Best International Feature: France, Denmark & Russia's contenders

by Cláudio Alves

In less than two weeks, December 16th to be exact, we'll know the Best International Feature shortlist. In previous years, there were only nine finalists but, due to recent rule changes, the list has been expanded to ten titles. As usual, expect to see a lot of European productions since this category loves to reward the cinema of the Old Continent. Thinking of those preferences, I've decided to purview the submissions of three European champions of the past. 

Specifically, they are France, with nine competitive wins and three honorary awards uner their belt; Denmark, with three victories; and Russia, which won once or four times if you count USSR's wins. We'll start with the most-nominated country in the category's History…

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Best International Feature: Norway, Taiwan & Mexico's contenders

by Cláudio Alves

In a few days, we'll know the ten finalists for the Best International Feature Oscar. Until then, I shall continue exploring some of the 91 submissions. This batch includes last year's champion, Mexico, a prize-winning literary adaptation from Norway and a queer tragicomedy from Taiwan that's currently on Netflix. They're a varied bunch and represent the offerings of countries that have previously achieved great success with the Academy.

First, let's peruse the wintry wonders of the Scandinavian submission…

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The Whistlers: Film Noir Romanian-Style

by Cláudio Alves

As Noirvember comes to an end, it's interesting to peruse the current Awards hopefuls in search of some examples of film noir. Lynn Lee already defended the merits of Edward Norton's Motherless Brooklyn, but my attentions were drawn, as usual, to the Best International Feature category. Amid the record-breaking 91 submissions, we can find a peculiar experiment of deconstructed noir archetypes and mechanisms. It comes from one of those countries whose historical lack of a nomination is an absurdity and reflects poorly on the Academy.

I'm talking, of course, about Romania's The Whistlers…

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Austria's "Joy" is out of the Oscar race

by Cláudio Alves

...And then there were 91...

As we predicted back when Nigeria's Oscar submission was disqualified from the Best International Feature race, the same fate has befallen Austria's Joy. Despite some German dialogue, most of the film is in English, due to the fact it tells the story of Nigerian immigrants living in Europe. After all, Nigeria's official language is English. Once again, such news makes us ask ourselves if this is a fair predicament. One thing's for sure – it's ridiculous that the Academy doesn't vet the country's submissions before announcing the list of eligible films. It'd certainly avoid a great deal of scandal.

Even if it's amply justifiable, such disqualification is unfortunate, even a bit sad, because Joy's an achingly poignant triumph. The sort which deserves to be celebrated by the Academy, but seldomly is…

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How to fix the Best International Film category?

by Cláudio Alves

This year, the Best International Film category celebrated a record-setting number of submissions - 93 in total. 2019 has also been marked by the renaming of the award, which was previously called the Best Foreign Language Film Oscar, as well as some new rules that slightly change the voting process. However, one of the unhappiest yearly traditions associated with this honor refuses to go away. Once more, some films are being disqualified.

Nigeria's Lionheart isn't eligible for the Oscar. This is particularly terrible when one considers it's the first submission from one of the few African nations with a thriving film industry. Not surprisingly, the decision has generated quite a bit of controversy, with such renowned filmmakers as Ava DuVernay criticizing it…

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