Tennessee Williams @ the Oscars

by Cláudio Alves

Vivien Leigh accepts her second Oscar in 1952.

The Supporting Actress Smackdown of 1951 is coming at the end of the month, bringing with it a revisit to the first Tennessee Williams adaptation to catch the Academy's eye. Elia Kazan's A Streetcar Named Desire marked the start of a period when Hollywood couldn't get enough of the American playwright, bringing most of his celebrated texts to the screen in big studio productions that attracted the cream of the talent crop of filmmakers and actors. These projects were incredibly captivating for the latter, with their guarantee of juicy roles prone to critical acclaim. Over just fourteen years, 19 performances were Oscar-nominated, and five won. 

Let's explore the list of AMPAS-approved Williams adaptations, find out where one can watch them, and share some Oscar trivia along the way... 

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Jane Austen Done Right

by Cláudio Alves

Recently, Nathaniel reviewed Netflix's Persuasion adaptation, pointing out many of the film's issues. That said, our beloved editor is not an Austenite, so his critique lacks the militant outrage you could expect from the writer's biggest fans. Speaking as one of those demented individuals, I found the latest adaptation to be terrible beyond belief, starting from its basic premise. After all, why would one choose Austen's most melancholic, wistful, and mature novel for this Fleabag-esque treatment full of anachronistic jokes and fourth-wall-breaking jests? Isn't something like Northanger Abbey better suited for such an interpretation? The whole thing is a panoply of bad choices.

Still, while the new movie is terrible, the impulse to modernize Jane Austen's writing isn't necessarily wrong-headed. One just has to understand each text's particularities. The author's work is eminently cinematic and quite malleable when handled well. To prove its endless plasticity, here's a list of Austen-related films that took wildly disparate approaches to the material… 

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1997: The Ensemble of "Female Perversions"

We're revisiting the 1997 film year in the lead up to the next Supporting Actress Smackdown. As always Nick Taylor will suggest a few alternatives to Oscar's ballot.

Women, amirite? You've got the unique expectations foisted upon them to perform their gender by strangers, coworkers (no matter the field), loved ones, and themselves. There’s the generational traumas, both inherited and inflicted. Not to mention the way their psychosexual hang-ups function as ungainly manifestations of their repressed selves desperately seeking some kind of release. You can try reaching out to others for help, but all you’ve really got is yourself, and who trusts that bitch?

This is the territory Female Perversions resides in...

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Tribeca 2022: The Failings of the Legal System in 'The Courtroom'

By Abe Friedtanzer

 

It's no secret that the way that law works in the United States has serious issues, and archaic rulings often lead to devastating and irreversible consequences for the least fortunate. Meanwhile those with power and access can evade justice. Among the most disproportionately affected groups are immigrants, whose own “legality” is fiercely questioned and denied by those who forget that this country came into being as a nation of immigrants. Lee Sunday Evan's directorial film debut The Courtroom tackles this subject in an experimental manner, one that leaves plenty to be considered...

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Red Flag Alert: "Wicked" will now be two movies long!

by Nathaniel R

Though we've been anxiously awaiting the Wicked movie for (checks IBDB) 18 years, 6 months, and 6 days, we are suddenly dreading it. We were fairly pleased with the casting and the director choice but this new information is a major red flag. In keeping with Hollywood's money-grubbing franchise mania in which they attempt to wrestle as much money from consumers as possible even if they have to pad the stories or extend them well past their breaking point -- popularized by finales that were cleaved in half to guarantee an extra billion in ticket revenue (see Twilight and Harry Potter) or three movies based on a single book (The Hobbit) -- they've decided to make Wicked a two part movie.

Director Jon M Chu (Crazy Rich Asians, In the Heights) writes...

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