Stage Door: Disney's Frozen

by Dancin' Dan

Caissie Levy stars as Elsa

You can feel the audience's anticipation. Not for the show to begin, not for the star to come on stage, but for the act one finale, from the moment you step inside the St. James Theater to see Frozen. That's not necessarily a surprise, "Let It Go" being the kind of world-conquering hit song that feels like it's in short supply these days. But it is a strange strange thing to feel when you're seeing a new musical...

Click to read more ...

Review: Breaking In

by Chris Feil

Twist a tried-and-true subgenre like the home invasion movie with just the slightest bit of invention and we’re intrigued - like say, the homeowners are the one who have to do the invading. Add in relatable context for emotional investment - motherly instincts, forging one’s own family unit after estrangement, female badassery. Sign up a dependable actress like Gabrielle Union and you have a formula for easy popcorn thrills and a rewarding opportunity for an underutilized actress to take center stage.

How has Hollywood not yet realized that Union is a star, and one we want to watch take revenge on a slew of bad guys with her poise and no-bullshit wit? Thank you, I'll have five. But Breaking In is only half of that movie.

Click to read more ...

Doc Corner: The Notorious 'RBG'

By Glenn Dunks

There is little denying that Ruth Bader Ginsburg is a great woman. Sadly, however, she has not been granted a documentary of equal merit. The new documentary RBGrushes through many of her life’s accomplishments without any of the attentive analysis deserving of somebody who has been so instrumental to the shaping of society. Directed by Julie Cohen and Betsy West (producer of The Lavender Scare which you may have seen on the queer festival circuit), RBG is never less than full of effusive praise, but sloppy directorial choices make the film less than totally involving. It's light on the force and scope that one ought to expect.

RBG covers most of what you're expecting: her early life studying law and meeting her future husband, her efforts to fight for equality in the courts, her confirmation to the Supreme Court in 1993 by President Bill Clinton, her discenting vote in Bush v Gore and so on. The film, eager one supposes to present her as somebody of mere blood and bones, also covers her extra-curricular fun: the opera predominantly, but also her efforts to stay fit in her 80s, her late-in-life ascension as an internet meme, and her unlikely friendship with Antonin Scalia...

Click to read more ...

Review: "Tully"

by Chris Feil

With Juno, screenwritwer Diablo Cody and director Jason Reitman made a quippy comedy on teen pregnancy with more subtlety than first meets the eye. Pairing again for Young Adult, they approached the bitter delusion of its alcoholic protagonist with patient and understated compassion. Now arrives their third collaboration Tully, an equally gracious and hilarious look at personal growth and self-awareness, this time with motherhood at the forefront.

It’s a special thing when we get even one great comedy with such a deep well of empathy for its subject, but Cody and Reitman have gifted us with an unimpeachable trilogy on empathy that challenges audience bias. And Tully is their riskiest entry yet.

Click to read more ...

Tribeca: Mary Kay Place leads "Diane"

Tribeca has ended but we have a few more movies to talk about. Here's by Jason Adams with a movie to keep your eye out for...

Why is it so hard to describe why Kent Jones' Diane works so well? Twice just after seeing it I stumbled trying to do so. Just laying down the plot is insufficienct. It's about an older woman in a small town whose son is a drug addict and whose cousin is sick with cancer. But that makes it sound like something Lifetime coughed up. So you've gotta start with Diane herself. Veteran character actress Mary Kay Place plays her, and already you can feel it. The no-nonsense lived-in vibe of it. The wood grain. Just keep going from there...

Click to read more ...