The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Black authors have not been adapted the same way as their white peers because financiers don’t put their money behind black authors. -Barry Jenkins accepting Best Director at the Spirit Awards
Regina King understood what she was representing at the Oscars. Not just her film, If Beale Street Could Talk, and all the people who worked on it but also the legacy of James Baldwin. She mentioned him on the red carpet on her way to the ceremony. Fittingly, she also started her speech with him...
As is our practice we polled the team and a few friends shortly after the Oscars to get their takes. We hope you'll answer the same questions in the comments!
Of all of the great wins of Oscar night, some of the most uplifting belonged to the team from Black Panther. The film ran a gauntlet in the past year - early release, genre bias, institutionalized racism - to defy the odds and rack up three richly deserving wins in Costume Design, Production Design, and Original Score. It was the most popular film of the year and yet these wins still shouldn't be taken for granted, theirs a collective trio representing the world we experienced when we experienced Wakanda.
Adding to the sense of massive victory here are several crucial pieces of contextual trivia...
About ten months from now, there will be a press release from the Academy informing us that some of the 24 categories will be handed out during the commerical breaks. Initially there will be uproar all over again. How dare they?! Didn't we go through all this last year? What an outrage! But then I'll turn to you and say 'yeah but remember those make-up people who won for Vice?' at which point we shall all accept this harsh but necessary decision...
A big thank you to Dancin Dan, Chris Feil, Eurocheese, and Ben Miller who shared favourite acceptance speeches with us as we got hyped up for Oscar. There are so many more speeches we could have highlighted if we have more time or a bigger team, but well wrap up th speech appreciation with something that seems totally appropriate for a number of reasons: Stanley Donen's Honorary Oscar acceptance speech for, and we'll quote the Oscars here:
in appreciation of a body of work marked by grace, elegance, wit and visual innovation.
The speech is a thing of complete and utter beauty and wit and gratitude and every time we see it we're reminded of how much Oscar night lost when it opted to no longer included the Honoraries on the broadcast. (Honestly we wouldn't mind half as much if they also televised those on a different night, but alas, they don't.)
As you may have heard cinema lost Donen this week at age 94. He was one of Hollywood's purest pleasure-makers, directing or co-directing musical classics like Singin' in the Rain, On the Town, Seven Brides for Seven Brothers, and Funny Face. But that's not all! He also made beloved non-musicals with Audrey Hepburn like Charade and Two for the Road among other films. Donen is survived by his also brilliant partner of the past 20 years, the actress/director Elaine May (who just completed a much-raved Broadway run in the play Waverly Gallery so you might see her at the Tonys this year) so our condolecences go out to her this week.
Tuesday, February 26, 2019 at 3:30PM 
