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Entries in Reviews (1249)

Thursday
Jan282021

Streaming Review: "Palmer" (Apple TV+)

by Christopher James

Justin Timberlake headlines the newest Apple TV+ film, "Palmer."When a movie has its heart in the right place, you can forgive a lot of things. Palmer, the latest Apple TV+ movie, is as saccharine as they come. It never aims to surprise, instead it just wants to make your heart soar and tear ducts swell. On both counts, it achieves its goal.

The film stars Justin Timberlake as Eddie Palmer, a former football star who spent the last twelve years of his life in prison. He gets out and lays low with his grandmother, Vivian (June Squibb giving you exactly what you expect), who often babysits her neighbor’s child, Sam (Ryder Allen). Sam’s Mom, Shelly (Juno Temple), goes on an indefinite bender, leaving Sam with Palmer and Vivian. Sam is obsessed with princesses and fairies, which often leaves him the target for schoolyard bullies. While Palmer initially bristles at Sam’s femininity, he soon becomes Sam’s protector, fighting for his right of self expression...

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Saturday
Jan232021

Thoughts on "The Father"...

by Eric Blume

It's difficult to write reviews these days, because it feels like no film is ever actually "released", and all of us are scrambling to find what movies are even available, how they're available, if they're VOD, or on a streaming service, etc.  Sony Pictures Classics might have made a fumble mostly holding back from view director Florian Zeller's The Father, taken from his own play, starring Anthony Hopkins and Olivia Colman:  if more people could see it, everyone would be talking about it.

The Father is one of those Movies They Don't Make Anymore, i.e., a damn adult drama that challenges your mind and heart.  This is a film where the entire creative team treats the audience with dignity and respect, trusting that you're listening and paying attention, and they will reward you with literate ideas, high drama, and an emotional experience.  But The Father is more than just that:  the storytelling and the visual conceit of the film are surprising and demanding, and it is not a passive undertaking for the viewer...

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Thursday
Jan142021

Review: One Night in Miami

by Matt St Clair

Regina King’s directorial debut One Night in Miami is a wonderful departure from the traditional biopic formula. Instead of focusing on key events from the lives of the famous, One Night in Miami  gives us a fictionalized, night-long conversation four iconic men might have been having at that exact moment in history. The titular night is February 25th, 1964, just after Cassius Clay’s boxing match with Sonny Liston and just before the famous athlete changed his name to Muhammad Ali.   

Malcolm X (Kingsley Ben-Adir), Cassius Clay (Eli Goree), musician Sam Cooke (Leslie Odom Jr.), and former NFL player Jim Brown (Aldis Hodge) gather together in a motel room to discuss the weight they carry as celebrities to help create social change through the Civil Rights Movement. Thanks to the lead actors, along with genius writing by Kemp Powers who adapted his own  play for the screen, we’re able to get a glimpse of the real people behind the iconic personas...

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Thursday
Jan072021

Review: Vanessa Kirby is a tour de force in "Pieces of a Woman"

by Matt St Clair

British thespian Vanessa Kirby has been on a steady rise, having earned an Emmy nomination for playing Princess Margaret on The Crown while kicking action ass in both Mission Impossible: Fallout and Hobbs & Shaw. With Pieces of a Woman, Kirby is finally given a project where she takes center stage and she emerges as the shining star of a picture that’s drenched in darkness due to its distressing subject matter.

The first major sequence in Pieces of a Woman involving Martha's (Kirby) home birth will be a deal-breaker for some viewers...

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Saturday
Dec262020

Review: Wonder Woman 1984

By Lynn Lee

Heading into this strange winter holiday season, Wonder Woman 1984 faces a daunting double challenge even for one of the world’s most iconic superheroes.  First, as a movie, does it live up to the widely acclaimed first Wonder Woman?  Second, will its performance – by whatever metrics apply in COVID times – justify Warner Bros’ decision to release the movie simultaneously in theaters and on its newly controversial streaming platform HBOMax?

The jury’s still out on the second question, but the answer to the first, alas, is no.  Wonder Woman 1984 is a mess.  Despite that fact, it’s also surprisingly enjoyable, due to the charisma of its cast and residual goodwill from its 2017 predecessor.  But as the movie that may shape the future not only of the Wonder Woman franchise but of movies as we know them, it’s a worryingly slender reed to bear such pressure...

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