Happy Birthday, Giorgio Moroder

Tim here. Today's the 75th birthday of Giorgio Moroder, pioneering electronic-dance-pop mastermind, and winner of four Grammys. But this being a film site, what we're interested in is his work in movie scoring, for which he won three Oscars. And what stellar work it is!

Moroder's soundtracks - and even more than that, his songs - are absolutely definitive. Any child of the '70s or '80s can't help but associate Moroder's compositions with a certain kind of glossy, high-concept spectacle. Moroder's sleek, borderline-campy music brought pop-art grandeur to everything from the political drama Midnight Express (his Best Score Oscar) to the smutty musical Flashdance and from the kitschy Superman III to the sparkling black fantasy The NeverEnding Story. His compositions for these films are the opposite of timeless; they are emphatically and proudly mired in a specific period of pop culture history.

But for the same reason, his scores and songs are the best imaginable fit for the giddy, playfully shallow cinema of that decade, bringing the energy and dazzle of the first years of the Blockbuster Era to life with style and flair whose period-specific artificiality is their greatest strength, not any kind of weakness. But let's allow the man's music to speak for itself. Here are my three personal favorite from his 80s soundscapes.

From Cat People (1982): "Cat People (Putting Out Fire)", later used to magnificent effect in Inglourious Basterds

From Flashdance (1983): "Flashdance... What a Feeling" (his second Oscar, the first for Best Song)

From Top Gun (1986): "Danger Zone" (he won his third Oscar for "Take My Breath Away" from the same movie)

What are your favorite Moroder film scores and songs?

Robert Wise Centenary: The Curse of the Cat People (1944)

It's Tim. September marks the centennial of famed director Robert Wise, winner of Oscars for the musicals West Side Story and The Sound of Music among several other classic films, and the members of Team Experience are going to spend the next several days revisiting work from the entire range of his career. And what better place to start than at the very beginning: 1944's The Curse of the Cat People, which was Wise's directorial debut, taking over from Gunther V. Fritsch, when the project fell behind schedule. It's part of the legendary run of movies produced by Val Lewton's horror-oriented B-unit at RKO, a studio where Wise had already logged time as an editor (cutting both Citizen Kane and The Magnificent Ambersons, no less). But it's not, itself, a horror movie, despite being the sequel to Cat People, one of the canonically great horror films in history. And despite Wise having a terrific hand for horror, as he'd first prove with his third feature, the Lewton-produced The Body Snatcher.

The Curse of the Cat People is, rather, a sort of psychologically realist fairy tale, taking its title (which RKO forced upon Lewton, though giving him the freedom to make any plot he wanted to under that name) to the most symbolic, abstract extreme possible. It involves Oliver Reed (Kent Smith) and his wife Alice (Jane Randolph), the heroes of the earlier film, moved to the New York suburbs with their six-year-old daughter Amy (Ann Carter), who's having a problem separating fantasy from reality lately. And the audience is forced into having much the same problem, when Amy wishes for a friend and gets one in the form of Irena (Simone Simon), whom devotees of Cat People might recall was Oliver's first wife. The one who transformed into a panther when she got sexually aroused, and is dead now.

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I'm not aware of too many things, i link what I link, if you know what I mean

Hello Cinema has a really fascinating conversation about the reception of foreign films, Iranian and elsewhere, in North America referencing interesting movies like A Separation, Leila, Mother of George, Children of Heaven, City of God, and many more
Man, I Love Films on the beloved 40s noir horror Cat People (such a good flick, huh?) 
My New Plaid Pants falls in love with (nsfw) 1966's Georgy Girl with Lynn Redgrave & Alan Bates 
Guardian George Clooney, perpetual bachelor, is engaged! 

ABC Musicians Paul Simon and his wife Edie Brickell arrested for disorderly conduct. The New Bohemians were not brought in for questioning
Theater Mania Grease Live! will be the next TV musical event after The Sound of Music's success. No cast yet (and good luck strying ot out Stockard/Olivia/John) but it's aiming for 2015 
Serious Film my friend Michael liked Match, the Tribeca film starring Patrick Stewart I reviewed yesterday, a helluva lot more than me so it's worth sharing an opposing opinion
First Showing footage from Russell Crowe's directorial debut, The Water Diviner
Empire the WB triples down on director Zach Snyder giving in both the Man of Steel sequel and the Justice League movie  (but why? People have already turned on Man of Steel as a 'meh' which doesn't bode well for enthusiasm next time)
Cinema Blend ...is on rumor control: Matt Damon as Aquaman? 
Towleroad so that's what Teen Wolf's departed cast member Colton Haynes has been up to. (side note: Towleroad has been killing it with the post titles of late)
The Wire revisiting Mean Girls with the woman who wrote the non-fiction / non-comedy book it's adapted from 

Time Magazine's "100 Most Influential People" List
The full list has been revealed with these 27 people in the "arts" section: Marina Abramovic, Amy Adams, Diane Paulus, Matthew McConaughey, John Green, Beyoncé, Sheika al-Mayassa bint Hamad bin Khalifa al-Thani, Donna Tartt, Jordan Peele, Seth Meyers, Benedict Cumberbatch, Robin Wright, Binyavanga Wainaina, Miley Cyrus, Robert Redford, Jenji Kohan, Yao Chen, Arundhati Roy, Megan Ellison, Carrie Underwood,  Kerry Washington, and Keegan Michael Key. Weird eclectic lineup. (This last season renewed my love for Amy Adams but I've never thought of her as "influential" per se.) Interestingly enough -- at least for The Film Experience's purposes -- five of the slots are taken up by recent hotly-contested Oscar contests. Best Directors Steve McQueen & Alfonso Cuarón are both accounted for as are the leading "Original Song" nominees Robert and Kristen Anderson-Lopez (from Frozen) and "Happy" Pharrell Williams.  All of the celebrities get tributary write-ups by other starry folk: Oscar whisperer Harvey Weinstein honors film legend Redford; James Franco writes about Abramovic (OF COURSE HE DOES); Naomi Watts talks up Robin Wright who had her best year; and Jessica Chastain has the good sense to worship Megan Ellison...

The Italian Renaissance flourished because patrons like the Medici family sponsored artists and valued their craft. Today the film industry has been blessed with a modern version of the Medicis — a single benefactor who has the utmost respect for cinema: Megan Ellison.
         -Jessica Chastain 

The magazine has multiple covers as most event issues do these days. Who would you have placed on the list that didn't make it?