Podcast: Ford v Ferrari, Honey Boy, and Marriage Story

with Murtada Elfadl & Nathaniel R 

Index (59 minutes)

• 00:01 Ford v Ferrari, Christian Bale, impressive crafts, and Oscar talk
• 19:06 Marriage Story, the opening scene, comparisons to Kramer vs Kramer, and more. Plus a lot of love for the actors including Alan Alda.
• 36:05 Honey Boy a Shia Labeouf's confessional with a great Noah Jupe directed by Alma Har'el. But, we confess we have Lucas Hedges fatigue.
• 47:10 Best Costume Design. We're rooting for extreme longshot Hustlers but we survey the whole field.

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Ford v Ferrari

10th Anniversary: The Young Victoria

by Cláudio Alves

It's difficult to follow the Oscar race each year without developing a prejudice against prestige biopics. At times it seems its the genre where creativity goes to die, where formulas thrive and the appearance of respectability is more important than genuine artistic merit. These words are perchance, too harsh, because specific qualities do manage to shine through the baseline of expected mediocrity on numerous occassions. Take The Young Victoria, Jean-Marc Vallée's perfectly serviceable retelling of Queen Victoria's early years and marriage to Prince Albert. Rewatching it ten years after its initial release, the film isn't as despairingly dry as you may have remembered. The Young Victoria is one of Emily Blunt's lesser efforts, but she's luminous nonetheless, bringing a sense of modernity that rubs abrasively against the historical setting. She never convinces as a 19th-century ruler, but that manages to feel more like a feature than a fault. As for Rupert Friend's Albert, he remains a charming romantic ideal, establishing great chemistry with Blunt.

And then, of course, there are Sandy Powell's Oscar-winning costumes…

Click to read more ...

The costumes of “Judy”: Fantasy vs Reality

by Cláudio Alves

When dressing a real-life story, there’s always a complicated relationship going on between a designer and History. The balance of fact and fiction, raw reality and cinematic fantasy, must be achieved and thought through. Depending on the project, the scales might tip towards one or the other, but both are always dancing hand-in-hand. Such sartorial dynamics might reflect the production’s relationship with fact or even contradict that preoccupation, either supporting an idea of History or silently challenging it.

For Judy, costume designer Jany Temime helped transform Renée Zellweger into Judy Garland, a process that was much more complex than simply looking at archival material and reproducing past fashions…

Click to read more ...

Downton Abbey: Style Ranking

By Cláudio Alves

Since its first season, Downton Abbey has been the delight of every costume drama fan. Starting in 1912 and ending in 1926, the show featured an astounding portrayal of changing styles. We all watched the characters go from Edwardian finery to the glamour of the 20s.

Every actor in the Downton Abbey movie is perfectly dressed by costume designer Anna Robbins. Sometimes the perfection is even a bit too emphatic  --no one ever looks even slightly rumpled! At the end of the day, though, this isn't a realistic view of the past but a romantic dream of a bygone era. For such nostalgic reveries, a bit of fairytale immaculateness isn't out of place. To celebrate such beauty, let's rank the Downton Abbey ladies, from worst to best dressed. For the sake of brevity and fairness, we're only looking at the upstairs crowd. It would be cruel to compare Mrs. Patmore's humble clothes to the literal crown jewels...

Click to read more ...

FYC: "Hustlers" for Best Costume Design

By Cláudio Alves

The Academy rarely recognizes the greatness of contemporary costume design. They're caught in an endless love affair with period pieces and fantasy extravaganzas. I Am Love is the last true contemporary-set film (give or take La La Land’s dreamy vision of Los Angeles) to receive such an honor without any fantastical element and that was almost a decade ago. 

This year would be a great time to break with tradition. In fact, no snub in the upcoming Best Costume Design category will hurt as much as Hustlers'. Lorene Scafaria’s electrifying drama is a luxurious feast of late aughts fashion and purposeful ostentatiousness... 

Click to read more ...