Barry Jenkins to Adapt James Baldwin

Chris here. Barry Jenkins is staying quite busy post-Moonlight: he directed the best episode of Netflix's already spectacular first season of Dear White People, has started developing a limited series adaptation of Colson Whitehead's The Underground Railroad for Amazon, and now has another film in the pipeline. Jenkins will begin filming an adaptation of James Baldwin's If Beale Street Could Talk this fall with Annapurna producing. The novel takes place in 70s Harlem as young Tish works to prove the innocence of her falsely accused fiance Fonny.

This obviously makes for an thrilling pairing, but no one is more excited than Jenkins, stating:

James Baldwin is a man of and ahead of his time; his interrogations of the American consciousness have remained relevant to this day... To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.

This news is exciting on many fronts, not least of which is that it will be the first major screen adaptation of Baldwin's fictional work. With Jenkins working with Baldwin's estate, their stamp of approval is further affirmation that Beale Street is in good hands. The writer/director wrote the screenplay at the same time he worked on his Oscar-winning screenplay for Moonlight, so the overlap has to guarantee as much emotionally intuitive care for his characters, right?

And if you haven't yet seen last year's Oscar-nominated documentary on Baldwin and his work, I Am Not Your Negro, it is streaming now on Amazon Prime!

Hit Me With Your Best Shot: "Moonlight"

by Nathaniel R

Little and Juan framed by nature

A truth: No matter how much you love a movie on first viewing, what makes it become a classic, a masterpiece even, is less predictable. That's in how it endures and oft times whether it can keep giving you new information. Aging, even for non-living things like a movie which is already "complete," before it begins that process, is tricky. But after a handful of screenings of Moonlight over the past nine months, it's quite obvious that the film (not to mention its surprise Best Picture win) will age spectacularly well. A prediction: We're just barely getting to know its marvel.

The Hit Me With Your Best Shot series initially started as an idea to honor Cinematography but film is so collaborative and complex that that's not how it turned out. It's ended up being more of a mise-en-scène appreciation ... sometimes the images that grab you are lighting based, other times it's the perfect marriage of a sound and picture, and then there are performances so indelible that they even become the primary iconic visual. Because Moonlight is rich in all of its moving parts, I opted to just look at the first act (for now). And I did something I never do: I watched it with the sound turned off... 

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Beauty Break: The Time 100

Chris here to start your weekend with some star gazing. Time Magazine's annual list of the 100 most influential people is here! While there's the usual assortment of world leaders, innovators, and executives (not to mentions some unsavories), it's the magic makers of the entertainment sort that catch our hearts here at The Film Experience. That ebullient Viola Davis cover to your left is nothing if not a factory for happiness.

The assembled talent and wavemakers run the gamut from Ava DuVernay to Sarah Paulson to Riz Ahmed to Constance Wu, the kind of future Hollywood we actually want to see. But the real fun of the lineup is the profiles written by other famous types about the honorees - Naomi Campbell paying tribute to RuPaul? Your icon wishes! Take a look at the photo set and tell us your favorites in the comments!

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Barry Jenkins Brings "Railroad" to Amazon

Chris here. Now that the dust has settled from the Oscar telecast snafu, we can just linger in the joy of a black queer microbudgeted film like Moonlight having won Best Picture. And after the film's emotionally immersive success I think it's safe to say that of all of last year's lauded filmmakers, the one that we're most clammoring to see the next project is Barry Jenkins.

Well get ready for him to transfer Moonlight's episodic structure into some actual episodes: the Oscar-winner will be writing and directing an adaptation of Colson Whitehead's "The Underground Railroad" for Amazon as a limited series. The novel follows Cora and Caesar, two slaves who find a literal subterranean train system on her journey to freedom in 1800s America. Already a National Book Award winner, the gorgeous prose is a perfect fit for Jenkins's attentive and comprehensive touch (I started the book this past weekend myself).

Considering Oprah selected it for her intermitent book club, one wonders if she'll also be lending her cache to at least the production team (the Moonlight producing team is also on board). For casting, while you can imagine actors lining up to work with Jenkins, but if there is one thing to hope carries over from Moonlight it's the sense of discovery he brings to a breakthrough ensemble. Have you read the novel yet?

Moonlight's Speech that never was

Moonlight’s best picture win is historic. It’s the first gay themed film to win the big award. Also the first one to win with an all black cast (more trivia here). However its big moment of course was stolen by the big debacle that was the best picture presentation.

Let’s shine a light back on Moonlight and its director Barry Jenkins. Here is the speech he would’ve given, had the presentation went as planned...

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