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Entries in Reviews (1310)

Tuesday
Nov162021

Red Notice: just enough to press play

by Elisa Giudici

As early as the prologue, Red Notice sets the bar so low that you instantly know to shut up and meekly accept every absurd thing it gives you. When an adventure movie starts with Marcus Antonius gifting his future bride Queen Cleopatra with 3 Fabergé jeweled eggs around 1000 years before Gustav Fabergé himself came to the world, you know realism is not high on the list of the movie's priorities. Not a priority at all, whether in the past or the present. Five minutes later we are introduced to Dwayne Johnson's FBI criminal profiler John Hartley. Sporting a black turtleneck (and later a silk patterned scarf), the notion of The Rock being a criminal profiler is so improbable that the screenplay mounts a preemptive defense. "You don't look like one".

"I get that a lot" replies The Rock, introducing us to a parallel world in which a lot of characters are nonsensical in service of an action-comedy about art thieves and double plays.  This is the kind of movie in which the audience will likely forgive anything, provided they are offered some spectacle, a few good liners, and chemistry between glamorous supertstars. Unfortunately, Red Notice lacks almost any of these elements...

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Sunday
Nov142021

AFI World Premiere: Halle Berry's "Bruised"

by Eurocheese

Bruised gives us Halle Berry behind and in front of the camera, telling the story of a former MMA fighter who has been down on her luck for some time. When her life is complicated by the return of her son, she is forced to get her priorities in order and address the demons of her past. Berry spoke about revamping the script – originally written with a young white protagonist in mind – to reflect her own vision with the writer’s assistance, and it’s clear this was a passion project for her.

Does that passion translate to the screen? Yes, but this can be both a curse and a blessing...

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Sunday
Nov142021

Streaming: "The Harder They Fall"

Please welcome guest contributor Jasmine Graham

Westerns are not a genre I’m a massive fan of so I had no idea what to expect from The Harder They Fall, a directorial debut from Jeymes Samuels, a singer-songwriter from England. The film, now streaming on Netflix, follows Nat Love (Jonathan Majors) spending the course of the film avenging his parents death as a child to Rufus Buck (Idris Elba) and his gang. Joining them in the ensemble cast are Edi Gathegi, Regina King, and Zazie Beetz to name a few. The cast is exceptional, with wonderful chemistry and such good performances that it’s hard to name one standout. The film is a western, through and through, with bloody and violent shootouts that do not disappoint...

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Friday
Nov122021

Passing: Finding the Grey between Black and White

by Patrick Ball

In Rebecca Hall’s devastatingly delicate Passing, light plays a powerful role. One I haven't seen in many films before. The use and placement of natural and artificial light introduces and reintroduces us to the characters over and over. Depending on how the situation suits them, they bask in it, hide from it, are able to play up their ruses, daring us to look a little closer, or cling to shadows, to the safety of the shade. 

As many of us in America came to a new and widened understanding of the foundational race issues in our country following the deaths of George Floyd and Brianna Taylor last year, and the resulting national reckoning that came after, I spent a lot of time considering how my experience as an “ethnically ambiguous” mixed-race black person has shaped my perception of race, and of media. In Passing, Tessa Thompson’s Irene wryly remarks to a white acquaintance that “we all are passing for something or another, aren’t we?” And isn’t that at the heart of the imposter syndrome we all feel at a new job or opportunity, the shades of ourselves we put on in social gatherings, the walls we build to hide our flaws and insecurities? There is something universal in the facade...

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Tuesday
Nov092021

Review: Mayor Pete

By Abe Friedtanzer

Politics have become so divisive these days that campaigns are often based more on what a candidate is not rather than what they are. It’s refreshing, therefore, to see a politician whose identity is integral to their desire to achieve a certain office. This documentary’s title indicates the informality and folksiness attributed to its protagonist, a man who may actually be one of the most put-together, presentable people in the political world today. That would be Pete Buttigieg, the extremely likeable and publicly gay mayor of South Bend, Indiana who made a run for the presidency in 2020…

Being gay is not the only aspect of who Pete is, but it is a big part of it and one that broke new ground when he shared the debate stage with other Democratic presidential candidates...

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