Sundance Review: Summer of Soul (...Or When The Revolution Could No Be Televised)

by Murtada Elfadl

1969 is remembered for many events, among them Woodstock. But that same year another concert event just as momentous took place in New York City, The Harlem Cultural Festival. It had a killer set of performers -  Stevie Wonder, Nina Simone, Sly & The Family Stone to name just a few. Yet until a few days ago I bet you didn't even know it had happened. I certainly didn’t until I saw Summer of Soul (...Or When The Revolution Could No Be Televised), Ahmir “Questlove” Thompson’s joyous documentary which premiered on the opening night of Sundance 2021.

A good music documentary needs good music and Summer of Soul has that in spades...

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Sundance: Discussing Grief in “Mass”

By Abe Friedtanzer

 It’s always interesting to see actors step behind the camera to direct, both for the subject matters they choose and the times they decide not to cast themselves in their projects. I was particularly moved by William H. Macy’s debut in that role with Rudderless, which played at Sundance in 2014 but didn’t go very far after that. It dealt with a father struggling to connect with his late son through his music after a school shooting. Now, Fran Kranz, who I always remember as Topher on Dollhouse, is exploring a similar concept as writer and director of Mass.

The film opens with church staff members setting up a room for an awkward meeting set to occur between two sets of parents...

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Sundance: “On the Count of Three” review

By Abe Friedtanzer

 

Meeting characters at a moment where they want to end their lives is a complicated endeavor. It’s important to introduce them and explain who they are while communicating what has happened to get them to this mental place. Such narratives are often melancholy, but they can also be unexpectedly funny, as is the case with On the Count of Three...

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Sundance: Clifton Collins Jr. in “Jockey”

By Abe Friedtanzer

 

It feels like there’s at least one memorable horse movie every year at Sundance. Dream Horse played last year (as did Horse Girl), The Mustang was a hit in 2019, and Chloé Zhao’s The Rider screened in 2018. There’s just something about the bond between man and the animal that’s not necessarily known as his best friend but is still thought of in quite an endearing manner. The best of those films tend to focus just as much on the human protagonist’s own internal and interpersonal struggles as they do on their relationship with their prized steed. This year’s signature Sundance entry, Jockey, does just that… 

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Film Review: "Supernova"

by Christopher James

Who wouldn’t want to see Stanley Tucci and Colin Firth in love?

The suave former Mr. Darcy would make the perfect husband for a cocktail-swirling Tucci. On paper, any movie starring these two men as lovers would be a real winner. Even though they are both straight, they've eached proven that they can realistically and empathetically play gay without leaning on stereotypes. Plus, Stanley Tucci's cookbooks (and the accompanying photo shoot) have done more for the gay community than any other straight moviestar ally. Yet, Supernova is a far cry from any delightful rom-com or charming late-in-life love story. Writer/director Harry Macqueen’s film is a much more serious and somber affair.

While both Tucci and Firth are in fine form, Supernova is more of a slog than an engrossing drama...

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