Hello, Gorgeous: Best Actress of 2015

A new series by Juan Carlos Ojano

In this year’s group of nominees - more than any other year I have covered so far - the given space during their introductory moments is incredibly important in establishing the character and their place within the story. Whether it is set in the past or the present, the stories where these characters are situated are framed through the visual juxtaposition of the character and their location a few shots into the film. While that is the unifying theme among these women, they also dabble into different variations of perspective, filmmaking styles, and acting registers. This makes for a dynamic comparison of their first impressions.

Are you ready? The year is 2015...

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The Furniture: Brooklyn and Carol's Dramatically Different Department Stores

It's our new Production Design series, "The Furniture." Daniel Walber kicked things off last week with the bedroom in The Exorcist. Now a different era and public spaces - Editor

Thanks to Brooklyn and Carol, 2015 was a banner year for the 1950s department store. Both Eilis and Therese spend a fair amount of time as New York City shopgirls, selling to housewives and dealing with stern floor managers. Yet, despite the ostensibly common setting, Brooklyn's Bartocci's and Carol's Frankenberg's could not be more different.

The staff areas are a good place to start. Bartocci’s has a simple enough space for its employees, with open coat lockers to keep their belongings. It’s not beautiful, but the wood lends it a cozy quality. Production designer François Séguin (The Red Violin) and art directors Irene O’Brien (This Must Be the Place) and Robert Parle (Riddick) have a subtle, but assured touch. [More...]

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Posterized: Saoirse Ronan

Since we forgot to celebrate Saint Patricks Day and since Brooklyn is fresh on DVD, let's talk everyone's favorite current Irish lass! Saoirse Ronan is only 21 years old (she turns 22 next month) but she's already logged over a decade of work having started as a child in a Irish television series called "The Clinic". Her first movie role was as Michelle Pfeiffer's daughter in the romantic comedy I Could Never Be Your Woman shot in 2005 though it took along time to emerge due to behind the scenes studio and distribution dramas. Her breakthrough Oscar-nominated performance in Atonement (2007) quickly followed. She's now ascended to a real movie star with her warm engaging film-carrying work in Brooklyn (2015).

Let's repeat a bit of Oscar trivia since it's quite impressive and important: Saoirse Ronan (nominated at 13 and 21) is only the 4th child star in history to received an Oscar nomination before and after turning 18. The very short list includes only the icons Jodie Foster (first nominated at 14), Natalie Wood (first nominated at 17) and Sal Mineo. (first nominated at 17) so that's astonishingly good company for Saoirse! (If you count "special" non competitive Oscars you can include Judy Garland, too, who received a "juvenile" statue for The Wizard of Oz when she was 17.) Most child stars peak when they're children, you see, but Saoirse is surely just getting started. 

How many of her films have you seen? (all posters after the jump)

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Home Theater: What to watch from your bunker.

It's your bi-weekly blend of tasty new releases on DVD/Blu-Ray and the ever shifting entrees from streaming services. I'm totally depressed about the state of the world today as we head to another round of catastrophic primaries tomorrow but let's jump right in.

NEWISH ON DVD/BLURAY

• Alvin & Chipmunks 4 - a sure sign of the apocalypse
• The Big Short - about the financial apocalypse
• Brooklyn - wonderful escape from awfulness of everything
• Carol - masterpiece. hope it survives the fires
• Grease: Live! -nobody will be doing the handjive in hell
• In the Heart of the Sea - we are all Chris Hemsworth, deluding ourselves
• Macbeth -that damn spot will never come out, lady!
• The Peanuts Movie - tfw you're Charlie Brown
• Sisters - the sinkhole is a metaphor
• Victor Frankenstein - again?
• Game of Thrones S5 - everyone dies
• Unbreakable Kimmy Schmidt S1 - that bunker is looking smart right about now.

NEW TO STREAMING
• Netflix: Zac Efron in Charlie St Cloud, Tom Hanks in Larry Crowne and Daredevil S2 all on March 18th
• Amazon Prime: The Internet's Boyfriend and also Garrett Hedlund in Mojave (March 22nd) and the visceral gripping '71 (March 27th) about The Troubles starring Jack O'Connell. You should see that. 

LAST CHANCE TO STREAM
You know how we do. We've freeze framed each movie somewhere random after the jump...

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The 88th Oscars' Biggest Losers and Classics That Shared Their Fate

David here with some commiserations. The winners have been duly celebrated but what of those valiant souls who came, who sat, and who meekly applauded while silently ripping their pocket speeches to pieces? Are they over it by now?

Leonardo DiCaprio 😭 #Oscars pic.twitter.com/Ugrwz1XSw2

— pictoline (@pictoline) February 29, 2016

Sometimes being the biggest loser can make you more famous than being a winner - just ask Leonardo DiCaprio, who may well just cease to exist now that his one purpose in life has been fulfilled and the internet’s long love affair with affectionately mocking memes has come to an end. Can we assume that Roger Deakins is up next for this treatment…?

The record for the biggest loser on Oscar night is jointly held by 1977's The Turning Point and 1985's The Color Purple. Since The Revenant walked away with 3 gongs from a possible 12 and Mad Max: Fury Road gloriously swept the technical categories for 6 out of 10, no film came close to the record - unlike recent failures True Grit and American Hustle, which both saw 10 noms come to sweet f' all. (The Color Purple's director Steven Spielberg was saved from indignity again with Mark Rylance's sort-of-surprise win for Bridge of Spies.)

Yet some of 2015's biggest movies still ended the night empty-handed. Since time has a habit of remembering movies differently to Oscar, let's see what hallowed company Sunday's biggest losers are joining in the hall of infamy. How might they fair in the collective memory in twenty years time? (Please forgive my Photoshop skills after the jump)

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