Almost There: Jim Carrey in "The Truman Show"

After a two-week hiatus, the Almost There series is back!

by Cláudio Alves

Blessed with an elastic face that can as easily twist into a clownish visage or a mask of tragedy, Jim Carrey is an actor prone to exaggeration. His maximalist tendencies don't always work, but they're sure to leave a lasting impression, whether playing up his funnyman routine or trying another register. While his legacy is built on comedies, awards bodies have responded better to Carrey when he's stretching himself as a dramatic performer. After his star rose with vertiginous speed in the mid-90s, the actor's first real foray into the Oscar race happened in 1998. It was then that, working with director Peter Weir, Carrey found the point where sitcom disintegrates into existential crisis, using his comedic skills to trace an odyssey of self-discovery. Despite AMPAS' marked disinterest, The Truman Show is one of Jim Carrey's greatest achievements…

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Almost There: Tim Robbins in "The Player"

by Cláudio Alves

For the past few weeks, the Almost There series has been focused on performances that won at Cannes. Tomorrow, the latest edition of Europe's most prestigious film festival begins, so it's time to end our journey through the Croisette's past. After Woodward, Duvall, and Whitaker, it's time to take a look at Tim Robbins' work in Robert Altman's The Player. The flick marked its director's splashy comeback after a decade of minor works. Playing a venal big shot producer in a skewering of the movie business, Robbins won the Best Actor prize at Cannes, got terrific reviews, but failed to secure an Oscar nomination…

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Almost There: Forest Whitaker in "Bird"

by Cláudio Alves

After two Cannes Best Actress winners who failed to nab an Oscar nomination, the Almost There series arrives at one of the French festival's male acting champions. In 1988, Forest Whitaker starred as legendary bebop innovator and jazz saxophonist Charlie "Bird" Parker in a Clint Eastwood-helmed. At Cannes, he won the big prize, and, on paper, the movie does seem like an obvious awards contender. It's from an acclaimed auteur, a traditional epically long biopic, and it came just two years after critics and the Academy had embraced the similarly-themed 'Round Midnight. However, Bird was only nominated for -and ended up winning- the Best Sound Oscar, leaving its leading man unheralded…

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Almost There: Shelley Duvall in "3 Women"

by Cláudio Alves

The Almost There series' temporary fixation on Cannes-winning performances continues with the incomparable Shelley Duvall. In 1977, when her sixth collaboration with director Robert Altman premiered at the Cannes Film Festival, Duvall took home the much-coveted Best Actress prize from a jury presided by Roberto Rossellini. The picture that earned such golden plaudits was 3 Women, a Bergman-esque exploration of juxtaposed and deconstructed identity that's also one of the best American films of its decade…

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Almost There: Joanne Woodward in "The Effect of Gamma Rays on Man-in-the-Moon Marigolds"

by Cláudio Alves

In anticipation of the upcoming 74th edition of the Cannes Film Festival, the next few weeks of the Almost There series will be dedicated to performances that won big at the Croisette and went on to some Oscar buzz. That being said, the first entry in this quasi-miniseries didn't convert Cannes plaudits into industry awards attention. The opposite happened. After opening commercially in the USA at the end of 1972, Paul Newman's third directorial effort, The Effect of Gamma Rays on Man-in-the-Moon Marigolds, got slotted into the main competition of the following year's Cannes Film Festival. By the time Joanne Woodward won the festivities' Best Actress prize, her new Oscar dreams were already busted…

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