Queer TIFF: "Diamantino"

by Chris Feil

Plenty of the quasi mainstream queer movies are quickly labeled as not queer enough, the queer intelligencia (however rightfully) upset if gay life is reduced for the straight masses. Yeah, Diamantino has never heard of any of them, nor is it all that interested in your intellectual approval either.

And still it delivers something batty enough (and honestly flat out sweet enough) to knock potential naysayers off of their pretentious perch while delivering something foaming with queerness to fill all of its corners. Get ready for a fantasia of giddy gender confusion to glitterbomb the square conformity delusion, all set to Donna Lewis' "I Love You Always Forever". Diamantino is an absolute gas.

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Queer TIFF: "Rafiki"

by Chris Feil

Already famed for being banned in its home country of Kenya for having a positive outlook on its lesbian lovers, Rafiki is a mostly conventional coming out and of age tale. That is if you wish to divorce it from its very specific context in African cinema. A teen love story less interested in breaking narrative molds than it is environmental ones, Wanuri Kahiu’s debut stands out by presenting queer people within its own vision of contemporary Nairobi. While its expected beats and the familiarity of its narrative trajectory present some limitations to our enthusiasm, the film comes alive mostly by creating a palpably real world.

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Queer TIFF: "Touch Me Not"

TIFF kicks off today!! In addition to our regular coverage, Chris Feil will be covering a sampling of the festival's LGBTQ global cinema...

Adina Pintilie’s Golden Bear-winning piece of experimentation and sexual reflection Touch Me Not opens on a landscape of the naked male body, anonymous and alien, shot with a deliberate distance that doesn’t deceive the film’s tension between curiosity, impulse, and terror. While this quickly establishes the psyche of Pintilie’s piece, it is about to become far more personal, with its players all playing themselves or versions thereof. Its fourth wall is never broken because it was never built in the first place.

The film centers largely on two emotionally stunted characters (or “characters”), struggling to experience both physical and emotional connection...

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Doc Corner: 'Hot to Trot'

Returning from an impromptu break in order to move to a new city, start a new job, and move into a new place without internet. We're definitely hoping to be back on the weekly schedule looking at documentaries as we head into awards season. I'm exhausted already! - Glenn Dunks

The strangest thoughts can go through your head as a movie plays in front of you. As I was watching Gail Freedman’s affectionately-made Hot to Trot about competitive same-sex ballroom dancing, I began to think about the evolution of documentary and the representation of gay stories in it. There isn’t anything in the film that really justifies such lofty thoughts, but I couldn’t help wondering what audiences 20 years ago would have made of it and how simple stories are done a disservice by expectations placed on non-fiction moviemaking...

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Podcast: BlacKkKlansman plus (sigh) a New Oscar Category

This week Nathaniel R, Murtada Elfadl, and Chris Feil talk Oscar changes and Spike Lee's new joint.

Index (1 Hour and 2 minutes)
00:01 Spike Lee's new joint BlacKkKlansman. He's still got it. Also we talk about how he uses Gone With the Wind, and Birth of a Nation.
15:30 Oscar's recent announcement about the "popular achievement category" and all the problems we imagine it will cause. We are not pleased but we do offer our own fixes to issues of audience's being more into the Oscars.
40:00 Film Festival excitement TIFF and NYFF plus The Favourite, and Peterloo rumors.
47:00 We return to Spike Lee and list our three favorite scenes in BlacKkKlansman.
54:00 Fall film chatter: On the Basis of Sex, Mary Queen of Scots, and The Miseducation of Cameron Post versus Boy Erased
60:00 Goodbyes!

You can listen to the podcast here at the bottom of the post. Continue the conversations in the comments, won't you? 

BlacKkKlansman and Oscar's Rule Changes