Review: Uncut Gems

by Chris Feil

In recent years, director duo Josh and Benny Safdie are cornering a market all their own of thriller of toxic neons and fatal consequence, after the deeply grim exploits of Heaven Knows What and Good Time. Nobody makes films quite in the way that the Safdies are making them right now, even if their particular brand of originality swims in back alley, off-putting aggressiveness. This round, their Uncut Gems is a dose of high anxiety filmmaking that’s partly Shakespearean tragedy of hubris and part underbelly crime saga in another unexamined pocket of New York City life.

Their best and most subversively accessible, it’s something enervating, infuriating, and compulsively watchable, all centered on a complex protagonist that also embodies all of the film’s contradictory qualities. That man is diamond dealer Howard Ratner, arrogantly betting off his assets and dwindling goodwill in the hopes of one massive payout, brought to exhilarating life by a possessed Adam Sandler.

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Questions we're asking ourselves about Best Actor and Best Supporting Actor

All Oscar charts are being updated over the next four days but we started with Best Actor and Best Supporting Actor because there are so many questions haunting us. So go ahead and answer the following quandaries if you can...?

1. Can Tom Hanks finally break his strange Oscar curse?
Before anyone had seen A Beautiful Day in the Neighborhood he was a lock "on paper" in Best Actor. But the movie turned out to not be a biopic at all but something far more creative and we'd argue more successful than a biopic would have been, in which Mr. Rogers is more of a symbol and catalyst for another man's journey. It's a gorgeous movie but the switcheroo from expectations to reality will likely throw some Oscar voters as well as general moviegoers. Hanks has been delivering better performances of late than the kind he used to win Oscars for but AMPAS hasn't nominated him in 19 years. Should we expect that they'll continue that "you already got yours" cold shoulder rather than be predicting him? 

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Podcast: The Irishman, Terminator Dark Fate, and Oscar Buzz

with Murtada Elfadl & Nathaniel R 

Index (60 minutes)
00:01 Murtada's New Fest jury duty
03:00 Martin Scorsese's The Irishman and why it should have been called I Heard You Paint Houses.  Thoughts on the running time, Thelma Schoonmaker's editing, the de-aging visuals, and the performances of Anna Paquin, Robert DeNiro, Joe Pesci, and Al Pacino. And a trend in 2019: directors revisiting their favourite themes reflectively this year: Scorsese, Almodóvar, and Tarantino
23:30 The Best Supporting Actor Oscar race: Pacino versus Brad Pitt? Plus tangents about Marriage Story, Ford V Ferrari, Dolemite is My Name, Just Mercy and Honey Boy
43:00 Best Actor and Best Director races and what The Irishman's true competition is
50:00 Terminator Dark Fate  and Harriet
57:45 The Best Actress race - is Cynthia in?

READ: A thoughtful positive review of Harriet from K Austin Collins
SHARE: Two tweets we mention...

Harriet is not my favorite film of the year but if you gave hours of your life to see Darkest Hour and The Theory of Everything, you have time for a Harriet Tubman movie.

— Murtada Elfadl (@ME_Says) October 29, 2019

TERMINATOR DARK FATE not giving us an ass shot of Gabriel Luna (the first time traveller not to get one in the franchise) is homophobia. pic.twitter.com/5bR2hgcxGl

— Nathaniel Rogers (@nathanielr) October 23, 2019

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

I Heard Scorsese Paints Houses

(You're Gonna) Love it Again - Rocketman!

by Nathaniel R

Kudos to Paramount to beating the Rocketman drums again with a screening and performance in Los Angeles yesterday. Early releases require this sort of care and attention from their home studios, come awards season. Rocketman emerged in the giant shadow of Bohemian Rhapsody this past May, and though it is vastly superior to the Queen picture in every way, shadows are shadows and sometimes they obscure the light...

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Joker, Reviewed: An Empty Beauty Full of Anxious Laughter

Please welcome new contributor Michael Frank...

by Michael Frank

The circus around Joker has been exhausting. It’s been a nonstop argument between every single person that posts a positive or negative review, causing friction between subgroups you didn’t even know existed. I admit I found myself having trouble separating the discourse from the film itself. I couldn’t forget the unfortunate interviews given by director Todd Phillips. When I sat in the packed-to-the-brim theater, my head was filled with expectations, anxiety, and the dozens of headlines, articles, and think-pieces I’ve read over the past few weeks. 

I’ve never seen a film provide so much discourse outside the screen, yet feel this empty and broken once it's playing in the confines of a theater. Joker is gorgeous, though, and unrelenting in its violence and instability, by way of both the titular character and its striking visuals...

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