Landmark gay adult film Passing Strangers (1974), restored

by Nathaniel R

If you use movies for time travel, as we often suggest people should given that they're cheaper than time machines, you could do worse than renting the restored 1974 porn Passing Strangers.  The site Pink Label.TV, which is queer owned and operated, and specializes in ethical and niche adult queer indie fare is currently hosting a restored print. It's the latest restoration for the work of the trailblazing filmmaker Arthur J Bressan Jr. Bressan also made the landmark gay drama Buddies (1981) and the documentary Gay USA  (1977) which Glenn recently raved about. His earlier porn, Passing Strangers, emerged during that brief heyday in the 1970s when mainstream media was taking porn seriously -- think Deep Throat and Behind the Green Door's blockbuster box office.

More, but definitely NSFW, after the jump...

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Loving "Love, Victor"

by Nathaniel R

Is this what good fan-fiction is like? In the first awkward episode of Love, Victor... and, again in the eighth "very special" cringe-worthy episode, and, fiiine, in scattered bits inbetween in virtually all episodes, the new Hulu series perpetually draws attention to the fact that it's inspired by the motion picture Love, Simon (2018). That said it wisely positions itself as a sequel, rather than a remake.

Instead of writing to a mysterious gay schoolmate online as Simon did in the first mainstream wide release gay romcom, Victor writes to Simon himself, inspired by his story and perpetually sliding into his DMs asking for advice...

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Watch "Miss Juneteenth"

Happy Juneteenth, everyone! You may recall that before the world shut down film festivals existed and at Sundance back in January the indie film Miss Juneteeth had its premiere. The mother daughter drama about a former beauty queen and an upcoming 'Miss Juneteenth' pageant has been a major critical success for first time feature filmmaker Channing Godfrey Peoples. 

Here's what Murtada had to say about its lead actress Nicole Beharie (Shame, Sleepy Hollow)...

Beharie commands the screen with a naturally quiet disposition and the film flows to her rhythm. Sometimes slowing down completely as Turquoise halts to take on another day and challenge and Beharie shows us that with small reticent gestures. It’s the kind of performance - and film - that you need to let seep into you, settle in and wash away leaving you nourished with palpable emotions. 

You can read Murtada's full Sundance review here. Miss Juneteenth is now available digitally and on demand and you can support your local indie theater while watching it.

Review: Da 5 Bloods

by Lynn Lee

Perfectly timed.  The right voice for this precise moment.  Spike Lee’s never been more necessary than he is now. 

If you’ve read one variation of the “timeliness” reaction to Spike Lee’s latest joint by way of Netflix, Da 5 Bloods, you’ve read them all.  It’s a truth so self-evident it practically amounts to a truism.  Except the fact is that Spike Lee never went anywhere – he’s been here the last 30 plus years, educating us on the ugly persistence of systemic racism in the U.S.  His movies have always been timely; it’s our fault if we’ve failed to heed their underlying admonitions or give them the sustained attention they deserve.  It makes little sense, then, to accord his newest release any extra expectations that it will “speak to the moment.”  Still, given that it's Spike Lee, it does speak to the moment, if less directly – or less crisply – than some of his previous films...

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Review: King of Staten Island

by Tony Ruggio

The King of Staten Island is both typical Judd Apatow and a pretty subtle departure from the world he knows and has often depicted on screen. Make no mistake, it’s an overlong, meandering coming-of-story about a slacker who can’t get his head on straight until he does (very familiar), but it also features a deeper psychological profile than we’re used to seeing in Apatow's films. 

Much like many of Apatow’s big-screen efforts, his latest uses the particular talents of a gifted comedian and crafts around them a semi-autobiographical tale of love and loss. Pete Davidson’s father was a fireman who tragically perished in the ashes of 9/11, and so it goes that Davidson is portraying a wayward 24 year-old named Scott who lives with an exhausted mother (Marisa Tomei) and his college-bound sister (Maude Apatow), and is still dealing with the loss of a fireman dad he knew only as a saint... 

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