Harlem-based love story, the kind of languid gorgeous storytelling you want to cozy up with. While Stew is more confrontational and heartbreaking, both works are steeped in Howard’s memory and experiences. 

Premature is directed by Rashaad Ernesto Green who co-wrote with Howard, and tells the story of 17 year old poet Ayanna (Howard) and her passionate summer romance with a charming music producer Isaiah (Joshua Boone). The film announces Howard as an actor to watch, we said as much when we saw it at last year’s Sundance. We recently met with Howard in New York and started our conversation with her double moment on film and stage. [This interview has been edited and condensed for clarity.]...

 

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Posterized: Harrison Ford

by Nathaniel R

Harrison Ford has been a major star for our whole lives but Call of the Wild (2019), opening today nationwide, is actually the first time in many years that studios have trusted his name alone to sell a picture. Well, that and a CGI dog, but the solo name (no pun intended) above the title is still worth noting. 

Ford, who is now 77, has been a regular on movie screens for over 50 years and his films have amassed over $9 billion dollars globally. But he wasn't always a superstar. In the 1970s he wasn't just acting for filmmakers but also doing carpentry jobs to support his then wife and sons (Francis Ford Coppola famously hired him as a carpenter before casting him in The Conversation and Apocalypse Now). The rest, of course, is showbiz history.

How many of his 49 pictures (excluding uncredited appearances and voice only roles) have you seen? All 49 posters are after the jump as well as a breakdown of his career in chapters...

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