Overheard @ Box Office: "You can't go wrong with Dr. Seuss"

Overheard on Friday:

Woman#1: (Defeated sounding) I have to take my son to see The Lorax. 
Cheerful Female Friend: Ohhh, you can't go wrong with Dr. Seuss!"  

Cheerful Female Friend has clearly not registered the atrocities Hollywood has often made from the good doctor's work. And when one thinks of the colorful wit and profound whimsy of Dr. Seuss surely mainstream heartthrobs like Zac Efron and Taylor Swift pop immediately to mind! What a, uhhhh, perfect vocal match.

But Cheerful Female Friend speaks for all of America. So testifies the box office!

BAKERS DOZEN (Estimates)
01 THE LORAX  $70.7 new  
02 PROJECT X  $20.7 new  
03 ACT OF VALOR $13.7 (cum. $45.2)
04 SAFE HOUSE  $7.2 (cum. $108.2)
05 TYLER PERRY'S GOOD DEEDS $7 (cum. $25.7)
06 JOURNEY 2 THE MYSTERIOUS ISLAND $6.9 (cum. $85.6)
07 THE VOW  $6.1 ($111.7)
08 THIS MEANS WAR  $5.6  (cum. $41.6)
09 GHOST RIDER: SPIRIT OF VENGEANCE $4.7 (cum. $44.8)
10 THE ARTIST $3.9 (cum. $37)

11 WANDERLUST  $3.8 (cum. $12.4)
12 GONE $3 (cum. $8.9)
13 CHRONICLE  $1.9 (60.8)

Talking Points

Reese, Amanda, and Jen have seen better box office days

• BLONDE BUT BANKABLE? Reese Witherspoon's movies are generally expensive to make but that return on investment these days. Yikes. This Means War is still a long way from recouping its budget. Jennifer Aniston movies have always had schizophrenic box office performance but Wanderlust is definitely on the weak side of her ticket-selling. How on earth was that sperm-switching comedy more attractive to moviegoers than this one? Meanwhile Amanda Seyfried hasn't been able to scare up crowds from Gone which is weirder. It's a genre flick and can't those usually open even without a name? $8 million for a serial killer picture after two weeks? Ouch. I'm sure it doesn't help that the ads totally make it seem like something Ashley Judd was making in the early 90s.

• EXCUSE ME, BUT WHO IS PAYING TO SEE GHOST RIDER: SPIRIT OF VENGEANCE? I mean, besides our masochistic Michael C. It's already made more money than 2011's "Best Picture"... which had a big uptick post Oscar of course (The Artist's co-nominees took falls but Hugo fell only 14% despite also debuting on DVD so maybe its constant name-checking on Sunday night convinced some holdouts?)

• A SEPARATION more than doubled its screen count and had its first million dollar weekend, bringing its total to $3.7 million at the US box office. That there is a big big number for a non-genre subtitled picture.

What did you see this weekend? Was it worth the money? I was having an offline recuperation weekend so I went to see a Norwegian band at The Bitter End that one of my friends recommended called Mhoo. They're so good. Have a listen! 

They told me they're going to SXSW so if you're heading to that festival check them out.

Even when I'm at non-film events I can't stop thinking of movies. While the girls were singing I kept thinking "Kiki Dunst and Leelee Sobieski should play them in a movie!" 

Yes, No, Maybe So: "Bernie" and "Frankenweenie"

Andreas here with a pair of trailers from beloved directors -- and both death-centric comedies, at that. First up, Richard Linklater's Bernie:

YES

• The most obvious reasons: Slacker, Dazed & Confused, Waking Life, etc., etc.
• Black and McConaughey both seem to be doing offbeat, atypical work here. I'm curious to see where their performances lead.
• And of course, the legendary Shirley MacLaine!

NO

• But judging from the trailer, her role looks awfully one-dimensional -- "shrill old lady who dies." Here's hoping it's more fun in the finished film.
• This isn't the movie's fault, but wow, that trailer goes for every musical and editing cliché in the book. I'm surprised they didn't use a record scratch instead of a gunshot.

More "Bernie" and Tim Burton's Frankenweenie trailer after the jump.

Click to read more ...

"Don't you dare loose another arrow..."

I forbid it!"

Psssst. How great is the new Brave trailer? I wish all movies were confident enough to lead with an early scene instead of the traditional 'here are all the story beats' trailer. It was just the thing I needed this week to get me excited about moving on to 2012 once we wrap up with Oscar and Oscar post mortem this week.

Will this be a Pixar bullseye at the 85th Oscars on February...?

                               No, Nathaniel, No. I forbid it. No Oscar 2012/13 talk until April Fool's Day!

Animated Weekend: Two Cats, Multiple Movie Homages

Jose here.

Last weekend I decided to catch up with some Oscar nominated films and realized I was doing terribly in the Animated Feature department having only seen Rango when it came out last year. Back in December after watching Arthur Christmas and The Adventures of Tintin I was sure I'd done my homework, as those were the nominees we were all expecting. However clever old AMPAS sneaked up on us delivering the weirdest lineup the category has seen in its young history. Not being a fan of Dreamworks animation, at all, I decided I might as well just get done with it and saw the 4 movies back to back. 

I kept a journal to accompany me down this trip.

This is how it went...

Click to read more ...

Oscar's Best Animated Short Nominees. Predictions!

Amir here. Thanks to Shorts International and TIFF, I’ve had the privilege of watching the nominees for Oscar’s short categories before the ceremony for the first time. As enjoyable as it is to finally have a horse in these races and not leave that part of the telecast to refill my alcohol, I’m sad to say that I found this year’s nominees not just short, but also slight. Not that all the films are disappointing, mind you. There are some gems to be found but compared to last year’s batch, this was a letdown.  

Pixar's "La Luna"

Without further ado...we’ll take a look at the animated films today and I will be back with the live actions over the weekend. (TIFF inexplicably scrapped the documentary shorts from its schedule. If you’re filling your Oscar pools, however, the smart money seems to be on Saving Face. I’ve not yet heard a single bad word about that film.)

Dimanche/SundayDimanche is about a young boy whose dull Sunday routine of going to the church and spending the day with his grandparents is only improved by deforming coins on the train tracks! There’s a pro-environment message as the grizzly bear on the coin comes to life and interacts with the boy, but barring a few funny moments, the film is as lifeless as its premise suggests. The colourless and sketchy design of the animation doesn’t help the film’s cause either.

The Fantastic Flying Books of Mr. Morris Lessmore is a marvel as far as the quality of animation goes. (The full length version of the film is available online and Nathaniel reviewed it last week.) I’m cooler on this one than he is. I find the story interesting and I like the idea behind its execution, but I feel like the gimmick is repeated a few too many times. I think Nathaniel’s bang-on about the redundancy of anthropomorphism in the books. At 15 minutes, this is the longest film in competition and it certainly feels that way to me.

Then there’s La Luna. If we need further proof that the Pixar guys can do no wrong with their short films, this is it. I fear that saying anything about the plot will ruin the fun of it for those in the dark. Suffice to say that this story of male bonding between three generations of a family is intimately personal and yet, its fantastical twist is so clever and sweet that everyone can connect with. As usual with Pixar, the quality and detail of the animation is breathtaking. (Read Michael’s Film Experience interview with director Enrico Casarosa here. La Luna will be released later in the year, attached to Brave.)

A Morning Stroll is by far the weakest of the nominees. It tells the story of a chicken that strolls along a street, walks up a set of stairs, pecks at a door and is let in by someone. This morning stroll happens once in 1959, once in 2009 and again in 2059 and each time, the chicken confronts someone new on the street. The allegorical representation of the collective demise of the human race through the eyes of a chicken is an amazing concept but I think the shoddy execution of the animation and unwelcome tonal shifts between the three episodes don’t give the humour any room to breathe.

"Wild Life"

Finally, Wild Life is a gorgeously painted Canadian pastoral about an Englishman who immigrates to an unpopulated Alberta at the turn of the century. One the surface, the film is about one man’s depression as he faces the typical hardships of immigration, particularly the freezing cold of Midwestern Canada. But I found it to be a rich study of personal alienation and a rare look into the lives of Canadian settlers who are far less explored that their counterparts south of the border. Of all the five films, this is the one that most benefits from the technique it chooses, the oil painting effect giving it a romanticist 19^th century look that fits nicely into the narrative.

Oscar Predictions: Pixar's Day & Night couldn’t manage to take the prize last year despite being the most widely acclaimed of the nominees. I have a feeling a similar fate awaits La Luna. Flying Books’ charm will probably carry it to the podium.

Will Win: The Fantastic Flying Books of Mr. Morris Lessmore
Could Win: La Luna
Should Win: Wild Life