Team Experience: The Best of 'Doctor Zhivago' (1965)

With Star Wars: The Force Awakens breaking box office records daily we thought we'd look back at another colossal hit, which is celebrating its 50th birthday this week. Though it places in the the ten all-time biggest movie blockbusters, David Lean's adaptation of the best seller Doctor Zhivago is oddly among the least celebrated/remembered of those record-shattering successes. But it wasn't always so. Drop it right between 1939's Gone With the Wind and 1997's Titanic and you have the complete trilogy box set of 3 hour plus epic doomed romances that movie audiences obsessed over and obsessed over and obsessed over. (Binge screen them all now and you'll be done in about 11 hours!) 

Though Omar Sharif (who plays the title character Yuri Zhivago) recently passed away, the other three members of Zhivago's political/romantic quartet are still very much with us: Julie Christie is, of course, one of the all time greats and though she's resistant to working much since her last triumph in Away From Her (2007), Lara is just one of many standouts in her great filmography; Oscar nominated Tom Courtenay co-stars as Pasha, Lara's idealogue husband (and you can and should see Courtenay in theaters now as Charlotte Rampling's confused husband in 45 Years); and Geraldine Chaplin (who did fine work recently in the Dominican Republic Oscar submission Sand Dollars) completes the romantic quartet as Zhivago's wife Tonya.  

For the 50th Anniversary, four members of Team Experience agreed to share their favorite scenes after the jump...

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Happy 25th "Mermaids"

Rachel Flax would never approve of anniversary postings.. But Rachel Flax, portrayed by Cher at the tail end or her weirdly brief A-list actress run, didn't always know what was best so celebrate we shall after the jump...

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Team Experience: The Best of Brokeback Mountain

Ten years ago Brokeback Mountain arrived with truly bracing power.

10 years later Brokeback Mountain has lost none of its power

It was the rarest of things: an honest to god "instant classic". The phrase is overused but once in a while hyperbole proves true. The Oscars were stingy with it (just three prizes) but ten years on the film is as sturdy and majestically irreducible as the mountains that haunt the protagonists. When you're watching it you're breathing rarified air - not from the high altitudes of Wyoming but further on up, think cinematic heaven. The invaluable Ang Lee won his first Best Director Oscar for the film and it's easy to see why given the sensitivity of the performances (early career peaks from four promising ascendant stars), the classicism of the filmmaking, and his unshakeable hand as he sutures the neo western to the romantic tragedy with the thread of American masculinity.

I asked our contributors if they had a favorite scene they'd like to share with us and here were their responses.

FAVORITE SCENES IN BROKEBACK MOUNTAIN

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Remember Jesse L Martin's "I'll Cover You"

Ten years ago today the quickly forgotten film version of Rent (2005) premiered in movie theaters. At the time Rent had been a visceral sensation on stage for nearly a decade and was just a few years short of closing its nearly $300 million grossing Broadway run. Let's just say the movie didn't have a prayer of measuring up, even financially, grossing only $31 million worldwide in theaters. Rent (the movie!) was a dubiously near-perfect example of all the things that can go wrong with movie musicals and despite many other films teaching Hollywood the same exact not-all-that-complicated lessons, Hollywood is still having trouble learning.

You nearly always need these three things: visually stylish directors who also understand storytelling within the musical idiom (it's not an easy thing to move from the abstract friendly medium of the stage to the usually literal medium of the cinema); sly confident casting and gifted performers (transferring entire Broadway casts absolutely won't do. And neither will its opposite, replacing them all with "names" whether or not they can sing and dance. Why? Both strategies just reek of insecurity); and, finally, the right blend of zealous passion and merciless intelligence from the filmmaker since musicals are complicated and needy and fragile and they tend to come with a tricky but essential mix of artifice and sincerity. 

Of course Rent had it's own problems apart from failing to meet those three essentials. It is also a story wherein New York City is as much a leading character as Roger, Mark or Mimi. In the abstract friendly environments of the theater, a simple flourish like a fire escape can represent and entire teeming city with millions of stories in it with ease. If you try to fake New York City in the movies without a stylized visual approach, it just going to look cheap and weak.

But for all of its problems Rent (2005) did give us Jesse L Martin singing onscreen and for that we'll always be grateful. I mean, just listen to his superbly emotive instrument.

A couple of years ago Martin was supposed to headline a biopic about Marvin Gaye and though his casting was inspired financing fell through somewhere along the production phase so the movie seems like one of those phantom features now, caught somewhere between development hell and actual existence. Other roles for Martin just haven't satisfied his musical fans. The much missed Smash (RIP) did a lot of things wrong in its two seasons as a network musical but one of its true unforgiveable sins was actually giving Jesse L Martin a job IN A MUSICAL and then denying the audience that voice. (We keep waiting for The Flash to have a meta-human musical episode since a hefty percentage of its principle cast comes with gorgeous pipes and real musical theater cred.)

Did you ever see Rent on stage? If not do you have any strong memories of the movie?

GoodFellas at 25: why it's cinematic perfection

David here celebrating 25 years of what might be Scorsese's masterpiece...

When I signed up to write about Goodfellas, the main motivation was simply that I hadn't seen it in years - the ideal opportunity to force a rediscovery before an overwhelming onslaught of new movies. When it came to actually writing this article, though, things didn't seem so simple any more. What could I possibly say that hasn't already been said? Pieces about things you 'never knew', about where the cast are now, about the making of the movie are already widespread across the fare internet shores, because the film remains one of the all-time favourites of the straight white male demographic that dominates both film criticism and film fandom. I mean, did you miss this New York Post article a few months back? Everyone else just doesn’t get it.

The fact remains, though, that Goodfellas is a classic, and incontrovertibly so.

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