Exciting Project Alert: 'Spanish Dracula'

Remember the filmmaking brothers Paul Weitz and Chris Weitz? Their career together started strong with a box office smash American Pie (1999) and a well-loved modest hit About a Boy (2002). The brothers soon went solo as directors though they kept working together, producing and what not. Their subsequent work didn't capture the zeitgeist in the same way though there were sure-fire sequel hits (Little Fockers, The Twilight Saga: New Moon) a troubled attempted franchise (The Golden Compass) a few well received smaller pictures (A Better Life, Grandma) and an award winning TV series (Mozart in the Jungle). Their next project, their first co-directing gig in ages will be a biopic of their Mexican film star grandmother Lupita Tovar (pictured left) and it sounds just great...

Because of our long running "200 oldest living film stars" list we already knew that the brothers were descended from actresses...

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Sundance: Rebecca Hall goes bugsh*t in the unhinged 'Resurrection'

by Jason Adams

Wanna know how you're in the hands of a smart filmmaker? Well there are two signs, and funny enough they both involve Rebecca Hall. The first sign is thatthey hire Rebecca Hall. That's as smart as it gets! They do that much you know you're in good hands. The second sign is they give Rebecca Hall a five minute centerpiece monologue to deliver and they hold the camera on Rebecca Hall's face the entire time without cutting. That right there is what the movies were invented for, and that's how you know that Andrew Seman's film Resurrection, fresh outta Sundance, is worth its weight in Tim Roth's discarded teeth. What? Isn't that how you measure weight? I sure do now, anyway...

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Sundance: 'Hatching' or Mommy Issues – The Movie

by Cláudio Alves

Motherhood is a subject ripe for horrific extrapolation. Some might regard their offspring as hopeful mirrors, wishing them to be an improved reflection. Disappointment, when it unavoidably comes, is a spiky cruel monster. There are others for whom birthing a mirror is the worst possible fate, the child a magnifying glass of perceived faults. Moreover, the similarity can feel draining, a youthful leech sucking out its mother's lifeforce, a constant reminder of mortality. Hanna Bergholm's Hatching takes these perceptions of motherhood and mixes them with body horror, cranks them up to eleven, and ties everything up in a pink satin bow that reeks of vomit and discarded flesh…

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Sundance: 'Master' is a fine horror debut

by Matt St Clair

Mariama Diallo’s feature debut Master is a horror film about the anxieties of being a Black woman in a predominantly white space. Diallo stresses such perturbations by blending paranormal elements with real-world institutional prejudice and the all-too-petrifying feeling of being an outsider. Although certain story elements outweigh others, Master thrives on its slow-burn execution and sheer demonstration of danger lingering around every corner...

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Sundance: 'You Won't Be Alone' stirs and shape-shifts

by Matt St Clair

You Won’t Be Alone, the new Macedonian folk horror tale premiering at Sundance, is not for the faint of heart. Yet, for a film with such grotesque violence, Goran Stolevski's feature debut is strangely moving and intimate. His film is a poetic and philosophical depiction of what it means to be human; It arouses and stirs as often as it repels...

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