BAFTA Nominations: 'Dune' has a huge lead while 'West Side Story' struggles

by Nathaniel R

Dune has a gargantuan lead at the annual BAFTA awards with 11 nominations. People often look to BAFTA for clues as to last minute shifts in the Oscar voting vibes... but we strongly caution against that now. BAFTA has changed so many of their rules in the past few years and added so many intricacies to their voting (including partially juried fields and 100% juried nominations in some categories) that it's difficult to say what any particular nomination actually means or who it came from. 

Musicals had a rough morning. tick tick BOOM! went without any nominations at all (despite multiple longlistings) while West Side Story struggled. Despite five nominations (including Mike Faist, yay!) it missed in all sorts of crucial places. Nominations and comments are after the jump...

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Critics Choice Awards will now be held on... the same day as BAFTA

After attempting to steal what little Golden Globes thunder remained by scheduling themselves on the exact same date, the Critics Choice Awards were delayed (understandably) by Omicron variant fears. A new date has been announced: March 13th, 2022. That's well timed in terms of Oscar (two weeks prior) but poorly timed in terms of celebrity strategy as it's the exact same day as the BAFTA ceremony!

Now it's possible things will work out for both shows as some celebrities will not want to cross the ocean (in either direction) due to COVID but it's still a worrisome choice; Celebrity presence is crucial to the success of live awards ceremonies. On the other hand, the calendar was filling up so the show had to go somewhere. If Sunday was the only day of the week to do it (why is that the only day of the week? the Oscar were on Mondays for decades!)  there were very few options remaining. February 20th was the Olympics closing ceremony. February 27th was already claimed for SAG Awards. March 6th belongs to the Film Independent Spirit Awards. But what was wrong with, say, March 20th, the week before the Oscars? What do you make of the move? 

BAFTA Long Lists reveal potentially dire nomination slates

Every year the BAFTA long lists remind us that we are sooooo glad that Oscar doesn't do this in the major category. We really like our delusional world where voters are actually watching screeners and not just voting for the most high profile things in every category. For one, BAFTA longlists have mostly ignored non-English language films that people were feeling hopeful about in the awards race (Parallel Mothers, Drive My Car, Titane, Worst Person in the World, etc) except for in the international category. Similar the animation longlist is all big studio American stuff (with the exception of Flee). These are all clear "stay in your lane!" signs from voters. For another, they actually think films like House of Gucci is worthy all of the place and that Don't Look Up has worthy elements in all four of the acting races. Argh!

But at any rate here are the BAFTA longlists. Reminder: These are NOT nominations, just what the nominations coming on February 3rd will be drawn from. The following info is pulled directly from the BAFTA site...

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BAFTA TV Award Winners: I May Destroy You, Welcome to Chechnya

The BAFTA TV Awards were announced yesterday with Michaela Coel's critically acclaimed I May Destroy You winning Best Actress and Best Mini-Series (it had previously taken Writing, Directing, and Editing at the "Bafta Craft awards). The Crown did not fare well (hits too close to home?) and Steve MQueen's Small Axe picked up just one major prize (Supporting Actor for Malachi Kirby). In better news, Paul Mescal won Best Actor for his exquisite work on Normal People and the superb queer documentary Welcome to Chechnya, which Oscar so unwisely snubbed last season, picked up another award. The winners are listed after the jump...

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Anthony Hopkins' shocking win shouldn't have shocked anyone.

by Baby Clyde

Thank you all very much. I really did not expect this.

I watched the last 20 minutes of the 93rd Academy Awards with a sense of impending doom. The disastrous decision to cynically rearrange the final awards in the hope of ending the night on a contrived ‘high’ immediately struck me as problematic. Whilst back in the day Best Picture wasn’t always given out last, it’s been that way for nearly 50 years and changing the order this year was clearly done for one and only one reason. The emotional finale meant to honor Chadwick Boseman with a posthumous award was something the hapless producers couldn’t resist, and it infamously backfired. A slow moving, gold plated car crash ensued as Sir Anthony Hopkins was declared the winner. With no back up plan, no Zoom speeches allowed and no host to close the show the evening ground to an unceremonious halt. If only they’d asked me, the day could have been saved.

I’m not a great Oscar predictor. Every year I seem to get 17 or 18 right. Usually tripped up by the Shorts, even if I’ve watched them all --no, especially if I’ve watched them all! But this year I did manage to successfully predict both Lead acting races, despite them both supposedly being "shocks".  Best Actor was less clear, yes, but I put Hopkins in the #1 spot back in September and never moved him. I’ve been Oscar watching a VERY long time (When I started Glenn Close only had Supporting noms) and sometimes you just get a feeling about a particular race. For example, I never once thought Stallone was winning back in 2015 and I’m still puzzled when people insist Meryl’s third was a surprise as it was inevitable. I felt exactly that way this year and as the season went on (and on and on) there was plenty of evidence, I present six pieces, pointing in that direction...

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