Almost There: Harrison Ford in "Raiders of the Lost Ark"

by Cláudio Alves

As we well know, AMPAS has major genre bias, preferring the prestigious quality of respectable dramas above everything else. Even when they decide to embrace a genre picture, there's a branch of the Academy that's always ready to turn their collective noses at them with unashamed snobbery. We're talking about the actors, whose distaste for anything remotely close to action movies, adventure, horror, fantasy, sci-fi, and so forth, has robbed many great performers of the recognition they so richly deserve. Truth be told, this is a problem that goes beyond the Oscar voters and even affects popular views on the art of acting.

If you want a good example of this, look to the awards race of 1981, when Raiders of the Lost Ark was a major success with critics and audiences alike...

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Did Paul Newman win for the wrong movie?

by Cláudio Alves

Throughout the history of the Academy Awards, many a winner conquered their statue not because they were the best of the year, but because they had a grand filmography in need of golden recognition. Career Oscars are a bittersweet sort of honor, though. On one hand, it feels just to see living legends rewarded with Hollywood's most coveted trophy. On the other, the win sometimes comes from such a minor work it doesn't feel representative of the artist's true genius. In terms of acting prizes, Paul Newman is one of the most flagrant cases of a winner that was rewarded for his career rather than the merits of one performance. By the time he won a competitive Oscar, he had been nominated seven times already and had even won the first of two Honorary prizes. He might have agreed with those judgments, considering he wasn’t even present to receive the statuette.

At least, that's what most people seem to believe about the great star's Best Actor trophy for 1986's The Color of Money…

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Almost There: Paul Newman & Robert Redford in "Butch Cassidy and the Sundance Kid"

by Cláudio Alves

From 1944 to 2008, we had a five-wide Best Picture race in the Oscars, as well as four acting categories. During those years, it became rare for a movie to score a Picture nomination without also nabbing some sort of acting nod. It was especially unusual for the majority of a given line-up to be devoid of acting nods, happening only three times during those 65 years. One of those times was the 1969 Academy Awards, when Z, Hello, Dolly! and Butch Cassidy and the Sundance Kid didn't get any love from the acting branch. Considering the general bias against "foreign language" performances and the horrible reviews of a certain musical, it's easy to understand why the actors of Z and Hello, Dolly! went unrecognized. But what about the revisionist western in the bunch?…

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Emmy Watch: Best Actor in a Comedy

by Abe Fried-Tanzer

The "what will be nominated at the Emmys?" conversation continues. Today: Best Lead Actor in a Comedy Series.  Looking at last year’s nominees, this field may not be all that different apart from the top. Only one nominee, two-time defending champion Bill Hader won’t be back. Barry hasn’t yet announced its season three premiere date. On the other hand though there’s every reason to expect that the two departing contenders, Ted Danson (The Good Place) and Eugene Levy (Schitt’s Creek), will return for their show’s swan songs. Those two shows seem to have the largest fanbases among TFE readers so we assume you're rooting for them.

Another nominee from last year, Don Cheadle (Black Monday), is a toss-up. But given that he earned four consecutive nominations in this category earlier this decade as pretty much the only representation from House of Lies, scoring yet another solo bid doesn’t feel far-fetched. Anthony Anderson (Black-ish) has been nominated five times in a row, and he survived his show being ousted from the Best Comedy Series race last year, so he may be able to do it again. Michael Douglas (The Kominsky Method) is a good bet to return, but his show’s snub in the top race last year makes his chances less secure than they should be…

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Oscar's ridiculous accents

by Cláudio Alves

The Academy loves transformative performances, ones where an actor's chameleonic abilities are on full display. While the recent avalanche of biopics winning acting Oscars may suggest such dynamics are a recent phenomenon, it isn't so. Since the 20s, we've seen it happen regularly. Just look at Warner Baxter who won the second-ever Best Actor Oscar for putting on brown face and playing the Cisco Kid in In Old Arizona. That particular example also brings up another favorite bit of acting work that the Academy seems to adore beyond reason – accents. Bad ones at that.

Some performers, like Meryl Streep, are brilliant at mimicking regional and personal accents, doing them so naturally that one forgets the artifice. Many others, can't be helped and often fail at the task. To be perfectly frank, I'm not a person that's much annoyed by bad accents onscreen. Nicole Kidman's American accent in The Portrait of a Lady is quite unconvincing, for instance, but I still consider it one of the actress' best works. That said, sometimes there are levels of incompetence too flagrant to ignore.

Such is the case of some Oscar champions, including a Best Actor winner whose efforts are cringe-worthy… 

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