Interview: Ladj Ly on 'Les Miserables'

by Murtada Elfadl

Winning a major prize at last May’s Cannes and the French finalist for Best International Film this year, Ladj Ly’s Les Misérables is a searing story of an escalating volatile situation taking place in Montfermeil, a Parisian project. A new policeman Stéphane (Damien Bonnard) joins the anti-crime squad and is paired up with Chris (Alexis Manenti) and Gwada (Djebril Zonga), whose methods are sometimes brutal and against the people they are supposed to be protecting. The trio get into a whole heap of trouble when they use excessive force on a gang of young boys misbehaving. The film builds sustainable tension across its running time until it boils over, with assured intense filmmaking.

We recently met with Ly in New York to discuss his film, opening today in limited release. [This interview was conducted in French and English with the help of an interpreter and has been edited and condensed for clarity.] 

Murtada Elfadl: The film has a lot of perspectives. The police, young Issa and his friends, the many factions living in the area. Can you talk about balancing the different perspectives and different characters?

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Interview: Karim Aïnouz on 'Invisible Life' and why he chose to make a melodrama

by Murtada Elfadl

With a depth of feeling and lush gorgeous colors that knock the wind out of you, Invisible Life is melodrama done right. Set in Rio de Janeiro in 1950 as two inseparable sisters have different dreams. One, Euridice played by Carol Duarte, wants to become a renowned pianist. The romantic Guida (Julia Stockler) yearns for true love. They are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other. We follow their story with ache in our hearts but with our eyes feasting on the beauty that fills the frame.

We got a chance to speak with director Karim Aïnouz recently in New York. [This interview was edited and condensed for clarity.]

Murtada Elfadl: Congratulations. The film is amazing.

Karim Aïnouz: Thank you. Thank you. That's good to hear

One of the things that I really love about it I grew up on Egyptian movies, which are very melodramatic.

Are you Egyptian?

I'm Sudanese.

Okay, let's go. Yeah. Okay.

So this reminded me of all the movies that I loved growing up. It's very lush.The emotions are very big. It's about family, it's about women. So I wanted to ask you about that first. Melodrama is not that respected these days. Were you afraid or concerned to make a melodrama?

It's like that for me too, I was raised on melodrama. I was raised bathing in melodrama because that's the genre root of Brazilian soap operas, radio soap operas and novellas in the 50s and then that sort of led onto the soap operas of the 70s when I was growing up...

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Best International Feature: Vietnam, United Kingdom & Singapore's contenders

by Cláudio Alves

The Oscar shortlists are almost here. On December 16th, we'll finally know which are the 10 films that go forward in the race for the Best International Feature award. To whittle down the record-breaking number of 91 submissions into a sparse 10 won't be an easy feat and there are bound to be many snubs causing controversy and discussion among Oscar buffs. While we wait for that most anticipated date, I invite you to continue our adventure through those 91 submissions. This time around, we're focusing on films that are currently available on Netflix.

There's Vietnam's story of a vengeful mother in search of her kidnapped daughter; the UK's tale of human perseverance in Malawi; and Singapore's oneiric reveries about disappeared drivers and insomniac detectives…

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French Cinema and the Oscars: A Love Story

by Cláudio Alves

France is the most-nominated country in the History of the Best International Feature Oscar, having conquered 39 nods over the decades. They'll probably up that number soon with Ladj Ly's Les Misérables. The likeliness of a nomination doesn't mean the selection of the country's Oscar submission was without controversy. Many a cinephile thinks Céline Sciamma's Portrait of a Lady on Fire was more deserving. Without the benefit of being in the race for that particular trophy, the much-lauded period lesbian romance is likely to receive no Oscar love, even though it's eligible for most other categories

While it's rare for French films to be recognized outside the Best International Feature race, it's not unheard of. Since the beginning of the Academy Awards, 53 films have done so. That's not including documentaries or short films (or the number would be yet more inflated) . The Oscars may be very local in their tastes, but they've always shown a bit of Francophilia…

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Best International Feature: France, Denmark & Russia's contenders

by Cláudio Alves

In less than two weeks, December 16th to be exact, we'll know the Best International Feature shortlist. In previous years, there were only nine finalists but, due to recent rule changes, the list has been expanded to ten titles. As usual, expect to see a lot of European productions since this category loves to reward the cinema of the Old Continent. Thinking of those preferences, I've decided to purview the submissions of three European champions of the past. 

Specifically, they are France, with nine competitive wins and three honorary awards uner their belt; Denmark, with three victories; and Russia, which won once or four times if you count USSR's wins. We'll start with the most-nominated country in the category's History…

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