Joaquin Phoenix @ 50: An Alternative Oscar History

by Cláudio Alves

Joaquin Phoenix's last great performance was in C'MON C'MON.

Do you have your own dream Oscar ballots lying around? I've been doing them for ages, probably since first finding The Film Experience and becoming entranced by Nathaniel's Film Bitch Awards. In recent years, the mountains of notebooks finally came to be formally digitized, starting with the long process of creating Letterboxd lists out of every Oscar eligibility rulebook, going back to 1927. This way, I was able to make a massive Excel spreadsheet with ballots for every year, following AMPAS guidelines. Oh well, much ado about nothing. The only reason I'm bringing this up is to contextualize the bizarre birthday post in store for today, when Joaquin Phoenix celebrates his mid-century mark. 

As the Todd Haynes fiasco and the disappointing Joker diptych have made Joaquin Phoenix something of a sore subject, let's go back to happier times and better movies. Indeed, let me present an alternative Oscar history. The thespian remains a winner but under very different circumstances…

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"Harry and Tonto" @50: In defense of Art Carney's Oscar Win

by Cláudio Alves

After the dust settles and the rush of euphoria dissipates, an Oscar victory can be cause for woe rather than joy. Sometimes, a win is a loss in the big picture, even something of a curse. The effects may not be immediate or felt in the flesh by the prizewinner. Not in life, at least. It's their legacy that takes the toll. Those considered robbed will always have their defenders, misfortune becoming legend, another kind of validation no less impressive than the little gold man they failed to grasp. But those who the Academy rewarded are a different story. They become villains in recollection, mayhap fools. It's a sad affair because, more often than not, those whom history paints in these unfortunate colors are themselves robbed. The glory of victory isn't theirs to enjoy, merit buried by outrage over injustice. 

Such is the case of Art Carney, who won the Best Actor Oscar at the 47th Academy Awards for the now 50-year-old Harry and Tonto, besting such high-regarded turns as Pacino in The Godfather Part II and Nicholson in Chinatown. Did he deserve the prize? Maybe not. Does he deserve to have his triumph regarded as a mistake, a joke, a robbery? Hell no…

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Almost There: Eddie Murphy in "Beverly Hills Cop"

by Cláudio Alves

Axel Foley's back! Thirty years after John Landis' Beverly Hills Cops III, the franchise has been revived by Netflix, and the fourth movie is already on streaming. Across its various iterations, the series about a Detroit cop solving crimes in Beverly Hills has varied in its balance between action and comedy. However, Eddie Murphy's presence is a constant, conferring a semblance of consistency in the films. Indeed, his impact is so strong that one can easily classify him as the franchise's defining auteur. No need to be in the director's chair when one's presence in front of the camera transforms the pictures, shaping them around the gravitational pull of a true movie star.

To mark the occasion, let's look back at the flick that started it all. In 1984, Martin Brest's Beverly Hills Cop confirmed Eddie Murphy as an A-lister, and might have even come close to Oscar glory…

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Almost There: Gene Hackman in "The Conversation"

by Cláudio Alves

This past weekend, Francis Ford Coppola's The Conversation celebrated its 50th anniversary. Originally released in 1974, the film represents the peak of the paranoia thriller craze of that decade, encapsulating a cultural zeitgeist along with the creative zeal of New Hollywood. And yet, it's usually overshadowed by the director's other release that year – Best Picture winner The Godfather Part II. Thankfully, at The Film Experience, we've regularly showered praise on The Conversation, whether in Cannes at Home musings or Hit Me With Your Best Shot analysis. That said, one element remains under-discussed, a facet of this masterpiece so essential that, without it, the entire project would fall apart. It's Gene Hackman, of course…

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Oscar Actor Hierarchy 2024 Edition

by Nathaniel R

Just one more nomination and the Poor Things men will make the list!

When we last updated the male version of this list Anthony Hopkins had yet to win his second Oscar for The Father (2021). Also moving up the list since then are Denzel Washington (who forced an expansion of the throne room itself with his 9th acting nod via Tragedy of Macbeth) and Robert De Niro with his 8th nomination for Killers of the Flower Moon. Despite a few moves up the latter the only "new" entry is Bradley Cooper, scoring his 5th acting nod for Maestro though that poor things duo Mark Ruffalo (just nominated) and Willem Dafoe (just missed)  both feel likely to enter in the next year or three given how often they work and the plum roles that come there way. They have identical Oscar stats with 4 nominations and 0 wins each.   

What follows is a list of Oscar's 35 All Time Favorite Actors. As with the women this royal club is restricted to men with 5 or more nominations. Only the acting statistics are accounted for so George Clooney, for example, is not (yet) ranked...

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