Interview: Phyllis Nagy on Patricia Highsmith, Sunset Blvd, and "Carol"

Phyllis Nagy in Palm Springs with Cate BlanchettMonday night through Tuesday evening was a special 24 hours in the lives of Team Experience. At the NYFCC awards gala, Alec Baldwin, presenting the Best Director prize to Todd Haynes (Carol), quoted a Film Comment piece by our dear friend and podcast mate Nick Davis. That same night Phyllis Nagy was honored for Best Screenplay by the Pulitzer winning playwright/screenwriter Tony Kushner (Angels in America, Lincoln) himself. Though I was not in attendance for the Carol-heavy NYFCC gala on Monday night where the film also took Best Cinematography and Best Film), I had the opportunity to congratulate Nagy the next evening on her fine work adapting the year's best film from the original 1952 Patricia Highsmith novel "The Price of Salt." The occassion was a cocktail event for the movie hosted by former and future Todd Haynes muse Julianne Moore (here are a few photos of that reunion.)

It was our second chat with the sharp and talented Phyllis Nagy, who up until Carol had been best known for her stage plays and the HBO film Mrs Harris (2006) which she wrote and directed.

Here's our original conversation which we hope you'll enjoy...

NATHANIEL: So Phyllis I started this  as kind of a joke to myself but then decided to commit to it and have literally asked every person I interviewed from Carol ... How come you're such a genius? 

PHYLLIS NAGY: Well, practice. [Laughs] In this case, yeah, practice, many years of it. Which ultimately aided it, it didn’t hurt it, it may have felt like that from time to time...

NATHANIEL: You mean the long gestation period?

PHYLLIS NAGY: Yeah, when no one wants to [make a film], it gives you the opportunity to obsessively go over it again and again on your own time, at least make it a document that you’re proud of. So, luckily...

[Patricia Highsmith's interiority, great actors, and tough rewrites after the jump...]

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Best of '15: Co-Star Chemistry, the Great Intangible

These are the 15 relationships that really crackled for us on screen this year with an electric snap... or familial/platonic warmth... or sexual combustibility... or tense reserve ... or  lived-in authenticity ...or any combo thereof depending on what the relationship called for. Kudos to the actors, directors, screenwriters, and casting directors who all obviously contributed to capture lightning in a bottle. The following examples of screen chemistry told us so much about the characters within the story and sometimes outside of it from long before the events of the movie or projecting out after the narrative. Do I find it troubling that the SAG and BFCA nominations for Best Ensemble avoided ALL of these films save Spotlight? Why, yes --- yes I do! Thanks for asking. 

Note: I opted not to include Carol in the list primarily because the obsession is too strong and every single relationship in the movie is fascinating (yes even Therese & Richard's! Even Harge & Abby who only get one scene together) and it wouldn't be fair to the other pictures with its web of relationships, new, old, soured, fresh, complicated and all superbly rendered. Joy, which is better than the initial response suggests, also has fine pockets of chemistry within a bustling cast (something David O. Russell excels at) but I couldn't settle on any one relationship.

The list is presented without commentary... but for what you have to say in the comments. 

15 Sylvester Stallone & Michael B Jordan in Creed (trainer/trainee and surrogate something)

14 more couplings after the jump...

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Is Marvel Recruiting Cate Blanchett?

Yesterday, fresh off her Golden Globe and SAG nominations, Cate Blanchett was reported to be a potential candidate for an unknown role in Thor: Ragnarok, another high profile star to join the Marvel Cinematic Universe. Twitter has not been pleased.

BUT! Before you get out your pitchforks and scream of heresy, let's note a few things about the third Thor entry that might change your mind:

1. Taika Waititi is taking over directing duties. If you haven't watched his vampire mockumentary What We Do In The Shadows from earlier this year, fix that! The film excels at the kind of farcical character humor that was the strongest element of Kenneth Branagh's original installment and was mostly absent from the sequel.

2. Mark Ruffalo is also starring in his Hulk's first time outside of an Avengers film, so the film is already giving us something we've been asking for.

3. Galadriel! Blanchett isn't afraid of genre material, and when she's having a ball, so are we.

4. Let's not forget how the MCU works with potential crossover characters - think of the possibilities. How about this one: none other than Tilda Swinton is in the forthcoming Doctor Strange. One can dream!

5. As we were reminded with her recent W Magazine spread, fun things happen when she gets to be a little kooky.

There's plenty reason to be optimistic!

Nothing is known of the role yet (please be a villain, please be a villain, please be a villain), but this and the assembled team thus far at least point toward Marvel making this one feel a little more special than what we got with Thor's round 2. Thor: Ragnarok is coming November 3, 2017.

Ruth Negga and Joel Edgerton in Loving

Murtada here. The first picture from Jeff Nichols’ (Take Shelter, Mud) new movie Loving was released. Currently shooting, the film tells the story of Mildred and Richard Loving and the landmark 1967 civil rights supreme court decision that invalidated laws prohibiting interracial marriage.

Joel Edgerton plays Richard Loving in his second collaboration with Nichols after the still unreleased Midnight Special. Edgerton is riding on a bit of Oscar buzz right now for his supporting role alongside Johnny Depp in Black Mass. Mildred is played by Ethiopian-Irish actress Ruth Negga (Marvel’s Agents of S.H.I.E.L.D) in her first major film role. Did you know Negga played Dame Shirley Bassey for the BBC in 2011? After watching that clip I’m really excited to see her lead a movie. Negga had a varied theater and TV career in the U.K. and Ireland so fans of S.H.I.E.L.D or those more familiar with her other work, please tell us if this is the beginnings of a new actressey obsession!

One of the many photos of the Lovings shot by Grey Villet

Michael Shannon, who’s been in every single movie directed by Nichols, has a supporting part as Grey Villet, the LIFE Magazine photographer who shot the famous photos of the Lovings in 1965. The photo from the film is evocative of those Villet images. The resemblance to the actors is uncanny, no?

As for Midnight Special, which also stars Kirsten Dunst and Adam Driver, it was revealed recently by Dunst that it may premiere at SXSW next March. For a while Midnight Special had a premium November release date that prompted some to peg it as an Oscar movie. Of course once it was pushed back, many speculated that all is not well. Hopefuly a spring festival premiere in Nichols’ hometown will turn around the buzz. 

Possibly two movies from Nichols in 2016. Are you excited to see either or both movies?

Jon Hamm is ready to become a movie star

Here's Murtada with news on what's next for Jon Hamm post-Mad Men.

He finally won his much deserved Emmy and now that Mad Men is behind him, it seems Jon Hamm is set on becoming a movie star. This week came the announcement that he’s joining Ansel Elgort, Lily James and Jamie Foxx in Edgar Wright's next movie Baby Driver. He’s reportedly playing “a former Wall Street trader turned cop killer” ie. the big baddie.

Driver is one of a few upcoming Hamm movies. Already in the can is the comedy Keeping Up with the Joneses alongside Zach Galifianakis in which he plays a government spy hiding in the suburbs. Maintaining the espionage angle he’s set to play a US diplomat working with a CIA agent (Rosamund Pike) in 1970s Beirut in High Wire Act which was announced a couple of months ago but who knows if it’s still happening. He’s currently shooting Marjorie Prime in which he plays a holographic recreation of an ailing woman’s (Lois Smith) dead husband as he looked in his 30s.

An intriguing mix of movies, genres and lead/supporting parts. Perhaps chosen to compensate for the failure of his first foray into leading man territory with last year’s box office bomb Million Dollar Arm. He’s got the talent and he’s got the looks. Lines between TV and movie stardom are getting more blurred everyday with more actors and directors straddling both mediums. Still a bonafide movie star has much more clout than even the most successful TV star. Hamm seems to want that as he pointedly has chosen not to work in TV. Understandably, there’s nowhere to go on TV after the huge succes and endurance of an iconic part like Don Draper.

Do you think Hamm has what it takes to become a big crossover star a la George Clooney?