'Everything Everywhere All At Once' triumphs at the Saturn Awards in a strong year for Asian talent

by Nathaniel R

EVERYTHING EVERYWHERE ALL AT ONCE won four prizes at the Saturn Awards

The 47th annual Saturn Awards, which are actually their 50th anniversary (it's confusing but mostly blame the pandemic) were held Tuesday night. Their calendar of eligibility runs summer to summer and they honor genre films and genre tv though they fudge a bit in some categories (kicking sci-fi fantasy and horror to the curb every once in a while for a drama or comedy or even musical they love). Though The Batman (2022) and Nightmare Alley (2021) led the nominations and both won a couple things, the night's big winner was A24's leggy hit and Oscar hopeful Everything Everywhere All At Once which took four prizes: Fantasy Feature, Lead Actress, Supporting Actor, and 4K Special Edition Release. On the TV side of the equation Better Call Saul was the top series with four prizes (three of which were for its actors)

It was a landmark year for Asian films and performers in general with RRR nabbing International Film (the fifth consecutive Asian film to win this prize after The Handmaiden, Baahubali 2, Burning, and Parasite), EEAAO's overall dominance, and six of the acting prizes going to actors of Asian descent (Michelle Yeoh, Ke Huy Quan, Ming-Na Wen, Awkwafina, Iman Vellani, and Jennifer Tilly). The list of winners and a few comments after the jump...

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Review: South Korea's Oscar Hopeful "Decision to Leave"

by Cláudio Alves

© MUBI

A woman stands in a room, alone. Wallpapered motifs encircle her in a swirl of blue-green something. Are they waves or mountaintops, those shapes repeated into infinity? Maybe they're both, maybe neither. Maybe they're everything. 

According to a Confucian proverb, the wise man admires water, the kind man admires mountains. Or maybe it's benevolence and virtue, some other translation across languages. Two complementing sides of the same person, perhaps a binary of human natures, these words reveal more than their scholarly meaning – at least, they do in Park Chan-wook's Decision to Leave. Ideas of duality percolate throughout the work, as does the attempt to understand the unfathomable reality of another person. We try to find order in chaos, logic in that which has none, pursuing an understanding that will always be out of grasp. Every single one of us is a mystery to others, and to try to transcend the impossibility of knowing someone else is a fool's errand, the most beautiful thing in the world, ecstasy holding hands with despair. It's love…

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Interview: 'Goddamned Asura' director Lou Yi-an on his multi-layered crime drama

by Juan Carlos Ojano

Inspired by a 2014 real-life killing, Goddamned Asura explores the lives of six people involved in a ramdom shooting in a night market, including the perpetrator - a troubled teenager named Jan Wen. The film follows not only the lead-up to the shooting incident, but also the aftermath of the characters as they face the repercussions of the actions of Jan Wen.The result is a somber exploration of class, isolation, and violence that is unfortunately still timely and universal.

Goddamned Asura is Taiwan's official submission for Best International Feature Film at the 95th Academy Awards. In this interview, co-writer and director Lou Yi-an expounds on the origins and themes of the story as well as explaining some terms with their cultural context compared to their English translation...

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TIFF: Lee Jung-jae’s ‘Hunt’

By Abe Friedtanzer

It’s always interesting to see what a performer, who is already well-regarded in their home country, does in the wake of international success. Lee Jung-jae just made history with his SAG and Emmy wins for his leading role on Squid Game. Last week he was announced as the star of the upcoming Star Wars TV series The Acolyte. It’s more than fair to say that he’s hot right now. That makes his directorial debut, Hunt, which he also wrote and stars in, all the more exciting.

The now internationally famous actor stars as the head of the foreign unit of the KCIA, South Korea’s Central Intelligence Agency. It's the 1980s and a period of deep unrest and an assassination attempt in the United States. Back at home, he finds himself pitted against the head of the domestic unit (played by Jung-jae’s friend and frequent collaborator Jung Woo-sung), both tasked to uncover the identity of a North Korean spy...

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Venice at Home – Day 6: (A)Moral Tales

by Cláudio Alves

Good news for Martin McDonagh fans - The Banshees of Inisherin is getting great reviews, marking a potential return to form after Three Billboards Outside Ebbing, Missouri proved to be a polarizing picture, regardless of its awards success. The new film reunites the Irish director with two of his favorite thespians, Brendan Gleeson and Colin Farrell. With another hit on his resume, the latter is having a marvelous year. Maybe that will materialize in Oscar buzz, or maybe not.

In contrast, Koji Fukada and his cast need not worry about such matters. The Japanese auteur rarely registers with voters beyond the festival circuit. Nevertheless, fans should be excited about Love Life, a family drama centering on a returning patriarch who brings with him much pain and guilt. Such aching themes are a constant in Martin McDonagh's cinema, too, featuring prominently in the first collaboration between the director, Farrell, and Gleeson. So let's remember that brilliant black comedy and one of Fukada's offbeat oddities… 

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