Almost There: Robert Mitchum in "Heaven Knows, Mr. Allison" and "The Sundowners"

by Cláudio Alves

This month, the Criterion Channel has programmed a collection called "Robert Mitchum: Playing It Cool," dedicated to the star of classics like Out of the Past and The Night of the Hunter. This movie star wasn't always the easiest person to work with – he was even declared the Least Cooperative Actor by the Golden Apple Awards – but his talent was undeniable, as was his screen presence. That quality would make him an iconic face of postwar film noir and, consequently, a perfect fit for 'Noirvember'. However, we're not here to discuss that part of his filmography. Unfortunately, those flicks seldom got awards traction, and the Almost There series is about performances with Oscar buzz but no nomination. 

Instead, the focus shall be on a couple of Deborah Kerr vehicles that costarred Mitchum and resulted in multiple Oscar nods. They were John Huston's Heaven Knows, Mr. Allison, and Fred Zinnemann's The Sundowners…

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Almost There: Angelina Jolie in "A Mighty Heart"

by Cláudio Alves

There are few true stars in contemporary Hollywood. Angelina Jolie is arguably one of them, part of a dying breed of movie mythology. Not that it means she's a prolific thespian. For that matter, it's pretty sad how the actress has started to evade our screens in recent years, headlining fewer and fewer projects as time goes by. That being said, Jolie is back in theaters right now, thanks to The Eternals, where she plays an immortal goddess-like figure. It's a delightfully obvious casting choice. In celebration of this occasion, we shall look back. Look back to a time when this Oscar-winning powerhouse was at the high of her visibility and popularity, but the Academy ignored her just the same. In 2007, Jolie seemed like a likely Best Actress nominee for Michael Winterbottom's A Mighty Heart…

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Almost There: Diana Rigg in "The Hospital"

by Cláudio Alves

Last Night in Soho, now in theaters, marks Diana Rigg's last movie appearance. That British Giallo pastiche cum Swinging Sixties nostalgia-kick was the great actress's final project before she died last year, at 82. Rigg left behind an incredible career that spanned over six decades and several mediums. In honor of the erstwhile Bond girl, our immortal Queen of Thorns, and unforgettable Emma Peel, this week's Almost There write-up is dedicated to her.

Despite an Emmy victory and two BAFTAs for her TV work, Rigg never got an Oscar nomination. The closest she ever came was in 1971, on the occasion of her Hollywood debut in Arthur Hiller's Oscar-winning The Hospital…

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Almost There: Timothée Chalamet in “Beautiful Boy”

by Cláudio Alves

Timothée Chalamet is the star of the moment, with two big projects now in theaters:Wes Anderson’s The French Dispatch and Denis Villeneuve’s Dune. After his breakthrough as Call Me By Your Name’s Elio, the young actor’s rise was meteoric, resulting in a well-deserved Best Actor Oscar nomination and countless opportunities. Since 2017, though, Chalamet hasn’t been able to recapture the Academy’s attention despite having some buzzy projects. Until now, the closest he ever came to a second nomination was in Felix van Groeningen’s Beautiful Boy. The film was based on the real-life story of drug addiction and familial bonds detailed in David and Nic Sheff’s memoirs. Hollywood’s current favorite twink is heartbreaking in the titular role…

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Almost There: Jeff Goldblum in "The Fly"

by Cláudio Alves        

Last week, you were asked to choose a horror movie performance to be analyzed in the Almost There series. From the ten possibilities, the pick was Jeff Goldblum in David Cronenberg's The Fly. Telling the story of a scientist who accidentally gene-splices himself with a housefly, the movie is the platonic ideal of body horror and probably the title most readily associated with the subgenre. Chris Walas and Stephan Dupuis' makeup is justly legendary and won the pair an Oscar. One would think horror would be a mainstay in that particular category, but AMPAS rarely embraces it, even there. Hence why The Fly's awards success feels so thrilling. Unfortunately, it's also why Goldblum's transformative work was ignored...

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