Directors should get the Best International Film Oscar

by Cláudio Alves

While many aspects of the Oscar ceremony annoyed, quite a lot of elements worked to significant effect. Chief among them, the fact winners were allowed to deliver their speeches with no apparent time limit. I don't know about you, but I love long acceptance speeches, especially those that take me on a journey. On the comedic side, we have Daniel Kaluuya, who topped his inspiring sentiment with euphoric comments about his parents having sex. The miracle of life indeed. In contrast, Thomas Vinterberg delivered a gut punch when he spoke about his daughter's tragic death upon accepting the Best International Film statuette for Another Round. It was a great, heartbreaking moment, illuminating the pain that can exist behind fantastic art. 

Considering all that, it's a pity that the Oscar itself doesn't belong to Vinterberg, nor will it be credited as his victory. As it happens, this is the only category where the winner isn't a person…

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Best International Feature: The Man Who Sold His Skin

by Cláudio Alves

For the past few months, I've been trying to watch as many Best International Feature submissions as I possibly can. For The Film Experience, I reviewed 33 of those titles, including nine of the 15 shortlisted films, with most of the remaining finalists being taken care of by other writers. Still, one feature remained unreviewed on Oscar nomination morning, and, as luck would have it, that very same production nabbed a somewhat surprising nod. I wish I could say I was happy about The Man Who Sold His Skin's triumph, but Tunisia's seventh ever submission and first nominee proved to be a disappointment…

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1983 Flashback: The Best International feature race

by Cláudio Alves

Have you ever seen a film so good it makes you happy to be alive? For me, Ingmar Bergman's Fanny & Alexander is one of those films. 

After I guested on the 2001 episode of The One-Inch Barrier, a podcast about the Best International Film category, the amazing Juan Carlos Ojano asked me to choose another year to do and I immediately knew I wanted to talk to him about 1983. Since last summer, I'm happy to say Juan Carlos and I have become friends, and there are few things I like to do more than sharing the movies I love with the people I love and there are few things I love more than Fanny & Alexander. I'd be even more joyful if you, lovely readers, could share in this lovefest for cinema. Join us as we travel back to the early 80s and talk about Bergman's legacy, World War II movies, the magic of dance on the big screen, and much more. Take a listen:

What do you think of this Oscar lineup? Are you as in love with Fanny & Alexander as I am or do you have another favorite from '83?

Best International Feature: Denmark, Hong Kong, Norway

by Cláudio Alves

With the shortlists announced, we now know which of the 93 Best International Feature submissions still have a chance to contend for Oscar gold. AMPAS has selected 15 finalists, a third of which will be honored with an Academy Award nomination come March 15th. Here at The Film Experience, the team has reviewed most of the shortlisted titles. However, four still haven't been analyzed. To start correcting that, here's another trio of capsule reviews. It's time to explore the pictures submitted by Denmark, Hong Kong, and Norway… 

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Best International Feature: Indonesia, Senegal, Thailand

by Cláudio Alves

Tomorrow we'll know which 15 films made the Academy's shortlist in the Best International Feature Film category. In this series of capsule review trios, I've looked at 27 films whose quality spanned from shoddy propaganda to caustic masterpiece. To end in a round number, I'd like to shine a light on three films that are very unlikely to be chosen by AMPAS. Three features whose singular oddness and inspiringly weird ideas deserve to be celebrated, even though one of them can be called faultless. Join me, as I try to describe the wonders of an Indonesian horror flick with historical ambitions, a Senegalese tragedy with Shakespearean proportions, and a Thai coming-of-age tale centered on the ideologies inherent to minimalist interior design…

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