Oscar Ballots Out Today. Three Simple FYCs for Voters.

Let the Oscar balloting begin. The image we use to illustrate is envelopes because they're pretty but they're also analog when even as ancient an institution as Oscar -- he's 88 years old now! -- has gone digital. Academy members can start nominating their favorites TODAY.  I won't barrage AMPAS members with requests other than these three wishes:

1. Please ignore precursors. Surprise us! 
The precursor bodies make terrible mistakes in trying to predict you (SAG & Critics Choice in particular this year are just a mess of lazy "what will the Academy vote for?" impulses rather than a searching for what constitutes great work which should always be the only concern). Two fine movies off the top of our heads that nobody expects you to vote for this year but why the hell shouldn't you? Sicario and Tangerine. People also seem to agree that you won't get behind stories about women but we know you have it in you. The public is enjoying reliving 1977 because of Star Wars: The Force Awakens but remember in 1977 how 80% of your Best Picture lineup was about women? Good times! I mean, why shouldn't you vote for something as gentle, resonant, and well modulated as Brooklyn, for example?

2. FYC: Remember that love stories require two leads. 
Rooney Mara and Cate Blanchett are a beautiful team in Carol - so don't separate them in two different categories. Think of the classic screen couples (Gone With the Wind, The Way We Were, Titanic, It Happened One Night, Casablanca, Coming Home, etcetera). In none of those romantic dramas do people pretend one movie star is "supporting" the other movie star. Be reasonable and put an end to greedy campaign strategies that make the very notion of awards seem crassly opportunist when the conversation should be edifying and fun; "Best" is a beautiful word! And love stories are love stories are love stories whether the couple is straight or LGBT. (See also: The Danish Girl)

3. Most ≠ Best
This isn't just about the acting categories but how about a deserved nod here or there that you could never call "Most" but could definitely argue "Best".  Three examples of many: The Production Design of Room (a top notch technical achievement but also emotionally intelligent and a true creative challenge); The Visual Effects of Ex Machina (there's no grand setpieces, sure, but damn if these fx aren't a master class and hugely impressive in comparison to the typical CGI shenanigans of blockbusters like Jurassic World); and the Original Score of Steve Jobs (unusual, contemporary, and creatively retro too).

HAPPY VOTING EVERYONE!

A Favorite Scene From Brooklyn

Murtada here with a favorite 2015 scene and a warning. Please note this post divulges plot points for Brooklyn.

The setup: Irish immigrant Eilis (Saoirse Ronan) has been seeing her Brooklyn Italian beau Tony (Emory Cohen) for a few weeks when he surprises her with a declaration of love. Not knowing if she loves him back or how to respond, she looks for an answer from one of her house mates at Miss Kehoe's, Sheila (Nora Jane Noone).

More...

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THR's Screenwriter Roundtable

Chris here. I hope you're having a relaxing and safe holiday weekend!

Earlier this week, hiding among the constant updates on the reams of money The Force Awakens is floating in, we got this year's Screenwriters Roundtable! You'll remember from November that we had some feelings about this year's Actress Roundtable and I'll confess that I found this year's Actor Roundtable underwhelming in lineup and discussion. However, the Screenwriters edition is often the loosest and freshest each year - with its selected participants typically on point.

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Best of '15: Co-Star Chemistry, the Great Intangible

These are the 15 relationships that really crackled for us on screen this year with an electric snap... or familial/platonic warmth... or sexual combustibility... or tense reserve ... or  lived-in authenticity ...or any combo thereof depending on what the relationship called for. Kudos to the actors, directors, screenwriters, and casting directors who all obviously contributed to capture lightning in a bottle. The following examples of screen chemistry told us so much about the characters within the story and sometimes outside of it from long before the events of the movie or projecting out after the narrative. Do I find it troubling that the SAG and BFCA nominations for Best Ensemble avoided ALL of these films save Spotlight? Why, yes --- yes I do! Thanks for asking. 

Note: I opted not to include Carol in the list primarily because the obsession is too strong and every single relationship in the movie is fascinating (yes even Therese & Richard's! Even Harge & Abby who only get one scene together) and it wouldn't be fair to the other pictures with its web of relationships, new, old, soured, fresh, complicated and all superbly rendered. Joy, which is better than the initial response suggests, also has fine pockets of chemistry within a bustling cast (something David O. Russell excels at) but I couldn't settle on any one relationship.

The list is presented without commentary... but for what you have to say in the comments. 

15 Sylvester Stallone & Michael B Jordan in Creed (trainer/trainee and surrogate something)

14 more couplings after the jump...

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"Brooklyn" Beyond Saoirse

Chris here. We're pleased as punch with all of the precursor love that's greeted Saoirse Ronan's timeless star turn in Brooklyn. Today though, in light of SAG's virtually female-free Outstanding Ensemble list, let's give some love to this film's unnominated but vibrant ensemble.

Yes, Saoirse Ronan is getting the majority of the prizes and praises for the film - heck, she could share an ensemble prize for the film with just herself and her multitude of emotions  in the film and you'd have no complaints from me. However, Eilis's journey in the film is more fully realized with the lived-in actors that surround Ronan's protagonist.

THE FAMILIAR FACES

• Emory Cohen as Tony Fiorello - I'll join those who were happily surprised with his performance, after ghastly work in The Place Beyond the Pines and elsewhere. Not just a pining lothario, he's also believably accepting of Eilis's need to be her own woman. Dreamboat of the Year.
• Domnhall Gleeson as Jim Farrell - A much more bland love interest to Eilis, but intentionally so. He really sells Jim's uncomplicated ambitions
• Julie Walters as Mrs. Kehoe - Archly hilarious as the matron of Eilis's boarding house for girls. She'd be a Supporting Actress contender if it weren't for competition with more screen time and *ahem* narrative focus
• Jim Broadbent as Father Flood - As charming as ever in a tiny role

And here's where it get's really good after the jump...

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