Sundance: Benh Zeitlin returns with "Wendy"

by  Abe Fried-Tanzer

Eight years ago, director Benh Zeitlin, just twenty-nine at the time, brought his debut feature Beasts of the Southern Wild to Sundance, where it took home the Grand Jury Dramatic Prize. It went on to score four Oscar nominations, including one for Best Picture and a bid for directing for Zeitlin. Since then, he has produced a few projects, but now marks the much-anticipated release of his second effort behind the camera.

Wendy is a creative retelling of the Peter Pan story, with Wendy (Devin France) and her twin brothers (Gage and Gavin Naquin) helping their single mother at the diner where she works and watching excitedly as trains go by their windows every night...

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1917: Acting an Epic

by Cláudio Alves

Sam Mendes may be winning prizes left and right for his World War I epic, but a big element of the production has been ignored by awards bodies. As it happens with many epics, the actors of 1917 are forgotten amid their picture's celebration. It's difficult to consider the human element of a spectacle that calls so much attention to the craft of its construction, its beauty, and savagery. Instead of chewing on the scenery, these actors are consumed by it and fully digested.

As we start approaching the finish line of this Oscar race, one question looms over the Best Picture category. Can 1917 overcome its actorly lacunas and defeat Parasite in all its SAG-crowned glory? On the other hand, are those perceived lacunas a reality or a byproduct of the epic scale...

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Grammys and the Movies

by Eric Blume

Gaga wins again

The Grammy Awards have three categories that tie to moves and TV, and if you think the Oscar committee is myopic and predictable, they seem like the edgiest crew around in comparison with Grammy nominators.  Let's take a look at what was nominated and what won at last night's annual Grammy Awards...

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Horror Actressing: Ronee Blakley in "A Nightmare on Elm Street"

by Jason Adams

Marge Thompson is such a weirdo. Less than ten years after her Oscar nomination for Robert Altman's classic Nashville the singer turned actress Ronee Blakley was playing the Mom in a slasher flick. Some might disparage that turn of events -- say she was "reduced to" playing the Mom in a slasher flick. I am not one of those people. Especially when you see the gloriously strange performance that Blakley turned in. There's nothing unmemorable about the final girl Nancy Thompson's momma -- she'll haunt your dreams!

A Nightmare on Elm Street is about the sins of the parents being visited, rather traumatically, upon their children, a symbiotic theme that Craven would come to visit time and again with his horror films...

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Toni Collette is winning in "Dream Horse"

Abe Fried-Tanzer reporting from Sundance...

Toni Collette is an incredibly versatile actress. In just the last two years, she has enthralled indie horror fans in Hereditary, hilariously parodied GOOP excess in Knives Out, and impressed Netflix viewers with her tremendous turn as a no-nonsense cop in Unbelievable. In comparison, her latest turn as a Welsh bartender with big dreams, may seem tame or even unchallenging. Yet Collette is always up to the task and prepared to deliver... 

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