By Sean Donovan
Goat has an important discrepancy between its advertising and the final film we end up watching. The poster, released just before the film’s 2016 Sundance in-competition premiere, specifies a clear focal point and it is male nipples. A man’s tight nipples exposed as other clothed men gather around him pouring liquor down his chest. Any hunch as to what sizable market population Goat is trying to advertise to? If you need more clues, how about the fact that this film was produced by queer cinema legend Christine Vachon, features the star of Pride Ben Schnetzer, and the straight male pop star Nick Jonas (confusingly labeled a gay icon by Out Magazine), and the man who wants to be gay icon so much it hurts, James Franco, in a dual role as producer/supporting actor? No more clues needed: Goat is hunting for THE GAYS.
The opening credits more or less bear out the promise of this advertising, set as they are to a slow-motion montage of bouncing shirtless men. Yet the resulting film is a very dark, gritty experience, lacking even the typical scenes of sexualized rowdy excess that one usually finds in films about fraternity bros...
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Thursday, January 12, 2017 at 12:46PM 
Have you taken a break from all the awards season madness, to watch Netflix's remake of One Day at a Time? I didn't think I'd like it due to a laugh track (which, I am not excusing) but it's a good enough show that I survived the canned giggles and often enough covered them audibly with my own. It's a straightforward remake of the 70s sitcom but for the following changes...
