Europa! Europa! EFAs Feeling Broken, Blue and Beautiful

The European Film Awards have announced their annual year-straddling list of nominees and featured heavily are several Oscar contenders from 2012 and 2013. Recognisable names like Keira Knightley, Naomi Watts (not for Diana, thankfully) and Jude Law rub shoulders with Felix van Groeningen, Fabrice Luchini and Luminita Gheorghium, which is just how we like it! 

However, like many award shows at this time of the year the biggest eyebrows isn't so much in what they nominated, but what they didn't. The cries of "snub!" will surely come thick and fast for Adele Exarchopolous and Lea Seydoux who failed to make the actress nominees for their soaring performances in Blue is the Warmest Color. Lucky then that the film picked up major nominations in picture and director for controversial Abdellatif Kechiche. Movies amassing big nomination hauls include Belgian Oscar hopeful The Broken Circle Breakdown, Italian Oscar hopeful The Great Beauty, and Germany's hit Oh, Boy! while films representing Romania, and Spain (albeit last year) also popped up prominently as did Francois Ozon's In the House.

High profile films amongst films that the EFA didn't find room for include Oscar-nominee Kon-tiki, Only God Forgives, A Hijacking, The Selfish Giant, Berberian Sound Studio (sadly - the best horror film of the last few years!), Borgman, and What Richard Did. Here's the list of nominees + the additional technical winners that have already been announced.

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Podcast: FYC Summer & Fruitvale Station

Season Something. Episode 2
A second consecutive week with Nathaniel, Nick, Joe and Katey ... can you believe it? (But, pssst, we recorded this one at the same time as last week's Blue Jasmine convo. As you listen Nathaniel is heading out of town for his first gay wedding, Bride & Bride division)

This week's headlining film topic is the divisive response to Fruitvale Station (previously reviewed) and whether or not it can bear the burden of its hype on "Oscar"'s march towards Oscar. We also weigh in on whether Octavia Spencer and Michael B Jordan deserve nominations for their work. But it's not all Fruitvale. We find ways to throw Short Term 12, World War Z, Blancanieves, and The Heat, into the conversation and a few old movies, text messages, and documentaries make cameos too  -- you know we like to keep it loose and rangey.  

P.S. Nick's DVD shelves make one more key appearance so to fully understand us you'll want to remind yourself of his chronological shelving and his idea of a Year Zero... 1982's Frances. 

You can listen to the podcast here at the bottom of the post or download it on iTunes.

Fruitvale and FYCs

Foreign Film Oscar Finalists Offer Surprises and a Cold Snap

Each year, while I struggle to keep up with the foreign film submission charts and my sisyphean effort to find screenings or screeners of the 50 to 70+ films each year, Oscar's Foreign Film Nominating Committe cuts me off at the knees in my efforts. They always axe the bulk of the submissions and narrow the field to nine just as I've begun to make headway. Each year, I struggle to understand why nine? Ten (or more) would surely be easier to take for the finalists who did not find themselves Oscar nominated the following month. They could content themselves with a 50/50 chance, and consider it a toss of the coin misfortune rather than 'Nah, we don't like you so much!' 

"Kon Tiki", Norway's most expensive movie ever, is an epic adventure about explorer Thor Heyerdal. The Weinstein Co will handle US distribution.

The finalists, a surprisingly chilly bunch whether through auteur sensibility or subject matter (Austria, Canada, Romania) or actual wintry or wet physical temperatures (Denmark, Iceland, and Switzerland) are...

• Austria, "Amour," Michael Haneke, director; REVIEWED
• Canada, "War Witch," Kim Nguyen, director;
• Chile, "No," Pablo Larraín, director; REVIEWED
• Denmark, "A Royal Affair," Nikolaj Arcel, director;
• France, "The Intouchables," Olivier Nakache and Eric Toledano, directors;
• Iceland, "The Deep," Baltasar Kormákur, director;
• Norway, "Kon-Tiki," Joachim Rønning and Espen Sandberg, directors;
• Romania, "Beyond the Hills," Cristian Mungiu, director; REVIEWED
• Switzerland, "Sister," Ursula Meier, director

Oscar Season Giveth
We knew that short of a voting catastrophe, Amour -- winner of numerous scrolls, plaques, and "you're great!" knicknacks --  would be here and perhaps need only fend off France's global hit for the gold. But I'm personally most thrilled for the delightfully ugly Chilean entry No which seemed like a longer shot than it turned out to be. (I had predicted it as a finalist but I admit that that was more wishful thinking than savvy prophesy!) Voters tend to favor traditionally "beautiful" movies in this category but No purposely goes for a cruddier VHS-inspired look and that aesthetic decision turns out to be super effective in the film's seamlessly well edited mix of acted and found footage from the Chilean political upheaval. As a Scandinavian Nut (my ancestry is Danish and I speak very broken Norwegian) I'm always happy to see those countries in the mix. I haven't yet seen Kon-Tiki but A Royal Affair is a fine costume piece that starts out deceptively traditional only to reveal itself in the telling as a surprisingly resonant political drama. That said, it's modern resonance is deeply  nfortunate. Tis a pity that we still have to fight the wars that should have been won from The Enlightenment centuries ago! But no, the rich are still preying on the poor, and still using shamelessly self-serving deceit and distortion to insure that a great many normal civilians keep buying into the system that oppresses them in favor of wealthy parasites -- just check out what Boehner and the GOP are up to every day!

Oscar Season Taketh Away
I personally loved The Philippine entry Bwakaw which is no longer in the running. I knew it was a more modest effort than they usually go for but I hoped its well modulated character study about a senior citizen and his beloved dog would melt their hearts. I had also hoped to see Spain's clever Snow White riff Blancanieves in the mix in the off chance that I could find a way to propose to Macarena Garcia and/or Sergio Dorado at an Oscar function (kidding! but they are beautiful) or be able to discuss silent films at the Oscars for the second year running (not kidding!).

The most high profile omissions are surely festival noise-makers Caesar Must Die from Italy, Fill the Void from Israel, and Barbara from Germany -- all three countries are frequent Oscar fixtures. The snub for the Golden Lion winner Piéta from South Korea isn't as surprising since Oscar is weirdly resistant to Asian cinema if the names Akira Kurosawa or Ang Lee aren't prominent in the credits.

How are you feeling about the Foreign Finalists and which do you think we'll be nominated? [SEE THE UPDATED CHART]