The Tony Awards return to tradition. Here's what's eligible...

by Nathaniel R

Shery Lee Ralph, Jake Gyllenhaal, and Beanie Feldstein at least season's Tony Awards

The past two years have thrown awards shows (not to mention the whole entertainment industry) for quite a loop.  Nowhere was that more true than the Tony Awards with Broadway entirely shut down and most of the presumed contenders never opening in 2020. The Tony Awards for 2019 and 2020 shows were finally held last September, just under a year after nominations were announced!!! With Broadway theaters reopened for some time now (proof of vaccination and masks still required) the American Theater Wing is resuming the Tony Awards as we know them, returning to their usual month (June!) and their usual venue (Radio City Music Hall) so we're getting the 75th Tony Awards just nine months after the 74th.

The Tony Awards will arrive on June 12th and the four hour show will air live, for the first hour on Paramount+ and the final three hours on CBS. from 7-11 PM EST.  Productions have to open by April 28th to be eligible and the nomimations will be announced on May 3rd, 2022. A list of eligible productions is after the jump...

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Oscar Volley: Adapted Screenplay - a wealth of good choices, but will the Academy make the right ones?

The Oscar volleys continue. Today Lynn Lee, Mark Brinkerhoff, and Eurocheese sound off on this year’s Adapted Screenplay race.

a wealth of options for Oscar voters

Lynn: Gentlemen, I don’t know about you, but from where I’m standing, Adapted Screenplay is an embarrassment of riches this year. There are at least three contenders that tackle the incredibly difficult task of illuminating their characters’ inner lives and psychology (The Power of the Dog, Passing, and The Lost Daughter) with minimal to no voice-over narration and they all do it brilliantly. Then there are the play adaptations – everything from Shakespeare via Coen (The Tragedy of Macbeth) to Shakespeare / Sondheim / Laurents via Kushner (West Side Story) to Jonathan Larson via Lin-Manuel Miranda (tick, tick …BOOM!) to Stephen Karam doing Stephen Karam (The Humans) – where each manages to pull off a bold departure from previous iterations while retaining basic fidelity to the source text. And then there’s my personal favorite, Drive My Car, which manages to be at once an ambitious expansion of a Murakami short story and a spectacularly moving adaptation of Chekhov’s Uncle Vanya at once.

That said, we can’t realistically expect most Oscar voters to be familiar with the underlying material for these screenplays. It’s a safer bet the nominations will align pretty closely with the Best Picture nominees or almost-nominees that don’t have original screenplays...

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Sundance: Bill Nighy finds purpose in 'Living'

by Cláudio Alves

To remake a masterpiece is to invite comparison and risk redundancy. Still, filmmakers regularly throw themselves into the pit, asking for trouble. Oliver Hermanus is the latest maverick to tempt fate, joining the ranks of directors who have remade the work of Akira Kurosawa. This time around, the subject is one of the director's most beloved classics, Ikiru. It's the story of a stalwart bureaucrat who finds meaning in the last months of his life, discovering purpose in the shape of a playground when faced with the inevitability of death. The original flick is a sentimental jewel and a showcase for one of Kurosawa's favorite actors, Takashi Shimura. In 2022, the Japanese thespian shoes are filled by Bill Nighy, taking on a new version of the role that reimagines him as a British civil servant in 1952 London. 

While I can't speak for worldwide critics and cinephiles, I confess myself happily surprised by Living. No matter how distasteful the prospect of a Kurosawa remake feels, these modern artists have devised a worthy reinterpretation…

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Macbeth beyond "The Tragedy of Macbeth"

by Cláudio Alves

Joel Coen's The Tragedy of Macbeth is a beautiful experiment in bringing German Expressionism to 21st-century digital cinema. I could wax rhapsodic about its minimalist set designs and symbolic costumes, the crystalline black-and-white cinematography and ominous soundscape. Hell, there's a book's worth of material to be written about Kathryn Hunter's merge of avant-garde physical theater and Elizabethan dramaturgy. All that being said, and that Scripter nomination aside, the movie's a rather lousy Shakespeare adaptation. Despite pronouncements about trying to reinvent the Macbeths as a middle-aged couple, going deep into the psychology of two creatures whose youth is long gone, Coen doesn't go deeper than the surface. 

In the end, it's a standard reading of the play that serves as a foundation for all that style. The cinephile in me loved it, while the Shakespeare geek felt dispirited. However, there are enough Macbeth movies out there to please just about everyone. It all depends on what you're looking for… 

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USC Scripter Awards honor "Dopesick", Dune", "Passing" and more...

by Nathaniel R

The USC Scripter Awards are an annual event that is a gala fundraiser for the USC Libraries. The nominations are chosen by committee. They specifically honor the adaptations of printed works as well as the original authors. As such it's usually novels and plays that are honored. We're thrilled that Rebecca Hall's smart adaptation of Passing finally got some love. We don't know if West Side Story was ineligible but given that it's primarily canon due to its incredible musical score, it might not have felt literary enough in its original form to qualify? The nominations for film and television are after the jump...

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