15 Great Moments Inside Movie Theaters in '15

Confession: I am extremely terrible about keeping a calendar, or even a letterboxd list which I update sporadically from time to time before forgetting again. In short the only "diary" of any sort I have is this ode to movies you're visiting now... The Film Experience. Nevertheless in reviewing the film year I realized that I haven't been frequenting NYC's wonderful repertory theaters as much as in past years. Must fix.  And I really have to do a better of keeping track of what I'm seeing in general lest I actually forget I saw something and it's missing from LISTS. *gasp*

But I  ♥ going to the movies. And if you're reading this it's safe to assume that you do too. So it's list time. Please share your favorite moments of moviegoing this year in the comments. 

15 Favorite Moments Inside Movie Theaters in '15
because it's the best place to be!
 

15 The Incredible Hulk (2008) 
April 29th: That moment when my best friend and I suddenly realized that we could leave anytime during the Marvel Movie Marathon (preceding the premiere of The Age of Ultron) and still get the same seat. What a relief. I mean... nobody should have to sit through Iron Man 2 ever again!

14 Clouds of Sils Maria (2014)
April 6th: Sitting down for a special invite-only screening of Clouds of Sils Maria and seeing so many actors I loved in the audience (Diane Lane, Parker Posey, Kathleen Turner and Bill Irwin). Turner was surprisingly willing to make conversation afterwards, her voice miraculously even lower than onscreen in person; she kindly ignored my fairly obvious terror at finally meeting one of my all time favorite goddesses.

13 Hateful Eight (2015) - INTERMISSION ONLY!
Dec: Though I've admired Teo Bugbee as a writer for over a year (and she's written for the site on rare occasion) we finally met recently and every time we managed to sync up our schedules (lunch, drinks at a bar, a screening of Hateful Eight) it somehow become an extra imaginary screening of Carol we talked about the movie so much. Basically Teo is the only way I made it through Hateful Eight. 

Carol, Chi-Raq, two older classics and more after the jump...

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American Hustle... 'you know, for kids!'

Text from a friend:

Too bad about their period piece aversion because New Jersey's political history, Abscam, and combover jokes are otherwise such big draws with the kids!

Overheard @ Box Office: "for my brother, I think...Three Stooges"

Exiting the laughter-filled theater after Whit Stilman's comic whatsit Damsels in Distress last night, I noticed a surprising amount of grumbling about the movie. Say, weren't you all laughing heartily just minutes ago? I know I heard you laughing. It's impossible to please those Upper West Siders!

Two men in front of me weren't impressed and one was clearly planning another movie outing soon with his brother. 

Guy Who Picks The Movie: For my brother, I think... Three Stooges.
Other Guy: And it might be better movie." 

The WTF comment haunted me the whole way home.  What kind of a crossover audience might Damsels in Distress and The Three Stooges have. Which is to say who would be torn between them if they only had money for one ticket? LOL. It has to be a previously undiscovered demographic. To quote Suzanne in Postcards from the Edge when momma Doris suggests she could have had Joan Crawford for a mother... "These are my choices?"

Here is my best, my only, guess at the overlap...

That's all I got!

TOP TEN (Estimates)
01 THINK LIKE A MAN  $33 new 
02 THE LUCKY ONE  $22.8 new
03 THE HUNGER GAMES  $14.5 (cum $356.9) Reviewed
04 CHIMPANZEE  $10.2 new
05 THE THREE STOOGES  $9.2 (cum. $29.3)
06 CABIN IN THE WOODS $7.7 (cum. $26.9)
07 AMERICAN REUNION $5.2  (cum. $48.3)
08 TITANIC (3D) $5 (cum. $52.8) Centennial
09 21 JUMP STREET  $4.6 (cum. $127)  Reviewed
10 MIRROR MIRROR $4.1 (cum. $55.2) Reviewed

Below the Top Ten...
Damsels in Distress doubled its screen count but is still a long way from indie hit status. Darling Companion, opened on only 4 screens despite a name cast. (Yes, they're all senior citizens but couldn't they market this more widely to older viewers? I mean it's only been 9 years since Diane Keaton carried a $100 million multi-quadrant hit.) Further down the list the Weinstein Co's Oscar horses of 2011 are all about to return to the stable ending their theatrical runs as they hit DVD. The Iron Lady is dragging herself to a $30 million finish, The Artist is ending with $44, and Coriolanus and W.E. are... well, better luck on DVD. 

What did you see this weekend? Do you love stunt casting? Which reality TV star would you gladly follow into the movie theater for some legit camera acting?

Overheard @ Box Office: "You can't go wrong with Dr. Seuss"

Overheard on Friday:

Woman#1: (Defeated sounding) I have to take my son to see The Lorax. 
Cheerful Female Friend: Ohhh, you can't go wrong with Dr. Seuss!"  

Cheerful Female Friend has clearly not registered the atrocities Hollywood has often made from the good doctor's work. And when one thinks of the colorful wit and profound whimsy of Dr. Seuss surely mainstream heartthrobs like Zac Efron and Taylor Swift pop immediately to mind! What a, uhhhh, perfect vocal match.

But Cheerful Female Friend speaks for all of America. So testifies the box office!

BAKERS DOZEN (Estimates)
01 THE LORAX  $70.7 new  
02 PROJECT X  $20.7 new  
03 ACT OF VALOR $13.7 (cum. $45.2)
04 SAFE HOUSE  $7.2 (cum. $108.2)
05 TYLER PERRY'S GOOD DEEDS $7 (cum. $25.7)
06 JOURNEY 2 THE MYSTERIOUS ISLAND $6.9 (cum. $85.6)
07 THE VOW  $6.1 ($111.7)
08 THIS MEANS WAR  $5.6  (cum. $41.6)
09 GHOST RIDER: SPIRIT OF VENGEANCE $4.7 (cum. $44.8)
10 THE ARTIST $3.9 (cum. $37)

11 WANDERLUST  $3.8 (cum. $12.4)
12 GONE $3 (cum. $8.9)
13 CHRONICLE  $1.9 (60.8)

Talking Points

Reese, Amanda, and Jen have seen better box office days

• BLONDE BUT BANKABLE? Reese Witherspoon's movies are generally expensive to make but that return on investment these days. Yikes. This Means War is still a long way from recouping its budget. Jennifer Aniston movies have always had schizophrenic box office performance but Wanderlust is definitely on the weak side of her ticket-selling. How on earth was that sperm-switching comedy more attractive to moviegoers than this one? Meanwhile Amanda Seyfried hasn't been able to scare up crowds from Gone which is weirder. It's a genre flick and can't those usually open even without a name? $8 million for a serial killer picture after two weeks? Ouch. I'm sure it doesn't help that the ads totally make it seem like something Ashley Judd was making in the early 90s.

• EXCUSE ME, BUT WHO IS PAYING TO SEE GHOST RIDER: SPIRIT OF VENGEANCE? I mean, besides our masochistic Michael C. It's already made more money than 2011's "Best Picture"... which had a big uptick post Oscar of course (The Artist's co-nominees took falls but Hugo fell only 14% despite also debuting on DVD so maybe its constant name-checking on Sunday night convinced some holdouts?)

• A SEPARATION more than doubled its screen count and had its first million dollar weekend, bringing its total to $3.7 million at the US box office. That there is a big big number for a non-genre subtitled picture.

What did you see this weekend? Was it worth the money? I was having an offline recuperation weekend so I went to see a Norwegian band at The Bitter End that one of my friends recommended called Mhoo. They're so good. Have a listen! 

They told me they're going to SXSW so if you're heading to that festival check them out.

Even when I'm at non-film events I can't stop thinking of movies. While the girls were singing I kept thinking "Kiki Dunst and Leelee Sobieski should play them in a movie!" 

Parties: Overheard at Guild / Oscar Functions

I thought for fun I'd collect several bits from conversations to share with y'all. A couple of the following bits were said directly to me, some were part of group conversations, some were merely overheard at screenings or events. All are anonymous and shall remain so of course but are fun for awards geeks and movie fanatics to think about. I am not a fiction writer so these are all actual quotes (or paraphrasals, rather, since I don't walk around with a tape recorder.) One thing that's important to remember but easy to forget about the Oscars is that the 6000+ voting members are individuals with individual taste. They are no monolithic unit though the world likes to imagine them sharing one gold plated borg-mind.

While mostly it is fun to talk with voters, one discouraging thing you quickly realize is true that I'd personally always hoped was false is this: many of the voters wait until right about now to start watching the movies. A lot of conversational roads have abrupt dead ends like "I haven't seen that yet but it's on the stack!" In short: they don't go to the movies as often as movie fanatics. Or, as one actress told me recently, "I see a lot of movies but I see them either long before they're in cinemas or long after." It made a lot of sense to me once I stopped to consider the inside mechanics of this Business we call Show. 

On to the (silent) sound bytes on My Week With Marilyn, Moneyball, The Artist, Young Adult and more.

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