Almost There: Marion Cotillard in "Rust and Bone"

by Cláudio Alves

Throughout the years, the Oscars' most polyglot acting category has been Best Actress, amassing twenty nominations and two victories for performances in non-English languages. Those winners, Sophia Loren (1961, Two Women) and Marion Cotillard (2007, La Vie en Rose), are also the only women to nab more than one nod for acting in their native non-English tongue. That's not the only factor that makes Cotillard's awards history a strange affair. She's also one the very few actors to get attention from the four major precursors (BFCA, HFPA, BAFTA, SAG) for her work in "foreign language" films, a feat she accomplished twice. Strangely enough, it wasn't for the same two productions that got her the Academy's attention!

Marion Cotillard's take on Edith Piaf got nominated for everything and, in the end, conquered her a little golden man. Still, five years later she was royally snubbed, becoming only the second person to get those four precursor nominations and fail to enter the Oscar line-up. The film was Jacques Audiard's Rust and Bone and the performance remains one of Cotillard's greatest achievements…

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Almost There: John Lone in "The Last Emperor"

by Cláudio Alves

Parasite made history by becoming the first non-English-language production to win the Best Picture Oscar. Its many victories marked a series of firsts for the Academy, but there's a couple of feats that Bong Joon-ho's masterpiece shares with other winners. As it happens, Parasite is the third film with a majority Asian cast to conquer Best Picture. The Last Emperor and Slumdog Millionaire are the other two. Another thing they share is a glaring lack of acting nominations, which is rare for Best Picture champions. It's difficult to peruse the data and not smell a whiff of systematic racism.

John Lone's absence from the Oscar line-up for his starring role in The Last Emperor is particularly odd… 

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Almost There: Lana Turner in "The Bad and the Beautiful"

This week The Film Experience will be celebrating Lana Turner for her Centennial. Here's Cláudio Alves

According to legend, Lana Turner was discovered in 1936, when she happened to be spotted by the publisher of The Hollywood Report while drinking a Coke at Schwab's Pharmacy. As with most myths of the cinematic Olympus, the story is unlikely to be true, though that doesn't take away from the allure of the actress. Whatever her origin story, Turner appeared in her first film the following year and quickly became one of Hollywood's most beloved sirens, an icon of glamor and sensuality, a megawatt star the likes of which we haven't seen in decades. 

Despite it all, stardom doesn't necessarily equal prestige. Turner was often seen as little more than a pretty face and her acting craft was underappreciated. In 1957, a conflagration of many scandals, personal and literary, secured her a single Oscar nomination for Peyton Place. That wasn't the first time she was in the running for awards, however...

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Almost There Extra: Tilda in "We Need to Talk About Kevin"

A bonus episode of "Almost There" (Claudio's Monday afternoon series) this week. Here's Eric Blume on a 2011 race...

There was a sad surprise when the 2011 Oscar nominations were read:  Tilda Swinton did not make the Best Actress slate, despite checking every precursor box along the way.  She had nominations from SAG, the BAFTAs, and the Golden Globes, but Oscar overlooked her magnificent performance.

Three of the nominees for the Oscar that year were considered locks:  Meryl (who won, of course) for The Iron Lady; Viola Davis for The Help; and Michelle Williams for My Week with Marilyn.  But the final two to make the list were Glenn Close for Albert Nobbs and Rooney Mara for The Girl with the Dragon Tattoo...

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Almost There: Michelle Yeoh and Zhang Ziyi in "Crouching Tiger, Hidden Dragon"

by Cláudio Alves

History repeats itself, especially when it comes to the Academy Awards. Throughout its 92 years, very few Asian actors have been recognized, even when their films were otherwise embraced. This year, the victim of the insidious trend was Parasite, which won the SAG for Best Ensemble but couldn't muster enough support for a single acting nomination at the Oscars. Thinking back to the last non-English speaking Asian production to score a Best Picture nomination, we see the same phenomenon.

In 2000, Ang Lee's Crouching Tiger, Hidden Dragon conquered a remarkable 10 nominations, including for Picture and Director but none of the nods were for acting. In the end, the blockbuster won four of its categories. Despite the acting branch's oversight, Michelle Yeoh and Zhang Ziyi received many nominations elsewhere, including the BAFTAs. The younger actress even conquered the Independent Spirit Award for Best Supporting Actress…

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